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RE GODS NAME GODS RE AS IN THREE IS IS THREE AS IN RE
I ATUM 1234 ATUM I
STRIKE A LIGHT LUCIFER MEETS ITS MATCH
THUS HAVE I HEARD IN THE KINGDOM OF THE MIND THE ONE I'D MAN IS KING
OSIRIS SO IRIS IS IS IRIS SO OSIRIS ISIS IS IS ISIS OSIRIS SO IRIS IS IS IRIS SO OSIRIS
IS ASTROLOGY A STARRY LOGO ASTROLOGY A STARRY LOGO I S
SHEM SU HOR ROH US MEHS SHEM HORUS SUROHMEHS
FINGERPRINTS OF THE GODS Graham Hancock 1995 City of the Sun, Chamber of the Jackal Page 381(Part VII) "Heliopolis (City of the Sun) was referred to in the Bible as On but was originally known in the Egyptian language as Innu, or Innu Mehret - meaning 'the pillar' or 'the northern pillar'.3 It was a district of immense sanctity, associated with a strange group of nine solar and stellar deities, and was old beyond reckoning when Senuseret chose it as the site for his obelisk. Indeed, together with Giza (and the distant southern city of Abydos) Innu / Heliopolis was believed to have been part of the first land that emerged from the primeval waters at the / Page 382 / moment of creation, the land of the 'First Time', where the gods had commenced their rule on earth.. ATUM 1234 ATUM
'shapeless, black with the blackness of the blackest night' BLACK B LACK OF LIGHT C BLACK
The sky had not been created, the earth had not been created, the children of the earth and the reptiles had not been fashioned in that place. . . I, Atum, was one by myself. . . There existed no other who worked with me .'. .6 Conscious of being alone, this blessed and immortal being contrived to create two divine offspring, Shu, god of the air and dryness, and Tefnut the goddess of moisture: 'I thrust my phallus into my closed hand. I made my seed to enter my hand. I poured it into my own mouth. I evacuated under the form of Shu, I passed water under the form of Tefnut.,7 Despite such apparently inauspicious beginnings, Shu and Tefnut (who were always described as 'Twins' and frequently depicted as lions) grew to maturity, copulated and produced offspring of their own: Geb the god of the earth and Nut, the goddess of the sky. These two also mated, creating Osiris and Isis, Set and Nepthys, and so completed the Ennead, the full company of the Nine Gods of Heliopolis. Of the nine, Ra, Shu, Geb and Osiris were said to have ruled in Egypt as kings, followed by Horus, and lastly - for 3226 years - by the Ibis-headed wisdom god Thoth.8 3x2x2x6 IS 72 IS 72 IS 6x2x2x3 Who were these people - or creatures, or beings, or gods? Were they figments of the priestly imagination, or symbols, or ciphers? Were the stories told about them vivid myth memories of real events which had taken place thousands of years previously? Or were they, perhaps, part of a coded message from the ancients that had been transmitting itself over and over again down the epochs - a message only now beginning to be unravelled and understood? Page 382 "I, Atum, was one by myself. . . There existed no other who worked with me .'"
I ATUM 1234 ATUM I ATUM 1234 ATUM I ATUM 1234 ATUM I ATUM 1234 ATUM I ATUM 1234 ATUM I ATUM 1 ATUM 1 ATUM 1 ATUM
I AM THAT I THAT AM AT MAAT AT AM I THAT I THAT I THAT I
IS ALIVE IS DEAD IS ALIVE IS THAT THAT THAT IS IS THAT THAT THAT UNIVERSAL MIND ISISIS MIND UNIVERSAL ISISIS DEAD ISISIS ALIVE ISISIS DEAD ISISIS GO DO GOOD GODS GODDESSES GODS GOOD DO GO GO DO GOOD GODDESSES GODS GODDESSES GOOD DO GO
REAL REALITY REVEALED AM I AM REVEALED REALITY REAL
GREATORS PERFECT CREATORS BALANCING PERFECT CREATORS DEAD AND ALIVE IMMORTAL R U I ME I R U IMMORTAL ALIVE AND DEAD ALIVE AND DEAD IMMORTAL R U I ME I R U IMMORTAL DEAD AND ALIVE THAT GREAT SEE I THAT UNIVERSAL MIND UNIVERSAL THAT I SEE GREAT THAT
GOOD EVIL BLACK WHITE LIGHT DARK NEGATIVE POSITIVE NEGATIVE POSITIVE DARK LIGHTWHITE BLACK EVIL GOOD
THINKS WATER THINKS WATER THINKS THINKS I SEE THAT SEE I SEE THAT SEE I THINKS THAT I KNOW I KNOW THAT
I THAT AM AT MAAT AT AM ISISIS MAAT ISISIS REAL REALITY REVEALED AM I AM REVEALED REALITY REAL THINKS ALWAYS DIVINE THOUGHT PLASMAS GODS PLASMAS THOUGHT DIVINE ALWAYS THINKS
BEYOND THE VEIL ANOTHER VEIL AND THEN A VEIL BEYOND
HAMLET'S MILL AN ESSAY INVESTIGATING THE ORIGINS OF HUMAN KNOWLEDGE AND ITS TRANSMISSION THROUGH MYTH Giorgio De Santillana and Hertha Von Dechend 1969 Intoduction Page 1 (number omitted) " The unbreakable fetters which bound down the Great Wolf Fenrir had been cunningly forged by Loki from these: the footfall of a cat, the roots of a rock, the beard of a woman, the breath of a fish, the spittle of a bird. The Edda Toute vue des choses qui n'est pas estrange est fausse. VALERY
The figure of Hamlet as a favorable starting point came by chance. Many other avenues offered themselves, rich in strange symbols and beckoning with great images, but the choice went to Hamlet because he led the mind on a truly inductive quest through a familiar landscape-and one which has the merit of its literary setting. Here is a character deeply present to our awareness, in whom ambiguities and uncertainties, tormented self-questioning and dispassionate insight give a presentiment of the modern mind. His personal drama was that he had to be a hero, but still try to avoid the role Destiny assigned him. His lucid intellect remained above the conflict of motives-in other words, his was and is a truly con/ Page 2 / temporary consciousness. And yet this character whom the poet made one of us, the first unhappy intellectual, concealed a past as a legendary being, his features predetermined, preshaped by longstanding myth. There was a numinous aura around him, and many clues led up to him. But it was a surprise to find behind the mask an ancient and all-embracing cosmic power-the original master of the dreamed-of first age of the world. This essay will follow the figure farther and farther afield, from the Northland to Rome, from there to Finland, Iran, and India; he will appear again unmistakably in Polynesian legend. Many other Dominations and Powers will materialize to frame him within the proper order. Amlodhi was identified, in the crude and vivid imagery of the Norse, by the ownership of a fabled mill which, in his own time, ground out peace and plenty. Later, in decaying times, it ground out salt; and now finally, having landed at the bottom of the sea, it is grinding rock and sand, creating a vast whirlpool, the Maelstrom (i.e., the grinding stream, from the verb mala, "to grind"), which is supposed to be a way to the land of the dead. This imagery stands, as the evidence develops, for an astronomical process, the secular shifting of the sun through the signs of the zodiac which determines world-ages, each numbering thousands of years. Each age brings a World Era, a Twilight of the Gods. Great structures collapse; pillars topple which supported the great fabric; floods and cataclysms herald the shaping of a new world. Tradition will show that the measures of a new world had to be procured from the depths of the celestial ocean and tuned with the measures from above, dictated by the "Seven Sages," as they are often cryptically mentioned in India and elsewhere. They turn out to be the Seven Stars of Ursa, which are normative in all cosmological alignments on the starry sphere. These dominant stars of the Far North are peculiarly but systematically linked with those which are considered the operative powers of the cosmos, that is, the planets as they move in different placements and configurations along the zodiac. The ancient Pythagoreans, in their conventional language, called the two Bears the Hands of Rhea (the Lady of Turning Heaven), and called the planets the Hounds of Persephone, Queen of the Underworld. Far away to the south, the mysterious ship Argo with its Pilot star held the depths of the past; and the Galaxy was the Bridge out of Time. These notions appear to have been common doctrine in the age before history-all over the belt of high civilizations around our globe. They also seem to have been born of the great intellectual and technological revolution of the late Neolithic period. The intensity and richness, the coincidence of details, in this cumulative thought have led to the conclusion that it all had its origin in the Near East. It is evident that this indicates a diffusion of ideas to an extent hardly countenanced by current anthropology. But this science, although it has dug up a marvelous wealth of details, has been led by its modern evolutionary and psychological bent to forget about the main source of myth, which was astronomy -the Royal Science. This obliviousness is itself a recent turn of events-barely a century old. Today expert philologists tell us that Saturn and Jupiter are names of vague deities, subterranean or atmospheric, superimposed on the planets at a "late" period; they neatly sort out folk origins and "late" derivations, all unaware that planetary periods, sidereal and synodic, were known and rehearsed / Page 4 / in numerous ways by celebrations already traditional in archaic times. If a scholar has never known those periods even from elementary science, he is not in the best position to recognize them when they come up in his material. Ancient historians would have been aghast had they been told that obvious things were to become unnoticeable. Aristotle was proud to state it as known that the gods were originally stars, even if popular fantasy had later obscured this truth. Little as he believed in progress, he felt this much had been secured for the future. He could not guess that W. D. Ross, his modern editor, would condescendingly annotate: "This is historically untrue." Yet we know that Saturday and Sabbath had to do with Saturn, just as Wednesday and Mercredi had to do with Mercury. Such names are as old as time; as old, certainly, as the planetary heptagram of the Harranians. They go back far before Professor Ross' Greek philology. The inquiries of great and meticulous scholars such as Ideler, Lepsius, Chwolson, BoIl and, to go farther back, of Athanasius Kircher and Petavius, had they only been read carefully, and noted, would have taught several relevant lessons to the historians of culture, but interest shifted to other goals, as can be seen from current anthropology, which has built up its own idea of the "primitive" and what came after. One still reads in that most unscientific of records, the Bible, that God disposed all things by number, weight and measure; ancient Chinese texts say that "the calendar and the pitch pipes have such a close fit, that you could not slip a hair between them." People read it, and think nothing of it. Yet such hints might reveal a world of vast and firmly established complexity, infinitely different from ours. But the experts now are benighted by the current folk fantasy, which is the belief that they are beyond all this-critics without nonsense and extremely wise. In 1959 I wrote: But they are tantalizing fragments of a lost whole. They make one think of those "mist landscapes" of which Chinese painters are masters, which show here a rock, here a gable, there the tip of a tree, and leave the rest to imagination. Even when the code shall have yielded, when the techniques shall be known, we cannot expect to gauge the thought of those remote ancestors of ours, wrapped as it is in its symbols. Their words are no more heard again Through lapse of many ages. . . We think we have now broken part of that code. The thought behind these constructions of the high and far-off times is also lofty, even if its forms are strange. The theory about "how the world began" seems to involve the breaking asunder of a harmony, a kind of cosmogonic "original sin" whereby the circle of the ecliptic (with the zodiac) was tilted up at an angle with respect to the equator, and the cycles of change came into being. This is not to suggest that this archaic cosmology will show any great physical discoveries, although it required prodigious feats of concentration and computing. What it did was to mark out the unity of the universe, and of man's mind, reaching out to its farthest limits. Truly, man is doing the same today. Einstein said: "What is inconceivable about the universe, is that it should be at all conceivable." Man is not giving up. When he discovers remote galaxies by the million, and then those quasi-stellar radio sources billions of light-years away which confound his speculation, he is happy that he can reach out to those depths. But he pays a terrible price for his achievement. The science of astrophysics reaches out on a grander and grander scale without losing its footing. Man as man cannot do this. In the depths of space he loses himself and all notion of his significance. He is unable to fit himself into the concepts of today's astrophysics short of schizophrenia. Modern man is facing the nonconceivable. Archaic man, however, kept a firm grip on the conceivable by framing within his cosmos / Page 6 / an order of time and an eschatology that made sense to him and reserved a fate for his soul. Yet it was a prodigiously vast theory, with no concessions to merely human sentiments. It, too, dilated the mind beyond the bearable, although without destroying man's role in the cosmos. It was a ruthless metaphysics. Not a forgiving universe, not a world of mercy. That surely not. Inexorable as the stars in their courses, miserationis parcissimae, the Romans used to say. Yet it was a world somehow not unmindful of man, one in which there was an accepted place for everything, rightfully and not only statistically, where no sparrow could fall unnoted, and where even what was rejected through its own error would not go down to eternal perdition; for the order of Number and Time was a total order preserving all, of which all were members, gods and men and animals, trees and crystals and even absurd errant stars, all subject to law and measure. This is what Plato knew, who could still speak the language of archaic myth. He made myth consonant with his thought, as he built the first modern philosophy. We have trusted his clues as landmarks even on occasions when he professes to speak "not quite seriously." He gave us a first rule of thumb; he knew what he was talking about. Behind Plato there stands the imposing body of doctrine attributed to Pythagoras, some of its formulation uncouth, but rich with the prodigious content of early mathematics, pregnant with a science and a metaphysics that were to flower in Plato's time. From it come such words as "theorem," "theory," and "philosophy." This in its turn rests on what might be called a proto-Pythagorean phase, spread all over the East but with a focus in Susa. And then there was something else again, the stark numerical computing of BabyIon. From it all came that strange principle: "Things are numbers." Once having grasped a thread going back in time, then the test of later doctrines with their own historical developments lies in their congruence with tradition preserved intact even if half understood. For there are seeds which propagate themselves along the jetstream of time. Page 7 And universality is in itself a test when coupled with a firm design. When something found, say, in China turns up also in Babyionian astrological texts, then it must be assumed to be relevant, for it reveals a complex of uncommon images which nobody could claim had risen independently by spontaneous generation. Take the origin of music. Orpheus and his harrowing death may be a poetic creation born in more than one instance in diverse places. But when characters who do not play the lyre but blow pipes get themselves flayed alive for various absurd reasons, and their identical end is rehearsed on several continents, then we feel we have got hold of something, for such stories cannot be linked by internal sequence. And when the Pied Piper turns up both in the medieval German myth of Hamelin and in Mexico long before Columbus, and is linked in both places with certain attributes like the color red, it can hardly be a coincidence. Generally, there is little that finds its way into music by chance. Again, when one finds numbers like 108, or 9 x 13, reappearing under several multiples in the Vedas, in the temples of Angkor, in Babylon, in Heraclitus' dark utterances, and also in the Norse Valhalla, it is not accident. There is one way of checking signals thus scattered in early data, in lore, fables and sacred texts. What we have used for sources may seem strange and disparate, but the sifting was considered, and it had its reasons. Those reasons will be given later in the chapter on method. I might call it comparative morphology. The reservoir of myth and fable is great, but there are morphological "markers" for what is not mere storytelling of the kind that comes naturally. There is also wonderfully preserved archaic material in "secondary" primitives, like American Indians and West Africans. Then there are courtly stories and annals of dynasties which look like novels: the Feng Shen Yen I, the Japanese Nihongi, the Hawaiian Kumulipo. These are not merely fantasy-ridden fables. In hard and perilous ages, what information should a well-born man entrust to his eldest son? Lines of descent surely, but what else? The memory of an ancient nobility is the means of preserving the / Page 8 / arcana imperii, the arcana legis and the arcana mundi, just as it was in ancient Rome. This is the wisdom of a ruling class. The Polynesian chants taught in the severely restricted Whare-wananga were mostly astronomy. That is what a liberal education meant then. Sacred texts are another great source. In our age of print one is tempted to dismiss these as religious excursions into homiletics, but originally they represented a great concentration of attention on material which had been distilled for relevancy through a long period of time and which was considered worthy of being committed to memory generation after generation. The tradition of Celtic Druidism was delivered not only in songs, but also in tree-lore which was much like a code. And in the East, out of complicated games based on astronomy, there developed a kind of shorthand which became the alphabet. As we follow the clues-stars, numbers, colors, plants, forms, verse, music, structres-a huge framework of connections is revealed at many levels. One is inside an echoing manifold where everything responds and everything has a place and a time assigned to it. This is a true edifice, something like a mathematical matrix, a World-Image that fits the many levels, and all of it kept in order by strict measure. It is measure that provides the countercheck, for there is much that can be identified and redisposed from rules like the old Chinese saying about the pitch pipes and the calendar. When we speak of measures, it is always some form of Time that provides them, starting from two basic ones, the solar year and the octave, and going down from there in many periods and intervals, to actual weights and sizes. What modern man attempted in the merely conventional metric system has archaic precedents of great complexity. Down the centuries there comes an echo of Al-Biruni's wondering a thousand years ago, when that prince of scientists discovered that the Indians, by then miserable astronomers, calculated aspects and events by means of stars-and were not able to show him anyone star that he asked for. Stars had become items for them, as they were to become again for Leverrier and Adams, who never troubled to look at Neptune in their life although they had computed and discovered it in 1847. The Mayas and the Aztecs in their / Page 9 / unending calculations seem to have had similar attitudes. The connections were what counted. Ultimately so it was in the archaic universe, where all things were signs and signatures of each other, inscribed in the hologram, to be divined subtly. And Number dominated them all (appendix # I ). This ancient world moves a little closer if one recalls two great transitional figures who were simultaneously archaic and modern in their habits of thought. The first is Johannes Kepler, who was of the old order in his unremitting calculations and his passionate devotion to the dream of rediscovering the "Harmony of the Spheres." But he was a man of his own time, and also of ours, when this dream began to prefigure the polyphony that led up to Bach. In somewhat the same way, our strictly scientific world view has its counterpart in what John Hollander, the historian of music, has described as "The Untuning of the Sky." The second transitional figure is no less a man than Sir Isaac Newton, the very inceptor of the rigorously scientific view. There is no real paradox in mentioning Newton in this connection. John Maynard Keynes, who knew Newton as well as many of our time, said of him: Newton was not the first of the Age of Reason. He was the last of the magicians, the last of the Babylonians and Sumerians, the last great mind which looked out on the visible and intellectual world with the same eyes as those who began to build our intellectual world rather less than 10,000 years ago. . . Why do I call him a magician? Because he looked on the whole universe and all that is in it as a riddle, as a secret which could be read by applying pure thought to certain evidence, certain mystic clues which God had laid about the world to allow a sort of philosopher's treasure hunt to the esoteric brotherhood. He believed that these clues were to be found partly in the evidence of the heavens and in the constitution of elements (and that is what gives the false suggestion of his being an experimental natural philosopher), but also partly in certain papers and traditions handed down by the brethren in an unbroken chain back to the original cryptic revelation in Babylonia. He regarded the universe as a cryptogram set by the Almighty-just as he himself wrapt the discovery of the calculus in a cryptogram when he communicated with Leibniz. By pure thought, by concentration of mind, the riddle, he believed, would be revealed to the initiate.1 Page 10 Lord Keynes' appraisal, written ca. 1942, remains both unconventional and profound. He knew, we all know, that Newton failed. Newton was led astray by his dour sectarian preconceptions. But his undertaking was truly in the archaic spirit, as it begins to appear now after two centuries of scholarly search into many cultures of which he could have had no idea. To the few clues he found with rigorous method, a vast number have been added. Still, the wonder remains, the same that was expressed by his great predecessor Galileo: But of all other stupendous inventions, what sublimity of mind must have been his who conccived how to communicate his most secret thoughts to any othcr person, though very far distant either in time or place, speaking with those who are in the In dies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years) And with no greater difficulty than the various arrangement of two dozcn little signs upon paper? Let this be the seal of all the admirable inventions of man. 'Way back in the 6th century A.D., Gregoire de Tours was writing: "The mind has lost its cutting edge, we hardly understand the Ancicnts." So much more today, despite our wallowing in mathematics for the million and in sophisticated technology. Page 2 Note *. The indulgence of specialists is asked for the form of certain transliterations throughout the text; for example, Amlodhi instead of Amlodi, Grotte instead of Grotti, etc. (Ed.) Page 9 Note 1 1 "Newton the Man," in The Royal Society. Newton Tercentenary Celebrations (1947), p. 29.
HAMLET'S MILL AN ESSAY INVESTIGATING THE ORIGINS OF HUMAN KNOWLEDGE AND ITS TRANSMISSION THROUGH MYTH Giorgio De Santillana and Hertha Von Dechend 1969 Page 162 "Finally, there is one remarkable and disturbing coincidence from the same direction. It is known that in the final battle of the gods, the massed legions on the side of "order" are the dead warriors, the "Einherier" who once fell in combat on earth and who have been transferred by the Valkyries to reside with Odin in Valhalla-a theme much rehearsed in heroic poetry. On the last day, they issue forth to battle in martial array. Says the Grimnismal (23): "Five hundred gates and forty more-are in the mighty building of Walhalla-eight hundred 'Einherier' come out of each one gate-on the time they go out on defence against the Wolf."
CITY OF REVELATION John Michell 1972 Page 77 CHAPTER SEVEN 3168, The Perimeter of the Temple "If the numbers of the sacred principles, mentioned by St John in connection with the New Jerusalem, are obtained from the Greek text by the cabalistic method of gematria, it is found that they correspond to the dimensions of the city, set out in Fig 16. (Figure omitted) For example, the perimeter of a hexagon contained within the circle representing the earth, 7920 feet in diameter, measures 2376 feet, and 2376 is the number of (Greek text omitted), the twelve apostles of the Lamb (Revelation 21.14). 2376 x 2 feet is equal to 1746 MY, and 1745 = (Greek text omitted), the twelve apostles. The names of the apostles are said to be in the twelve foundations of the wall of the city. The wall is the circle of diameter 7920 feet and 14,400 cubits in circumference, and the foundations are the twelve corners of the double hexagon inscribed within it, fonowing the customary pattern of an astrological chart. The position of the twelve apostles in the scheme is thus clearly defined. Page 78 The perimeter of the temple is 3168, Lord Jesus Christ, when the temple is measured by the foot, the most sacred unit of ancient metrology. In terms of the megalithic yard (2.72 feet), however, the perimeter measures 1164, because 3168 feet = 1164 MY. Yet this makes no difference to the symbolic interpretation by gematria, for 1164 is the number of another name of Christ, (Greek text omitted) Son of God. As a geodetic or earth-measuring number, 3168 also demonstrates the antiquity and sacred origin of British metrology, for 31,680 ft. = 6 miles. 31,680 furlongs = 3960 miles = radius of the earth. 31,680 miles = perimeter of square containing the terrestrial sphere. 31,680 miles = circumference of circle drawn on the combined diameters of the earth and moon (10,080 miles) Other cosmological correspondences of 3168 are given on page 109. The Stonehenge sarsen circle with circumference of 316.8 feet 3168 in Plato's city 5040 = 1 x 2 x 3 x 4 x 5 x 6 x 7 39,916,800 = 1 x 2 x 3 x 4 x 5x 6 x 7 x 8 x 9 x.10 x 11 5040, the radius of the circular city, is the product of the numbers1 - 7; 7920, the side of the square city, is the product of numbers 8 - 11. In each case the perimeter of the city is 31,680. In Plato's Republic is the famous, cryptic reference to the 'marriage number', which should be consulted by the guardians of the state in all matters relating to the seasonal union of male and female. There appear to be two numbers involved, adding up to a third, but the riddle is so obscure that no firm solution has been reached despite the vast literature on the subject. For various reasons the number 12,960,000 or 36002 is most commonly proposed, and this would seem appropriate, for 12,960 = 5040 + 7920. 12,960 therefore represents the union of square and circle, symbol of the sacred marriage, and the gematria is also appropriate, for 1296 = (Greek text omitted) Mary mother of Jesus. FIGURE 24 (Figure omitted) Plato's city divided into 5040 rings, Perimeter = 31,680, Areas: A + a = B + b = C + c = 31,680.
"Plato declares that there are certain numbers that link these with each other and with all phenomena capable of being measured. As an example of these numbers, the study of which Plato recommends as the most sanctifying of all pursuits, he gives 5040."
BEN BEN STONE 255 255 12655 STONE BEN BEN
LOOK AT THE FIVES LOOK AT THE FIVES LOOK AT THE FIVES THE FIVES THE FIVES
Pi - Wikipedia, the free encyclopediaπ (sometimes written pi) is a mathematical constant whose value is the ratio of any circle's circumference to its diameter in the Euclidean plane; ... Fundamentals - History - Open questions - Use in mathematics and science
PiFrom Wikipedia, the free encyclopediaJump to: navigation, search π (sometimes written pi) is a mathematical constant whose value is the ratio of any circle's circumference to its diameter in the Euclidean plane; this is the same value as the ratio of a circle's area to the square of its radius. It is approximately equal to 3.14159265 in the usual decimal notation. Many formulae from mathematics, science, and engineering involve π, which makes it one of the most important mathematical constants.[1] π is an irrational number, which means that its value cannot be expressed exactly as a fraction m/n, where m and n are integers. Consequently, its decimal representation never ends or repeats. It is also a transcendental number, which implies, among other things, that no finite sequence of algebraic operations on integers (powers, roots, sums, etc.) can be equal to its value; proving this was a late achievement in mathematical history and a significant result of 19th century German mathematics. Throughout the history of mathematics, there has been much effort to determine π more accurately and to understand its nature; fascination with the number has even carried over into non-mathematical culture. Probably because of the simplicity of its definition, the concept of π has become entrenched in popular culture to a degree far greater than almost any other mathematical construct.[2] It is, perhaps, the most common ground between mathematicians and non-mathematicians.[3] Reports on the latest, most-precise calculation of π (and related stunts) are common news items.[4][5][6] The current record for the decimal expansion of π, if verified, stands at 5 trillion digits.[7] The Greek letter π, often spelled out pi in text, was first adopted for the number as an abbreviation of the Greek word for perimeter "περίμετρος" (or as an abbreviation for "perimeter/diameter") by William Jones in 1706. The constant is also known as Archimedes' Constant, after Archimedes of Syracuse who provided an approximation of the number, although this name for the constant is uncommon in modern English-speaking contexts. Contents [hide] There are various other ways of finding the Lengths or Areas of particular Curve Lines, or Planes, which may very much facilitate the Practice; as for instance, in the Circle, the Diameter is to the Circumference as 1 to ... 3.14159, &c. = π[13] The capital letter pi (Π) has a completely different mathematical meaning; it is used for expressing products (notice that the word "product" begins with the letter "p" just like "perimeter/diameter" does). It can also refer to the osmotic pressure of a solution. Geometric definition in Euclidean plane geometry, π is defined as the ratio of a circle's circumference C to its diameter d:[9] The ratio C/d is constant, regardless of a circle's size. For example, if a circle has twice the diameter d of another circle it will also have twice the circumference C, preserving the ratio C/d. Alternatively π can be defined as the ratio of a circle's area A to the area of a square whose side is equal to the radius r of the circle:[9][14] These definitions depend on results of Euclidean geometry, such as the fact that all circles are similar, and the fact that the right-hand-sides of these two equations are equal to each other (i.e. the area of a disk is Cr/2). These two geometric definitions can be considered a problem when π occurs in areas ofmathematics that otherwise do not involve geometry. For this reason, mathematicians often prefer to define π without reference to geometry, instead selecting one of its analytic properties as a definition. A common choice is to define π as twice the smallest positive x for which the trigonometric function cos(x) equals zero.[15
EUCLID 533394 EUCLID PI 79 PI PHI 789 PHI
DIVINE PROPORTION Johannes Kepler [1571-1630] "Geometry has two great treasures: one is the theorem of Pythagoras; the other, the division of a line into extreme and mean ratio. The first we may compare to a measure of gold; the second we may name a precious jewel." - Johannes Kepler [1571-1630] (Illustratins omitted) Any objective observation we make must include a discussion of proportion for it is the rule of proportion in the examination of nature that causes us to observe an organized universe and a universe in chaos, rational and irrational numbers, harmony and discord, truth and falsity. These descriptions are merely proportional effects of the opposition that is inherent in all things. We see harmony expressed by those emotions, feelings, and characteristics present within ourselves. This harmony is viewed within nature as the Divine Proportion. The Divine Proportion ascribed to our collective state of observation has been expressed, "For of three magnitudes, if the greatest (AB) is to the mean (CB) as the mean (CB) is to the least (AC), they therefore all shall be one." AB/CB = CB/AC = 1.618... Throughout history, Phi has been observed to evoke emotion or aesthetic feelings within us. The ancient Egyptians used it in the construction of the great pyramids and in the design of hieroglyphs found on tomb walls. At another time, thousands of miles away, the ancients of Mexico embraced Phi while building the Sun Pyramid at Teotihuacan. The Greeks studied Phi closely through their mathematics and used it in their architecture. The Parthenon at Athens is a classic example of the use of the Golden Rectangle. Plato in his Timaeus considered it the most binding of all mathematical relations and makes it the key to the physics of the cosmos. During the Renaissance, Phi served as the "hermetic" structure on which great masterpieces were composed. Renowned artists such as Michelangelo, Raphael, and Leonardo da Vinci made use of it for they knew of its appealing qualities. Evidence suggests that classical music composed by Mozart, Beethoven, and Bach embraces Phi. Whether it was by design or intuitive is not known. Phi must be considered in its relation to the human psyche since it is the psyche that interprets this phenomena. Although Phi appears to be fixed in nature, it actually is not. The only reason it seems fixed is because it is fixed within our own minds. This proportion corresponds to the mental vibrations that are within us and dictate our sense of pleasure and pain, beauty and ugliness, love and hate, etc. The result is we are held captive by these memories fixed by both body and mind. For if we were to view nature from an altered state of consciousness, the proportion would also be altered. Therefore, the Divine Proportion presents itself in the very physical nature of Creation. It is seen as the beauty and organization within the cosmos. It is the harmony and glue that holds the unity of the universe.
ELECTRIC ET CIRCLE ET CIRCLE ET ELECTRIC
EUCLID ID CLUE EUCLID EUCLID 94 3335 EUCLID EUCLID ID CLUE EUCLID
EUCLID L DICE U EUCLID EUCLID 3 4935 3EUCLID EUCLID L DICE U EUCLID
PENTAGRAM 5 PENTAGRAM 755217914 FIVE 5 FIVE 755217914 PENTAGRAM 5 PENTAGRAM
PENTAGRAM 5 PENTAGRAM
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Pentagram - Wikipedia, the free encyclopedia en.wikipedia.org/wiki/Pentagram 1 Classification; 2 Early history ... The simple five-pointed star is not a pentagram. .... Other sources point to its origin in Chinese five-element philosophy (see ... Pentagram From Wikipedia, the free encyclopedia For other uses, see Pentagram (disambiguation). Type Schläfli symbol{5/2} Coxeter–Dynkin diagram
Symmetry group Contents [edit] Classification A pentacle is a pentagram with a circle around it (point-down in this image). [edit] Early history Hugieia Pentagram Representation of the Chinese five phases, or elements (Wǔ Xíng) Man inscribed in a pentagram, from Heinrich Cornelius Agrippa's De occulta philosophia libri tres. The five signs at the pentagram's vertices are astrological. Another pentagram from Agrippa's book. This one has the Pythagorean letters inscribed around the circle. A goat's head inscribed in a downward-pointing pentagram, from La Clef de la Magie Noire by the Rosicrucian Stanislas de Guaita (1897). Order of the Eastern Star emblem "... Ah, how do all my senses leap at this sight! I feel the young and sacred pleasure of life quivering in my nerves and veins. Was it a God who traced this sign which stills the vertigo of my soul, fills my poor heart with joy, and, in a mysterious rapture, unveils the forces of Nature around me? Am I myself a God? All is so clear to me: I behold in these simple line the revelation of active Nature to my soul. I realise for the first time the truth of the wise man's words: The world of spirits is not closed! Thy sense is obtuse, thy heart is dead! Arise! Bathe, O adept of science, thy breast, still enveloped by an unearthly veil, in the splendours of the dawning day!" (Faust, Part i.sc.i).[35] Fractal pentagram drawn with a vector iteration program Pentagrammic prism Pentagrammic antiprism Snub dodecadodecahedron 16th stellation of icosidodecahedron [edit] Higher dimensions The rectified 5-cell has 10 vertices and 30 edges. The rectified 5-simplex has 15 vertices, seen in this orthogonal projection as 3 nested pentagrams. The birectified 5-simplex has 20 vertices, seen in this orthogonal projection as 4 overlapping pentagrams. All ten 4-dimensional Schläfli-Hess polychoron have either pentagrammic faces or vertex figure elements. Successive inferior conjunctions of Venus repeat very near a 13:8 orbital resonance (The Earth orbits 8 times for every 13 orbits of Venus), creating a pentagrammic precession sequence. [edit] In visual arts Martina Schettina: Golden Pentagram 2009 The artist Martina Schettina uses pentagrams in her paintings.[36] The painting "Golden Pentagram" was shown at the Museumsquartier in Vienna in 2010.[37]
Retrieved 10 February 2006.
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Categories: Christian symbols This page was last modified on 3 April 2012 at 01:38.
The Meaning Of A Pentagram www.angelfire.com/id/robpurvis/pentagram.html The Pentagram is a symbol of a star encased in a circle. Always with 5 points (one pointing upward), each has its own meaning. The upward point of the star is ... The number 5 - Human stars - Golden proportion - Protection against evil
Pentagram - Wikipedia, the free encyclopedia en.wikipedia.org/wiki/Pentagram The Sumerian pentagrams served as pictograms for the word "UB" meaning "corner, angle, nook; a small room, cavity, hole; pitfall", suggesting something very ... Classification - Early history - European occultism - Religious symbolism
Pentagrams: Meaning and History (The Cauldron: A Pagan Forum) www.ecauldron.net › Article Library › Miscellaneous While the Pentagram is often associated with Satanists in the modern American mind, it has a long history of positive usage both by Pagans and Christians, ...
Symbols and their meaning www.crossroad.to/Books/symbols1.html Keep in mind that many of these symbols have double or multiple meanings. For example, the pentagram has been used to transmit occult power in all kinds of ... The Pentagram and Ram's Head www.jesus-is-savior.com/False%20Religions/.../pentagram.htm
PENTACLES AND PENTAGRAMS www.religioustolerance.org/wic_pent.htm 22 Sep 1999 – The terms pentagram and pentacle are sometimes used interchangeably. However, we believe that the most common precise meanings are: ...
The pentagram freemasonry.bcy.ca/anti-masonry/pentagram.html 18 Jun 2007 – Pentagram: from the Greek, "pente", meaning five and "gramma", a letter; the pentagram is a five pointed figure formed by producing the sides ...
What is the meaning of the pentagram wiki.answers.com › ... › Alternative Religions › Paganism The pentagram is drawn with a single interwoven line. A pentacle is a pentagram with a circle drawn around it. The meanings of this vary. To me, it symbolizes ...
From here to there | Pentacle Wicca Meaning, Pentagram Wiccan ... spellworks.net/?page_id=18 The Pentagram The pentacle, or pentagram, is the most revered and most popular sign of the craft. It is similar to the Cross or Crucifix of the Christian.
The Meaning of the Pentagram on LDS Temples www.softcom.net/.../... To say that the LDS Church is Satanic because of its use of the inverted pentagram, is like saying that Buddhists are Nazi's for their use of the swastika.
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"The Pentateuch consists of the first five books of the. OT: Genesis, Exodus, Leviticus, Numbers, and Deuteronomy ". Torah - Wikipedia, the free encyclopedia Scholars usually refer to the first five books of the Hebrew Bible as the Pentateuch, a term first used in the Hellenistic Judaism of Alexandria, meaning five books, ...
Torah reading - Torah study - Sefer Torah - Mishneh Torah A. The Pentateuch consists of the first five books of the. OT: Genesis, Exodus, Leviticus, Numbers, and Deuteronomy B. The term "Pentateuch" comes from the ...
CATHOLIC ENCYCLOPEDIA: Pentateuch The name of the first five books of the Old Testament.
Pentateuch - Definition and More from the Free Merriam-Webster ... 29 Nov 2011 – Join Us on FB & Twitter. Get the Word of the Day and More. Facebook | Twitter. Get Our Free Apps. Voice Search, Favorites, Word of the Day, ...
PENTATEUCH - JewishEncyclopedia.com The five books of Moses. The word is a Greek adaptation of the Hebrew expression "ḥamishshah ḥumshe ha-Torah" (five-fifths of the Law) applied to the books ...
The Pentateuch -- the first five books of the Bible
Pentateuch - definition of Pentateuch by the Free Online Dictionary ...
Chapter 3: The Analysis of the Pentateuch
Pentateuch | Define Pentateuch at Dictionary.com
Amazon.com: The Pentateuch as Narrative: A Biblical-Theological ... Searches related to pentateuch septuagint pentateuch pronunciation pentateuch books pentateuch definition talmud torah pentateuch pronounce
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Greek language - Wikipedia, the free encyclopedia Jump to Greek alphabet: Its writing system has been the Greek alphabet for the majority of its history; other ... The later Greek alphabet is derived from the Phoenician alphabet (abjad); ...
Attic Greek - Wikipedia, the free encyclopedia The first form of written Greek was not the Greek alphabet as it later became known, .... followed by a long vowel: ēō → eō; when followed by u and s: ēus → eus ...
Mycenaean Greek - Wikipedia, the free encyclopedia en.wikipedia.org/wiki/Mycenaean_Greek (see also: Greek alphabet) .... The use of -eus to produce agent nouns; The third person singular ending -ei; The infinitive ending -ein (contracted from -e-en) ...
enargea.org | Transliteration and Accentuation of Greek ... enargea.org/homyth/translit.html The majuscule (uncial, capital, or upper-case) letters of the ancient Greek .... Greek case-endings, Latin equivalent, Greek, Latin. -os, -us, Aiakos, Aeacus ...
THE WHITE GODDESS Robrert Graves circa 1960 "eus"
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FROM ATLANTIS TO THE SPHINX RECOVERING THE LOST WISDOM OF THE ANCIENT WORLD Colin Wilson 1996 Page 262 9 Of Stars and Gods IN THE SUMMER OF 1933, a 39-year-old Scot named Alexander Thom anchored his sailing yacht in East Loch Roag, north-west of the island of Lewis in the Hebrides. Thom was an aeronautical engineer whose lifelong passion was sailing. As the moon rose, he looked up and saw, silhouetted against it, the standing stones of Callanish, 'Scotland's Stonehenge'. After dinner, Thorn walked up to it, and looking along the avenue of menhirs, realised that its main north-south axis pointed direct at the Pole Star. But Thom knew that when the stones were erected - probably before the Great Pyramid - the Pole Star was not in its present position. So how did the men who built it manage to point it with such accuracy to geographical north? To do this, with such incredible precision as is revealed at Callanish, would require something more than guesswork. One way would be to observe the exact position of the rising sun and the setting sun, and then bisect the line between them - but that can only be done accurately in flat country, where both horizons are level. Another would be to observe some star close to the pole in the evening, then again twelve hours later before dawn, and bisect that line.Thom could see that it would be an incredibly complicated business involving plumb lines and upright stakes. Obviously, these ancient engineers were highly sophisticated. Page 263 Thom began to study other stone circles, most of them, virtually unknown. They convinced him that he was dealing with men whose intelligence was equal to, or superior to, his own - a television programme about his ideas. referred to them. as 'prehistoric Einsteins'. The idea staggered - and enraged - most archaeologisrs. The astronomer Sir Norman Lockyer had observed, around the beginning of the twentieth century, that Stonehenge might be a kind of astronomical calculator, marking the positions of the sun and moon, but no one - had taken him very seriously, for most 'experts' were convinced that the builders of Stonehenge were superstitious savages, who probably conducted human sacrifices on the altarstone.Thom was asserting that, on the contrary, they were master-geometers. Moreover, most of. these stone circles were not circles: some were shaped like eggs, some like letter Ds, Yet the geometry as Thom discovered through years of study and calculation - was always precise. How did they do it? Thom finally worked out that the 'circles' were built around 'Pythagorean triangles' - triangles whose sides -were, respectively 3, 4 and 5 units long (so the square on the hypotenuse was equal to the sum of the squares on the - other two sides). And why did they want these circles? That was more difficult to answer. Presumably to work out such things as the phases of the moon, the movement of the sun between the solstices and equinoxes, and to predict eclipses. But why did they want to predict-eclipses?' Thom admitted that he did 'not know, but he mentioned a story of, two ancient Chinese astronomers losing their heads because. they failed to predict an eclipse - which. meant that the ancients attached immense importance to eclipses. 'There was another interesting problem. If these ancient men were so skilled in geometry, how did they' remember it all? No stone or clay-tablets inscribed with-geometrical / Page 265 / propositions has come down to us from the megalith builders. But then, we do know that the ancient Greeks . knew their Homer - and other poets by heart. They had trained their memories until they could recite hundreds of, thousands of lines. The Iliad. and Odyssey we read in books had been passed down for centuries in the memory of bards - this is why bards. Were so highly respected. When Alexander Thom died, at the age of 91, in 1985, he was no longer regarded as a member of the lunatic fringe; many. respectable archaeologists and experts on ancient Britain had become his firmest supporters. Moreover, the British astronomer Gerald Hawkins had confirmed Thom's most important assertions by feeding the data from monuments like Stonehenge through his computer at Harvard, and proving. that there were astronomical alignments. One of Thom's most interesting followers, the Scottish academic Anne Macaulay, has followed in Thom's foot steps with a theory that is just as controversial. In Science and Gods in Megalithic Britain, she starts from Thom's assumption that the earliest geometry was a tradition which was not written down, and that it was connected with astronomy.' She then asked. herself how ancient astronomers could have stored their knowledge in the absence of phonetic writing (which was developed by the Greeks and Phoenicians after 2000 BC). Obviously, memory has to be the answer. But not memory in the sense we speak of it today. It is a little-known fact that the ancients had developed a complex art of memory, which they regarded as comparable to any of the other arts or sciences. The scholar Frances Yates has written about it in her book The Art of Memory (1966) and shows how we can trace it back to the ancient Greeks, and how it survived down to the time of Shakespeare. The art of memory did not simply depend on brain power, but upon a complicated series of mnemonics (devices for helping us remember, like 'roygbiv' for the / Page 266 / colours of the rainbow). Anne Macaulay's suggestion is that the phonetic alphabet was created as a series of mnemonics to record positions of the polar stars, and that the word 'Apollo' - the god of music - was one of these basic mnemonics. The letters, from A to U, were created as mnemonics for certain geometric theorems or figures, with which numbers were associated. (In fact, Anne Macaulay's starting point was her study of the ancient Greek musical scale.) Her theory of ancient history, and the geometry of megalithic circles, is too complicated to detail here. But she reaches one thought-provoking conclusion: that when this 'code' is used to encapsulate the extreme southerly rising of the moon, the ideal spot to build an observatory is precisely where Stonehenge is placed. Another is that all this indicates that ancient Greek science - including Pythagoras (who was born about 540 BC) - probably originated in Europe - the exact reverse of a suggestion' made in the nineteenth. century that Stonehenge was built by Mycenaean Greeks. She suggests that the early Greeks may have been British tin traders from Cornwall. Since we know that the construction of Stonehenge began about 3100 BC, her theory also implies that phonetic writing is about fifteen hundred years older than we at present assume. From our point of view, the importance of this whole argument is its suggestion that geometry and astronomy existed in a sophisticated form long before there was an accurate method of writing it down. Anne Macaulay believes - as Thom does - that it can be read in the geometry of megalithic circles and monuments, and that their builders are trying to pass a message on to us - just as Robert Bauval and Graham Hancock believe (as we shall see) that the ancient Egyptians were passing on a message in the geometry of Giza. Page 267 When did our ancestors begin to use mnemonics to record the movements of the sun and moon? Incredibly, the answer to that question seems to be at least 35,000 years ago. In the 1960s, a research fellow of the Peabody Museum named Alexander Marshack was studying the history of civilisation, and was troubled by what he called 'a series of "suddenlies" '. Science had begun 'suddenly' with the Greeks, mathematics and astronomy had appeared 'suddenly' among the Egyptians, the Mesopotamians and the Chinese, civilisation itself had begun 'suddenly' in the Fertile Crescent in the Middle East. In short, Marshack was bothered by the same question that had troubled Schwaller de Lubicz and John Anthony West. And, like Schwaller and West, Marshack decided that these things had not appeared 'suddenly', but after thousands of years of preparation. .He was curious to know whether there was any archaeological evidence that man indulged in seasonal (he calls them 'time factored') activities like agriculture in the days 'before civilisation'. At this point, he became fascinated by strange markings on pieces of bone dating from the Stone Age. Under a microscope, he could see that they were made with many different tools, which indicated that they were not made at the same time. He finally reached the conclusion that one series of marks forming a curved line on a 35,000- year-old bone were notations of the phases of the moon. Which meant that, in a sense, Cro-Magnon man had invented 'writing'. But why? Why should he care about the movements of the sun and moon? To begin with, because he was intelli gent - as intelligent as modern man. He probably regarded himself as highly civilised, just as we do. And an intelligent person needs a sense of time, of history. Marshack mentions a 'calendar stick' of the Pima Indians of America, which represents their history over 44 years. This means / Page 268 / that the Indian 'story teller' could take the stick, point out some distant year, and recount its history - represented-by dots or spirals or other faint marks. Cro-Magnon man' of :)5,000 years ago would probably have done-much-the same thing. And then, of course, a calendar would be useful to hunters, telling them when the deer or other prey would be returning. It would be useful to pregnant women who :wanted to know when they were due to give birth. In fact, a calendar is one of the basic needs of civilisation, the equivalent of modern man's digital watch. But of course, we are forgetting. another vital' factor. If Schwaller is correct, Cro-Magnon man was interested in the sun and moon, for another reason: because he was sensitlveto their rhythms, and experienced them as living forces. Today, even the most sceptical scientist acknowledges the. influence of the moon on mental patients; any doctor who has worked in a hospital. will verify that certain patients are affected by the full moon. Yet compared to aboriginal peoples, civilised man has lost most of his sensitivity to nature. If. we want to understand our Cro-Magnon ancesters, then we have to try to imagine human beings who are as sensitive.to the sun, moon and other natural forces (like (earth magnetism) as a mental patient is to the full moon. In The Roots of Civilisation, Marshack. comments: 'Though In the Upper Palaeolithic explanations were by story and via image and symbol, there was a high intelligence, cognition, rationality, knowledge and technical skill involved.'2 In other words, Stone Age man possessed all the abilities needed to create civilisation. And yet although he was poised on the brink of civilisiation 35,OOO years ago, living in' a community sufficiently sophisticated to need a knowledge of astronomy, we are asked to believe that it actually took him another 25,000 years before he began to take the, first hesitant steps towards building the earliest cities. Page 269 It sounds, on the whole, rather unlikely. In his bafflingly obscure book, The White Goddess, the poet Robert Graves puts forward a view that is in total accord with Marshack's conclusions. He argues-'that worship of the-moon goddess (the 'white goddess') was the original universal religion of mankind, which was supplanted at a fairly late stage by worship of the sun god . Apollo, whom he regards as a symbol of science and ' rationality - that is, of left-brain knowledge, as opposed to the right-brain intuition that he associates with the goddess . Graves explains that he was reading Lady Charlotte Guest's translation of the Welsh epic The Mabinogion when he came upon an incomprehensible poem called 'The Song of Taliesin'. Suddenly he knew ('don't ask me how') that the lines were a series of mediaeval riddles, to which' he knew the answers. He also knew ('by inspiration') that the riddles were linked with a Welsh tradition about a Battle of the Trees, which was actually about a struggle between two Druid priesthoods for the control of learning. The Druid alphabet was a closely guarded secret, but its eighteen letters were the names of trees, whose consonants stood for the months of which the trees were characteristic, and the vowels for the positions of the sun.with its equinoxes and solstices. The 'tree calendar' was in use through out Europe and the Middle East in the Bronze Age, and was associated with the Triple Moon Goddess. This cult, says Graves, was slowly repressed by 'the busy rational cult of the Solar God Apollo, who rejected. the Orphic tree-alphabet in favour of the commercial Phoenician alphabet - the familiar ABC - and initiated European literature and science.' Graves's idea supports Anne Macaulay's notion that the modern alphabet was associated with Apollo. It also supports many of the suggestions made in the last chapter / Page 270 / about the 'magical' mentality of Cro-Magnon man, which has slowly given way to the 'bicameral' mind of today. According to Graves, he did not have to 'research' The White Goddess in the normal sense; he had it 'thrust upon him'. And what was 'thrust upon him' was a whole knowledge system that is based upon a mentality that is totally different from our own - upon 'lunar' rather than 'solar' premises. And this, clearly, is also what Schwaller is attempting to outline in books like Sacred Science, and helps to explain . their obscurity: he is trying to describe a remote and.for gotten vision of reality in a language that is totally unsuited to it.
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THE ART OF MEMORY FRANCIS A. YATES 1966 THREE LATIN SOURCES FOR THE CLASSICAL ART OF MEMORY Page 175 CHAPTER 8 LULLISM AS AN ART OF MEMORY THOUGH we have now reached the Renaissance, with Camillo, we have to retrace our steps to the Middle Ages during this chapter. For there was another kind of art of memory which began in the Middle Ages, which continued into the Renaissance and beyond, and which it was the aim of many in the Renaissance to combine with the classical art in some new synthesis whereby memory should reach still further heights of insight and of power. This other art of memory was the Art of Ramon Lull. Lullism and its history is a most difficult subject and one for the exploration of which the full materials have not yet been assembled; The enormous number of Lull's own writings, some of them still unpublished, the vast Lullist literature written by his followers, the extreme complexity of Lullism, make it impossible as yet to reach very definite conclusions about what is, undoubtedly.ra strand of major importance in the European tradition. And what I have to do now is to write one not very long chapter giving some idea of what the Art of Ramon Lull was like, of why it was an art of memory, of how it differs from the classical art of memory, and of how Lullism became absorbed at the Renaissance into Renaissance forms of the classical art. Obviously- I am attempting the impossible, yet the impossible must be attempted because it is essential for the later part of this book that there should be some sketch at this stage of Lullism itself. The chapter is based on my own two articles on the art of Ramon Lull:' it is orientated towards a comparison of Lullism as an art of memory with. the classical art; and it is not concerned solely with 'genuine' Lullism but also with the Renaissance interpretation of Lullism, for it is this. which is important for the next stages of our history.
Page 282 "By THE LADDER OF MINERVA we rise from the first to the last..."
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MANE MEAN AMEN NAME AMEN MEAN MANE NAME MANE MEAN AMEN NAME AMEN MEAN MANE
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NAMED ME AND U AND ME NAMED ME AND GODS DIVINE THOUGHT NAMED ME NAMED THOUGHT DIVINE GODS AND ME NAMED ME AND U AND ME NAMED
THE ART OF MEMORY FRANCIS A. YATES 1979 THE OCCULT PHILOSOPHY IN THE ELIZABETHAN AGE Page 11 MEDIEVAL CHRISTIAN CABALA: THE ART OF RAMON LULL In the illustration shown in Plate 1,1(image omitted ) four men are seen sitting under a neat row of trees, neatly labelled. In the background is a rich countryside: in the foreground a refreshing stream flows from a fountain. The illustration is taken from an engraving in the eighteenth-century edition of the works of Ramon Lull, which is based on medieval tradition of Lull illustration. The lady whose horse wades in the stream is Intelligence; severe intellectual work is going on. The men so calmly seated in these pleasant surroundings are doing the Lullian Art. hi. the lifetime of the Catalan philosopher and mystic, Ramon Lull (1232-c. 1316), the Iberian peninsula was the home of three great religious and philosophical traditions. Dominant was Christianity and the Catholic Church, but a large part of the country was still under the rule of the Moslem Arabs; and it was in Spain that the Jews of the Middle Ages had their strongest centre. In the world of Ramon Lull, the brilliant civilisation of the Spanish Moslems, with its mysticism, philosophy, art, and / Page 12 / science, was close at hand; the Spanish Jews had intensively devoloped their philosophy, their science and medicine, and mysticism, or Cabala. To Lull, the Catholic Christian, occurred the generous idea that an Art, based on principles which all three religious traditions held in common, would serve to bind all three together on a common philosophical, scientific, and mystical basis. The men under the trees in the picture represent a Gentile or pagan; a Jew; a Saracen or Moslem; and a Christian. The representatives of the three religions have been found by the Gentile doing the Lullian Art together, and striving their unity in the fountain of life or mystical truth. the scientific principle held in common by Christians, Moslem and Jews, and on which Lull based his Art, was the theory of the elements.2 It is unnecessary to enter here into the historical origins of the elemental theory which was held by scientific men in Lull's period as a universally valid assumption about nature. The theory assumed that everything in the natural world composed of four elements - earth, water, air, fire. To these corresponded the elemental qualities - cold, moist, dry,hot. These formed different compounds, or different concords and contrasts, which could be exactly classified or graded. The elemental theory had its prolongation into the world of the stars, for the seven planets and the twelve signs of the zodiac were held to have either predominantly cold, moist, dry, or hot influences. Though these elemental characteristics of the stars, and their connection with terrestrial elements, were derived from the cbings of astrology, the elemental theory was not in itself astrological, but might more properly be called an astral science. the use of the, Lullian Art as astral science can be studied in Its Tractatus de astronomia (1297) in which he works out a theory practice of astral medicine through calculating, by the Art, grading of elemental qualities. This treatise is preceded by a diatribe 'against astrology', from which Lull scholars of the past used to deduce (without reading the treatise) that Lull had / Page 13 / discarded the astrological world view. Careful reading of the treatise reveals that it describes an astral medicine, based on belief in elemental qualities in the seven planets and the twelve .signs, and their connection with terrestrial elements. This is a scientific use of a universally held theory of astral correspondences. It is not astrology in the sense of horoscope-making with lis assumption of astrological determinism which Lull is 'against'. In fact it is a kind of scientific escape from such determinism. In almost exactly the same way, two hundred years later, Pico della Mirandola was to pronounce himself 'against astrology',3 meaning that he was against astrological determinism whilst accepting those astral correspondences which underlie 'Renaissance Neoplatonism' as he and Ficino understood it. The religious principle upon which Lull based his Art which was held by all three religious traditions, was the importance which Christian, Moslem, and Jew attached to the Divine Names or: Attributes. The Attributes, or, as Lull prefers to call them, the Dignities of God on which the Art is based are Bonitos (Goodness), Magnitudo (Greatness), Etenitas (Eternity), Potestas (Power), Sapienta (Wisdom), Voluntas (Will), Virtus (Virtue or Strength), Veritas (Truth), Gloria (Glory). Religious Moslems, Jews, Christians, would all agree that God is good, great, eternal, powerful, wise, and so on. These Divine Dignities or Names, combined with elemental theory, gave Lull what he believed to be a universal religious and scientific basis for an Art so infallible that it could work on all levels of creation. And further - and this was its chief importance in Lull's eyes - it was an Art which could prove the truth of the Christian Trinity to Moslems and Jews. An extraordinary feature of Lullism is that it assigns a letter notation to notions so exalted and abstract as the names, attributes, or dignities of God. The series of nine dignities, Bonitas,Magnitudo, and so on, listed above, become in the Art the nine letterss BCDEFGHIK; the unmentioned A is the ineffable absolute. These letters Lull places on revolving concentric wheels, thus / Page 14 / obtaining all possible combinations of them. And since the Goodness, Greatness, and so on of God are manifest on all levels of creation, he can ascend and descend with the figures of the Art throughout the universe, finding B to K and their relationships on every level. He finds them in the supercelestial sphere, on the level of the angels; in the celestial sphere, on the level of the stars; in man, on the human level; and below man, in animals, plants, and all the material creation. On these levels, the elemental theory comes into play; ABCD as the four elements works in conjunction with BCDEFGHIK. This relationship continues right up the ladder of creation to the stars, since there are forms of the elements in the stars. Above the stars, in the angelic sphere, the system is purified of all materiality; there are no contrasts and contraries as in the lower spheres; at this height all the contraries coincide, and the whole Art is seen to converge in proof that the highest divine essence is a Three. This bald outline, though it may give some idea of the Art, is highly misleading in its simplicity. For the Art in its workings is immensely complex. It may have forms based on more than nine dignities. Its combinations of letter-notations almost suggest a kind of algebra. There is a kind of geometry involved, for the Art uses three figures, the triangle, the circle, and the square. The artist in moving up and down the levels of creation applies these figures on each level. The geometry is symbolical; the triangle symbolises the divine; the circle stands for the heavens (by which Lull always means the seven planets and the twelve signs of the zodiac); the square symbolises the four elements. The Aristotelian categories play a part in the Art which is said to work by a 'natural' logic, but the dominant philosophy is a kind of Platonism. Lull belongs into the tradition of medieval Christian Platonism, based primarily on Augustine; the Lullian dignities' can nearly all be found listed as divine attributes in Augustine's works. Like all medieval Platonists, Lull is also strongly influenced by the work on the celestial hierarchies of / Page 15 / angels by Pseudo-Dionysius. The nearest parallel to his association of dignities or attributes with the elements is to be found in the De divisione naturae of the early Christian Platonist, John Scotus Erigena.4 Lull's dignities have the creative capacity of Scotus's primordial causes. Moslem forms of Platonic, or Neo-platonic, mysticism had also reached him. Yet perhaps the strongest influence on the formation of the Art was that of the Jewish Cabala. It was in medieval Spain that Cabala reached a high point of development,5 and that climax coincides with the appearance of Lullism. The Zohar was written in Spain in about 1275. It was in 1274 that Lull had the vision on Mount Randa in which the two primary figures of the Art were revealed to him. There are mmy points of contact or resemblance between Cabalism and Lullism. Spanish Cabala has as its bases the doctrine of the ten Sephiroth and the doctrine of the twenty-two letters of the Hebrew alphabet. The Sephiroth, as defined by G. Scholem, are 'the ten names most common to God and in their entirety they form his one great Name'.6 The Sephiroth derive from the nameless "en-soph'; their names are Gloria, Sapientia, Veritas, Bonitas, Potestas, Virtus, Eternitus, Splendor, Fundamentum. The parallel with the nine Lullian Dignitates Dei derived from a nameless A is striking. The twenty-two letters of the Hebrew alphabet also contain, for the Cabalist, the Name or Names, of God. They are the creative language of God and in contemplating them the Cabalist is contemplating both God himself and his creation. The thirteenth-century Spanish Jew, Abraham Abulafia.7 developed a complex technique of meditation through combining Hebrew letters in endless series of permutations and combinations. Thus the two salient characteristics of the Lullian Art, its basis in the Names or Dignities, and its techniques of letter combinations, are both, also characteristics of Cabala. Yet there are profound differences, above all the basic fact that the Names in / Page 16 / Cabala are in Hebrew, the letters which it combines are Hebrew letters; in the Lullian Art the Names are in Latin and the letters it combines are the ordinary letters of the Latin alphabet. Lullism may be said to be a Cabalist type of method but used without Hebrew. It is thus debarred from those insights into the linguistic mysteries which the Cabalist believed to be hidden in the Hebrew Scriptures. Nevertheless, if it is possible to speak of a Christian Cabalist method used without Hebrew, then it may be claimed that Lullism is the medieval form of Christian Cabala.8 Certainly it is like later Christian Cabala in its missionary aim, its aim of proving the Trinity to Moslems and Jews and thereby converting them to Christianity. The rigorous method of the Lullian Art is deployed against a background suffused in poetic and romantic charm, the world of medieval Spain. The Lullian hermit wanders through allegorical forests,9 the trees of which symbolise all the subjects of the Art, neatly categorised and arranged for the Lullist to use in his operations. These operations have not only scientific but also moral value through the use of analogy and allegory which permeates the Art. Thus the concords and contrasts of the elements are allegorised on the 'moral' trees of the Art as concords and contrasts between virtues and vices. The Lullian artist as Lull saw him had not only mastered a universal science; he had learned an ethical and contemplative method through which he might mount on the ladder of creation to the highest heights. Not only that, he was also a poet singing mystical love songs with all the charm of a troubadour; and a knight instructed in astral science and ethics in relation to the code of chivalry.10 As the inventor of a method which was to have an immense influence throughout Europe for centuries, Lull is an extremely important figure. Lullism is a precursor of scientific method. Lullian astral medicine developed into Pseudo-Lullian alchemy. Page 17 The great figures of Renaissance Neoplatonism include Lullism in their interests, and naturally so since Lullism was the precursor of their ways of thinking. And from the point of view of history of religion and of religous toleration, surely we admire Lull's vision in taking advtage of the unique concentration of Christian, Moslem, Jewish traditions in his world for putting forward a common ground between them in an Art, which, though it envisaged conversion rather than toleration, was certainly, in its at understanding, vastly superior to the methods to be used later in Spain for the establishment of religious unity. The glorious reign of Ferdinand and Isabella (1474-1504) saw the union of the kingdoms of Aragon and Castile through their marriage, and the rapid advance in power of the unified kingdom through their energetic government. Determined on establishing total religious unity within the Iberian peninsula, the two Catholic sovereigns initiated the war against the Moors which ended triumphantly with the conquest of Granada in 1492. In the same year, 1492, the Jews were expelled from Spain; in 1505 the conquered Moors were also expelled. Thus two whole populations, embodying two great civilisations, were adrift from their homeland to wander as exiles. Through the tightening up of the Inquisition in Spain, particularly severe againstt Jews and Moors, return to what had been their native for so many centuries was impossible. Spain, like France the Revocation of the Edict of Nantes, became and remained 'toute Catholique'. Thus, as so often, Europe took a wrong turning and wasted the spiritual resources which might have been used constructiveIy. For of all the countries of Europe, Spain was the best placed for making a liberal approach to the three great closely related religions. Ramon Lull had realised this in his peculiar way .men he strove to construct a method based on Divine Names and elemental theory. Though, for him, the Art was not a / Page 18 / construction but a revelation from on high shown to him in the vision on Mount Randa. The old view of the origins of the so-called Renaissance held that the the fall of Constantinople to the Turks in 1453 was a startingpoint. Recent generations of scholars have weakened that view, through exploration of many other influences and particularly through demonstrating the importance of surviving medieval traditions in the so-called Renaissance. Yet there remains a good deal to be said for the old view, for, after all, it was the Greek refugees from Byzantium who spread the knowledge of Greek in Europe; and it was from Byzantium that the Greek manuscripts of works of Plato and the Neoplatonists, and of 'Hermes 'Iris megistus' and other prisci theologi, reached Florence to form that rich and confused strain of 'Renaissance Neoplatonism' with its Hermetic core which we associate with Marsilio Ficino. Another date which has not been so much stressed but which is equally, perhaps more, important, is 1492, the date of the expulsion of the Jews from Spain. Many of them went to Italy and spread there a new interest in the Hebrew language and an enthusiasm for the Jewish mystical tradition, or Cabala. This came to the mystically-minded as a new insight into the meaning of Christianity. Christian Cabala was founded by Ficino's friend and associate Pico della Mirandola. It was in 1486 that Pico went to Rome with his nine hundred theses, prominent among which were the Cabalist theses. The Cabalist theses were fundamental for Pico' s great aim of the concordance of all religious philosophies. Pico' s advocacy of Christian Cabala marked a turning-point in the history of the Judaeo-Christian tradition in its modern form. It came at the same time as one of its darkest tragedies. It was in the years immediately before the Expulsion, when the persecutions of the Jews in Spain were mounting in intensity, that Pico della Mirandola adopted Christian Cabala into the Italian Renaissance.
TRIANGLE 5 TRIANGLE CIRCLE 5 CIRCLE SQUARE 9 SQUARE
THE ART OF MEMORY FRANCIS A. YATES 1979 THE OCCULT PHILOSOPHY IN THE ELIZABETHAN AGE Page 11 MEDIEVAL CHRISTIAN CABALA: THE ART OF RAMON LULL Page 13 An extraordinary feature of Lullism is that it assigns a letter notation to notions so exalted and abstract as the names, attributes, or dignities of God. The series of nine dignities, Bonitas,Magnitudo, and so on, listed above, become in the Art the nine letterss BCDEFGHIK; the unmentioned A is the ineffable absolute. These letters Lull places on revolving concentric wheels, thus / Page 74 / obtaining all possible combinations of them. And since the Goodness, Greatness, and so on of God are manifest on all levels of creation, he can ascend and descend with the figures of the Art throughout the universe, finding B to K and their relationships on every level. He finds them in the supercelestial sphere, on the level of the angels; in the celestial sphere, on the level of the stars; in man, on the human level; and below man, in animals, plants, and all the material creation. On these levels, the elemental theory comes into play; ABCD as the four elements works in conjunction with BCDEFGHIK. This relationship continues right up the ladder of creation to the stars, since there are forms of the elements in the stars. Above the stars, in the angelic sphere, the system is purified of all materiality; there are no contrasts and contraries as in the lower spheres; at this height all the contraries coincide, and the whole Art is seen to converge in proof that the highest divine essence is a Three.
Page 13 On these levels, the elemental theory comes into play; ABCD as the four elements works in conjunction with BCDEFGHIK. This relationship continues right up the ladder of creation to the stars, since there are forms of the elements in the stars. Above the stars, in the angelic sphere, the system is purified of all materiality; there are no contrasts and contraries as in the lower spheres; at this height all the contraries coincide, and the whole Art is seen to converge in proof that the highest divine essence is a Three.
Page 13 On these levels, the elemental theory comes into play; 1234 as the four elements works in conjunction with 234567892. This relationship continues right up the ladder of creation to the stars, since there are forms of the elements in the stars. Above the stars, in the angelic sphere, the system is purified of all materiality; there are no contrasts and contraries as in the lower spheres; at this height all the contraries coincide, and the whole Art is seen to converge in proof that the highest divine essence is a Three.
ABCD 1234 ABCD BCDEFGHIK 234567892 BCDEFGHIK
THREES 3 THREES
LULL 3333 LULL
THE OCCULT PHILOSOPHY IN THE ELIZABETHAN AGE YATES 1979 Frances A. Yates Page 53 AGRIPPA'S WORK (2): DE OCCULTA PHILOSOPHIA32 "I have made efforts in other books33 to present in some moderately lucid form the contents of this strange work, and I must now make the attempt again. In the first two chapters, Agrippa lays down the outline. Page 53 HENRY CORNELIUS AGRIPPA
THE OCCULT PHILOSOPHY IN THE ELIZABETHAN AGE YATES 1979 Frances A. Yates FRANCESCO GIORGI Page 37 "Giorgi's work was in the library of John Dee, the philosopher of the Elizabethan age, and was, as will be suggested later, a powerful influence underlying the Elizabethan Renaissance. The De harmonia mundi was also a strong influence in the French Renaissance. a French translation of Giorgi's immensely long work was published in 1578, with the title L'Harmonie du monde." "Giorgi's work is thus an extremely important channel for the transmission of Christian Cabala."
THE LIGHT IS RISING NOW RISING IS THE LIGHT
THE ART OF MEMORY FRANCIS A. YATES 1979 THE OCCULT PHILOSOPHY IN THE ELIZABETHAN AGE Page 136 Page 135 (number omitted) "No study of Shakespeare can begin without some reference to Marlowe, the predecessor, and his mighty line." "Marlowe's famous play, Docter Faustus is closely based on the English translation of the German Faust-Buch (1587)" "Page 139 He turns to ask / Page 140 / Mephistopheles about divine astrology, about the elements, and the spheres of the planets. He still has scholarly instincts, and can hear echoes of the universal harmony, although damned. Awaiting damnation he calls on Christ, and there comes the famous line " See see where Christs bloud streames in the firmament.11"
SEE SEE WHERE CHRISTS BLOUD STREAMES IN THE FIRMAMENT 155 155 58595 3899121 23634 12951451 95 285 699414552 IS 9 IS 9 IS 9 IS 155 155 58595 3899121 23634 12951451 95 285 699414552 SEE SEE WHERE CHRISTS BLOUD STREAMES IN THE FIRMAMENT
ZOHAR 5 ZOHAR 5 ZOHAR 5 ZOHAR
MALAK TA'US
SEPHIROTH 1 SEPHIROTH PHI'S OTHER NAME OTHER PHI'S SEPHIROTH 1 SEPHIROTH
SEPHIROTH 1 SEPHIROTH PHI'S OTHER CIRCLE OTHER PHI'S SEPHIROTH 1 SEPHIROTH
Hebrew alphabet - Wikipedia, the free encyclopedia en.wikipedia.org/wiki/Hebrew_alphabet The Hebrew alphabet (Hebrew: אָלֶף־בֵּית עִבְרִי, Alephbet 'Ivri), known variously by scholars as the Jewish script, square script, block script, or more ... Paleo-Hebrew alphabet - History of the Hebrew alphabet
THE ALPHABET OF BIBLICAL HEBREW
MOON SOL SOLOMON IS IS SOLOMON SOL MOON SOLOMON SOL MOON IS IS MOON SOL SOLOMON MOON SOL SOLOMON IS IS SOLOMON SOL MOON
HEART EARTH TERAH THERA THE RA IS IS RA THE THERA TERAH EARTH HEART EARTH THE R THE EARTH HEART THE R THE HEART TERAH THE R THE TERAH THERA THE R THE THERA THE RA IS IS RA THE HEART EARTH TERAH THERA
ISRAEL IS RA EL EL IS RA ISRAEL RA EL IS IS EL RA IS REAL REAL IS RA EL IS IS EL RA ISRAEL IS RA EL EL IS RA ISRAEL
IS RA REAL IS IS REAL RA IS
WISE W IS E WISE W IS E WISE W IS E WISE
WISE W IS E WISE 5 IS 5 WISE W IS E WISE
LUCIFER L U C FIRE IS IS FIRE LUC LUCIFER LUCFIRE IS IS LUCFIRE GODS NAME RE IS IS RE NAME GODS GODS NAME EL IS IS EL NAME GODS SEE L FIRE IS IS FIRE EL SEE U C L FIRE LUCIFER IS IS LUCIFER FIRE UCL GODS NAME RE IS IS RE NAME GODS GODS NAME 95 IS IS 95 NAME GODS GODS NAME RE IS IS RE NAME GODS GOD GAVE NOAH THE RAINBOW SIGN NO MORE WATER FIRE NEXT TIME
1234 5 6789 ONE TWO THREE FOUR 5FIVE5 SIX SEVEN EIGHT NINE 1234 5 6789
THAT THAT THAT IS THAT SEE SAW SEE IS 5 IS SEE SAW SEE
ALL QUIET ON THE WESTERN FRONT IS IT FOR YOU FOR YOU IS IT ?
THE E AZIN OUGHT OF THE OUGHT AZIN THOUGHT THROUGHOUT THAT THAT THAT ISISIS UNIVERSAL MINDS I MINDS UNIVERSAL
I THAT AM THAT TIME EMIT
THE MAHABHARATA
MAHABHARATA ABRAHAM MAHABHARATA
C HERE IS THE CHRISTOS HERE IS THE CHRISTOS C SO C RISH 999 RISH C SO C HERE IS THE CHRISTOS HERE IS THE CHRISTOS C
CREATION C RE ACTION RE C CREATION REACTORS CREATORS REACTORS
ATUM 1234 ATUM GOD IS GREAT IS GREAT IS GOD
Allahu Akbar (disambiguation) - Wikipedia, the free encyclopedia en.wikipedia.org/wiki/Allahu_Akbar_(disambiguation) Allahu Akbar (Arabic: الله أكبر) is a phrase, called Takbir in Arabic, meaning "God is greater" or "God is [the] greatest". Allahu Akbar or Allahu Ekber and similar ...
ALLAHU AKBAR 133183 ALLAHU AKBAR TAKBIR 212200 TAKBIR GOD IS GREATER IS GOD GOD IS GREATEST IS GOD ALLAHU EKBER 133183
IRVING BERLIN WROTE "I'LL BE LOVING YOU, ALWAYS" IN 1925. JOSEPHINE BAKER MADE THE FIRST RECORDING IN 1926.
W.B. Yeats (1865–1939). The Wind Among the Reeds. 1899. 9. The Song of Wandering Aengus
I WENT out to the hazel wood,
Matthew Arnold - Morality With aching hands and bleeding feet Then, when the clouds are off the soul, And she, whose censure thou dost dread, 'There is no effort on my brow-- 'I knew not yet the gauge of time,
'If'by Rudyard Kipling, famous inspirational poems and quotes
home » amusement/stress relief » if - rudyard kipling if - rudyard kipling The beauty and elegance of 'If' contrasts starkly with Rudyard Kipling's largely tragic and unhappy life. He was starved of love and attention and sent away by his parents; beaten and abused by his foster mother; and a failure at a public school which sought to develop qualities that were completely alien to Kipling. In later life the deaths of two of his children also affected Kipling deeply. Rudyard Kipling achieved fame quickly, based initially on his first stories and poems written in India (he returned there after College), and his great popularity with the British public continued despite subsequent critical reaction to some of his more conservative work, and critical opinion in later years that his poetry was superficial and lacking in depth of meaning. Significantly, Kipling turned down many honours offered to him including a knighthood, Poet Laureate and the Order of Merit, but in 1907 he accepted the Nobel Prize for Literature. Kipling's wide popular appeal survives through other works, notably The Jungle Book (1894) the novel, Kim (1901), and Just So Stories (1902).
'if' by rudyard kipling
If you can dream - and not make dreams your master, If you can make one heap of all your winnings If you can talk with crowds and keep your virtue, Rudyard Kipling (1865-1936)
Kipling is said to have written the poem 'If' with Dr Leander Starr Jameson in mind, who led about five-hundred of his countrymen in a failed raid against the Boers, in southern Africa. The 'Jameson Raid' was later considered a major factor in starting the Boer War (1899-1902).
Desiderata poem, max ehrmann, go placidly amid the noise and haste ...
desiderata by max ehrmann Whatever the history of Desiderata, the Ehrmann's prose is inspirational, and offers a simple positive credo for life.
desiderata - by max ehrmann As far as possible, without surrender, be on good terms with all persons. Speak your truth quietly and clearly; and listen to others, even to the dull and the ignorant, they too have their story. Avoid loud and aggressive persons, they are vexations to the spirit. If you compare yourself with others, you may become vain and bitter; for always there will be greater and lesser persons than yourself. Enjoy your achievements as well as your plans. Keep interested in your own career, however humble; it is a real possession in the changing fortunes of time. Exercise caution in your business affairs, for the world is full of trickery. But let this not blind you to what virtue there is; many persons strive for high ideals, and everywhere life is full of heroism. Be yourself. Especially, do not feign affection. Neither be cynical about love, for in the face of all aridity and disenchantment it is perennial as the grass. Take kindly to the counsel of the years, gracefully surrendering the things of youth. Nurture strength of spirit to shield you in sudden misfortune. But do not distress yourself with imaginings. Many fears are born of fatigue and loneliness. Beyond a wholesome discipline, be gentle with yourself. You are a child of the universe, no less than the trees and the stars; you have a right to be here. And whether or not it is clear to you, no doubt the universe is unfolding as it should. Therefore be at peace with God, whatever you conceive Him to be, and whatever your labors and aspirations, in the noisy confusion of life, keep peace in your soul. With all its sham, drudgery and broken dreams, it is still a beautiful world. Be cheerful. Strive to be happy. Max Ehrmann c.1920
THE CONCISE OXFORD DICTIONARY OF QUOTATIONS 1964 Page 85 Charles Dickens 1812-1870 29 "It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had every- thing before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way". A Tale of Two Cities, bk.i,ch.l 30 "It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to, than I have ever known." Page 279 W.B.Yeats 1865-1939 And a small cabin build there, of clay and wattles made: Nine bean-rows will I have there, a hive for the honey-bee, And live alone in the bee-loud glade." The Lake Isle of Innisfree
T.S.Eliot 1888-1965 Page 93 9 Because I do not hope to know again The infirm glory of the positive hour. Ash Wednesday,1 10 Teach us to care and not to care Teach us to sit still.
11 Round and round the circle Completing the charm So the knot be unknotted The crossed be uncrossed The crooked be made straight And the curse be ended. The Family Reunion,II.iii 12 Sometimes these cogitations still amaze The troubled midnight and the noon's re-pose. La Figlia Che Piange 13 Time present and time past Are both perhaps present in time future, And time future contained in time past. Four Quartets. Burnt Norton, 1 14 Humankind Cannot bear very much reality. 15 In my beginning is my end. East Coker, I 16 A way of putting it-not very satis- factory: A periphrastic study in a worn-out poetic- al fashion, Leaving one still with the intolerable wrestle With words and meanings. 17 The wounded surgeon plies the steel That questions the distempered part; Beneath the bleeding hands we feel The sharp compassion of the healer's art Resolving the enigma of the fever chart. 18 Each venture Is a new beginning, a raid on the inarticu-late With shabby equipment always deteriorat-ing In the general mess of imprecision of feeling. 19 What we call the beginning is often the end And to make an end is to make a begin-ning. The end is where we start from. Little Gidding, 20 We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time. 21 An old man in a dry month. Gerontion 22 We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! The Hollow Men,1 23 Here we go round the prickly pear Prickly pear prickly pear. 24 This is the way the world ends Not with a bang but a whimper. 25 A cold coming we had of it, Just the worst time of the year For a journey, and such a long journey: The ways deep and the weather sharp, The very dead of winter. Journey of the Magi;. See 2:11 1 And the cities hostile and the towns un-friendly And the villages dirty and charging high prices. 2 But set down This set down This: were we led all that way for Birth or Death? There was a Birth, certain-ly, We had evidence and no doubt. I had seen birth and death, But had thought they were different; this Birth was Hard and bitter agony for us, like Death, our death. We returned to our places, these King-doms, But no longer at ease here, in the old dispensation, With an alien people clutching their gods. I should be glad of another death. 3 Let us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table. The Love Song of J. Alfred Prufrock 4 In the room the women come and go Talking of Michelangelo. The yellow fog' that rubs its back upon the window-panes. 5 I have measured out my life with coffee spoons. 6 I should have been a pair of ragged claws Scuttling across the floors of silent seas. 7 No! I am not Prince Hamlet, nor was meant to be; Am an attendant lord, one that will do To swell a progress, start a scene or two. 8 I grow old...I grow old... I shall wear the bottoms of my trousers rolled. Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk upon the beach. I have heard the mennaids singing, each to each; I do not think that they will sing to me. 9 Macavity, Macavity, there's no one like Macavity, There never was a Cat of such deceitful- ness and suavity. He always has an alibi, and one or two to spare: At whatever time the deed took place- MACAVITY WASN'T THERE!" Macavity: The Mystery Cat 10 I am aware of the damp souls of house- maids Sprouting despondently at area gates. Morning at the Window 11 Yet we have gone on living, Living and partly living. Murder ill the Cathedral, pt. I 12 Friendship should be more than biting Time can sever. 13 The last temptation is the greatest treason: To do the right deed for the wrong reason. 14 The Naming of Cats is a difficult matter, It isn't just one of your holiday games; At first you may think I'm as mad as a hatter When I tell you a cat must have THREE DIFFERENT NAMES. The Naming of Cats 15 The winter evening settles down With smell of steaks in passageways. Six o'clock. The burnt-out ends of smoky days. Preludes, I 16 You'd be bored. Birth, and copulation, and death. That's all the facts when you come to brass tacks: Birth, and copulation and death. I've been born, and once is enough. Sweeney Agonistes, Fragment of an Agon 17 The nightingales are singing near The convent of the Sacred Heart, And sang within the bloody wood When Agamemnon cried aloud And let their liquid siftings fall To stain the stiff dishonoured shroud. Sweeney Among the Nightingales 18 April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. The Waste Land. I. The Burial of the Dead 19 And I will show you something different from either Your shadow at morning striding behind you, Or your shadow at evening rising to meet you I will show you fear in a handful of dust. 20 A crowd flowed over London Bridge, so many, I had not thought death had undone so many. Page 95 8 Whispers of Imortality
ALICE'S ADVENTURES IN WONDERLAND Lewis Carroll Page 161 "...and was just saying to herself, 'if one only knew the right way to change them-' when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had very long claws and a great many teeth, so she felt that it ought to be treated with respect. 'Cheshire Puss,' she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. 'Come, it's pleased so far,' thought Alice, and she went on. 'Would you tell me, please, which way I ought to go from here?' 'That depends a good deal on whre you want to get to,'said the Cat. 'I don't much care where-' said Alice. 'Then it doesn't matter which way you go,' said the Cat. '-so long as I get somewhere,' Alice added as an explanation. 'Oh, you're sure to do that;' said the Cat, 'if you only walk long enough.' Alice felt that this could not be denied, so she tried another question. 'What sort of people live about here?' 'In that direction,' the Cat said, waving its right paw round, 'lives a Hatter: and in that direction,' waving the other paw, 'lives a March Hare. Visit either you like: they're both mad.' 'But I don't want to go among mad people,' Alice remarked. 'Oh, you ca'n't help that,' said the Cat: 'we're all mad here.I'm mad, You're mad.' 'How do you know I'm mad?' said Alice. 'You must be,' said the Cat; 'or you wouldn't have come here,'
Stephen Hawking Quest for a Theory of Everything The story of his life and work Kitty Ferguson 1991 Page 95 "A few physicists like to make a connection between an observer-dependent universe and some of the ideas in Eastern mysticism: Hinduism, Buddhism, and Tao/Page 96/ism. They get no encouragement from Hawking, who says "The universe of Eastern mysticism is an illusion."
THE FULCANELLI PHENOMENON Kenneth Rayner Johnson 1980 Page 263 "It will be as well to recall here what Fulcanelli's reply was when Bergier asked him what the real nature of alchemy consisted in. He said: 'The secret of alchemy is that there exists a means of manipulating matter and energy so as to create what modern science calls a force-field' This force field acts upon the observer and puts him in a privileged position in relation to the universe. From this privileged position he has access to realities that space and time matter and energy, normally conceal from us. This is what we call the Great Work.' "
The Death Of Forever A New Future for Human Consciousness Darryl Reanney (1995 Edition) Page 218 " The father of the so-called 'Copenhagen interpretation'of quantum mechanics , Niels Bohr speculated as far back as 1958 that key points in the regulatory mechanisms of the brain might be so delicately balanced that they could be affected by quantum me-chanical events. Significantly, eminent brain biologist John.C.Eccles seems to agree. As Eccles has observed : This means that the Y node choices that are almost evenly /Page 219 /balanced between two outcomes are most likely to be susceptible to quantum influences because it is only in these near-equipoise situations that the quantum flunctuations are the 'feather on the scale' that tips the balance one way or the other." Page 219"…Quantum fluctuations could also express those thoughts that come to us 'in a flash'or 'out of no where'. I wonder what role, if any, they play in intuition. It is possible that the neural centre that 'sees' unity, no matter how much it is 'perfected' by unselfishness, is incapable of determining when it will have its deeper insights. That may well still be a matter of complete chance, or, on the above hypothesis, of quasi-chance and non-causal cross-linkaging. If some Y node choices were quantum in nature, a profound and enduring link would be established between the dynamics of consciousness and the structure of the cosmos itself. It is not in the sense of a presently available scientific theory that I intuitively sense a 'rightness' in Hoyles idea but in the sense of a song of truth, an insight. It may take science years to formulate such a concept in a mathematical way that will win acceptance. Page 219 "Synchronicity refers to the apparently inexplicable coincidences that crop up from time to time. We all have experiences of this type. Page 220 For no apparent reason you may suddenly think of a friend you have not seen for years at the very moment We are getting into deep waters where ordinary experience cannot guide us. So again, as has become my habit in this penultimate Chapter, I will let a more eloquent voice speak for me. Not the voice of a scientist but a poet-writer. In her remarkable retelling of the legend of Arthur, The Mists of Avalon, Marian Zimmer-Bradley Makes her heroine, Morgan le Fay say: for this is the great secret, which was known to all educated men in our day, that by what men think, we create the world around us, daily new. With this discussion of synchronicity and self- consistency, we have arrived at the point where we can begin to see the strange relationship between consciousness and the universe, between the 'thought' within and the 'thing' without.
The Death Of Forever A New Future for Human Consciousness Darryl Reanney (1995 Edition) Page 219 (It was this indeterminate character of quantum mechanics that caused Einstein to complain that God 'did not play dice with the world'.)
QUANTUM ATUM QUANTUM ATUM QUANTUM ATUM QUANTUM ATUM QUANTUM ATUM QUANTUM
The Magic Mountain Page 511 / 512 "The learner must be of dauntless courage and athirst for knowledge, to speak in the style of our theme. The grave, the sepulchre, has always been the emblem of initiation into the society. The neophyte coveting admission to the mysteries must always preserve undaunted courage in the face of their terrors; it is the purpose of the order that he should be tested in them ,led down into and made to linger among them,and later fetched up from them by the hand of an unknown Brother. Hence the winding passages, the dark vaults , through which the novice is made to wander; the black cloth with which the Hall of Strict Observance was hung , the cult of the sarcophagus , which played so important a role in the ceremonial of meetings and initia-tions. The path of mysteries and purification was encompassed by /dangers, it led through the pangs of death , through the kingdom of dissolution; and the learner, the neophyte, is youth itself, thirsting after the miracles of life, clamouring to be quickened to a demonic capacity of experience, and led by shrouded forms which are the shadowing forth of the mystery."
The Magic Mountain "The Making Of" Page726 / 727 "…in the course of his experiences, overcomes his inborn attraction to death and arrives at an Page 727 " "... The Quester legend " "The Quester of the Grail Legend, at the beginning of his wanderings, is often called a fool, a great fool, a guileless fool." Page728 "The seeker of the Grail, before he arrives at the Sacred Castle, has to undergo various frightful and mysterious ordeals in a wayside chapel called the Atre Perilleux. Probably these ordeals were originally rites of initiation, conditions of the permission to approach the esoteric mystery; the idea of knowledge, wisdom, is always bound up with the 'other world,' with night and death." "In The Magic Mountain there is a great deal said of an alche-mistic, hermetic pedagogy, of Page728 "...-who voluntarily, all too voluntarily embraces disease and death, because its very first contact with them gives promise of extraordinary enlightenment and adventurous advancement, bound up, of course, with correspondingly great risks." Page 728/9 "And perhaps you will find out what the Grail is; the knowledge and the wisdom, the consecration the highest reward, for which not only the foolish hero but the book itself is seeking." Page 729 "It is the idea of the human being, the conception of a future humanity that has passed through and survived the profoundest knowledge of disease and death. The Grail is a mystery, but humanity is a mystery too. For man himself is a mystery, and all humanity rest upon reverence before the mystery that is man."
Thomas Wolfe 1900-1938 "The life of a book can be as mysterious and wonderful as the life of a man. Its destiny, like that of man, is often 'touched by that dark miracle of chance which makes new magic in a dusty world."
The Concise Oxford Dictionary of Current English 1974 Edition. 'Exoteric Of doctrines modes of speech, of disciples not admitted to esoteric teaching; commonplace, ordinary, popular;...'
"The Making Of " The Magic Mountain Page711 "These were the moments when the "Seven Sleeper" not knowing what had happened was slowly stirring himself..." Page713 "And we are shrinking shadows by the way side shamed by the security of our shadowdom,"
SRI KRISHNA RISHI KRISHNA SRI KRSNA RISHI KRSNA SHRI KRISHNA RISHI KRISHNA SHRI
CHRIST C HR IS T CHRIST C HERE IS IS HERE C SEE HERE IS THE CHRISTOS THE CHRISTOS IS HERE SEE SO HEAR THIS SEE R I R SEE THIS HEAR SO
THE HOLY CROSS HOLY IS IS HOLY IS LIGHT LOVE LIFE LOVE LIGHT ADDED TO ALL MINUS NONE SHARED BY EVERYTHING MULTIPLIED IN ABUNDANCE
THE SEE INNER SINNER INNER SEE THE SEE HEAR SEER HEAR SEE GODS I ME I GODS LOVE EVOLVE EVOLVE LOVE
I I THAT AM PERFECT CREATIVITY PERFECT CREATIVITY AM I I THAT AM I AM THAT I NEGATIVE POSITIVE PERFECT BALANCING PERFECT POSITIVE NEGATIVE CREATORS GOOD AND EVIL LIVE VEIL GODS VEIL LIVE EVIL AND GOOD CREATORS ALL R THIS DIVINE THE THOUGHT GODS THOUGHT THE DIVINE THIS R ALL
THE HE AS IN SHE THAT IS ME THAT IS THEE I ME I THEE IS THAT ME IS THAT SHE IS AS HE
DEVIL LIVED GODS GO DO GOOD GODS GODDESSES GODDESSES GODS GOOD DO GO GODS LIVED DEVIL
THERA TERAH EARTH HEART HEAT R HEAT HEART EARTH TERAH THERA
I ME I THAT AM I AM THAT I THAT THAT THAT TIME EMIT TIME I ME TIME THAT TIME CHANGE THAT CHANGE THAT I ME I THAT KNOW GODS REALITY GODS KNOW REAL REALITY REVEALED IS GODS IS REVEALED REALITY REAL
TIMELESS EARTH Peter Kolosimo 1980 Chapter NINETEEN Page 192 "The Indians say that thousands of years ago their ancestors travelled on great golden discs which were kept airborne by means of sound vibrations at a certain pitch, produced by continual hammer-blows. This is not so absurd as it may seem. Vibrations of a set frequency may have had the effect of increasing the atomic energy of gold, thus re-ducing the weight of the disc and enabling it to overcome gravity.'
The Death Of Forever A New Future for Human Consciousness Darryl Reanney (1995 Edition) Page 33 "The laws of physics have no inbuilt time asymmetery.They work just as well in the future-to-past sense as the past-to-future sense. We see this clearly when we look at the quantum wave .The wave is a ripple of possibility, not a real thing It has neither past nor future; it can be described as travelling forwards in time and backward in time with equal validity. This is true not just of the quantum wave. Subatomic particles exhibit the same disregard for time. "
QUANTUM ATOM ATUM ATOM QUANTUM I HAVE COME HAVE COME HAVE I SO IRIS ISIS OSIRIS IS IS OSIRIS ISIS IRIS SO SO THIS SIRIUS THIS SO OR ION ORION ION OR THE HOURS OF HORUS THE HORUS OF HOURS R ARRIVED RARRIVED R
The Elixir And The Stone A history of Magic and Alchemy 1998 Michael Baigent And Richard Leigh Page 43 " The most famous, important and influential of Arab alchemists Jabir ibn Hayyam was also a Sufi "
The Lure and Romance of Alchemy C. J. S.Thompson 1999 Page 31 / 32 note 1 Julius Ruska ,Tabula Smaragdini 1926 "A translation from an Arab collection of commentaries of the early twelth century known as " "True it is, without falsehood certain most true.That which is
The Lure and Romance of Alchemy A history of the secret link between magic and science Page 33 " In the account of the emerald tablet given by Roger Bacon in the Secretum Secretorum it is stated that "It may be well to quote another and freer translation of this historic text; it can be judged more clearly from this that the writer designed to teach the doctrines of alchemy that were common in the early Christian era. I speak not fictious things, but that which is most certain and most True. What is below is like that which is above , and what is above is like that which is below to accomplish the miracles of One /Page 34/ Thing. And as all things were produced by the One Word of One Being , so all things were produced from the One Thing by adaptation, Its father is the Sun, its mother the Moon , the wind carries it in its belly, its nurse is the earth. It is the father of all perfection throughout the world. The power is vigorous if it be changed into earth. Separate the earth from the the fire , the subtle from the gross, acting prudently and with judgement.Ascend with the sagacity from the earth to heaven, and then again descend to the earth and unite together the power of things superior and things inferior. Thus you will obtain the glory of the whole world and obscurity will fly far from you.This has more fortitude than fortitude itself,because it conquers every solid thing and can penetrate every solid. Thus was the world formed . Hence proceed wonders which are here established .Therefore I am called Hermes Trismegistus, having three parts of the philosophy of the whole world.That which I had to say concerning the operation of the sun is completed." Page (number omitted) "Now you have some idea of the laws governing the life of the macrocosmos and have returned to the earth. Recall to yourself: "as above, so below" I think that already, without any further explanation, you will not dispute the statement that the life of individual man - the microcosmos - is governed by the same laws - "Glimpses of Truth."
AS ABOVE SO BELOW IS AN EXPRESSION WHICH REFERS TO COSMOSES
The Magic Mountain Thomas Mann 1875-1955 Page 510 "The higher degrees of Freemasonary were initiates of the 'physica et mystica ,'the representatives of a magic natural science, they were in the main great alchemists" / Page 511 / of sulphur and mercury,the res bina,the double-sexed prima ma-teria was no more ,and no less, than the principle of levitation, of the upward impulse due to the working of influences from with-out. Instruction in magic if you like." The primary symbol of alchemic transmutation "
The FULCANELLI phenomenon Kenneth Rayner Johnson 1980 Page 195 " As Prince Stanislas Klossowski de Rola expresses it: / Page 196 / coagula. This formula and this emblem symbolize the alternating role of the two indespensible halves that compose the whole. Solve et coagula is an injunction to alternate dissolution, which is a spiritualization or sublimation of solids, with coagulation, that is to say a re-matrialization of the purified products of the first operation. Its cyclic aspect is clearly expressed by Nicholas Valois: " Solvite corpora et coagulate spiritum " ; " Dissolve the body and coagulate the spirit." ' note 1 / Page197 / of the fire remains red, as it were flesh. But our son the King / Page 198 / inevitable re-formation. ( This may be compared quite favourably with a cyclic universe, which begins as a primal atom containing everything,explodes to form the cosmos, then ultimately collapses back upon itself eventually to repeat the process over again ad infinitum)This process similarly applied on a lesser scale to all living entities including the earth, which went through an obvious cycle of birth, growth, decay death, and re-birth annually. Man himself also followed this assumed pattern of birth, life death and re-birth.
Supernature Lyall Watson 1974 Edition Page 97/ 98 "Sound, of course, is a vibration that can be conducted only through an elastic medium; it cannot travel through a vac-uum. Electromagnetic waves do travel through free space, and we know far less about factors governing their resonance. There is however, one quite extraordinary piece of evidence which suggests that shape could be important in receiving even cosmic stimuli. It comes from those favourites of mystics throughout the ages-the pyramids of Egypt. Page 99 "…We can only guess that the Great Pyramid and its little imitations acts as lenses that focus energy or as resonaters that collect energy,…"
The Magic Mountain Thomas Mann 1875-1955 Page 511 "Hermetics - what a lovely word "
Brahma
The term pareidolia (pronounced /pæraɪˈdoʊliə/), referenced in 1994 by Steven Goldstein, [1] describes a psychological phenomenon involving a vague and ... en.wikipedia.org/wiki/Pareidolia The term pareidolia (pronounced /pæraɪˈdoʊliə/), referenced in 1994 by Steven Goldstein,[1] describes a psychological phenomenon involving a vague and random stimulus (often an image or sound) being perceived as significant. Common examples include images of animals or faces in clouds, the man in the moon, and hidden messages on records played in reverse. The word comes from the Greek para- — beside, with or alongside — and eidolon — image (the diminutive of eidos — image, form, shape). Pareidolia is a type of apophenia. EXAMPLES Religious Further information: Perceptions of religious imagery in natural phenomena There have been many instances of perceptions of religious imagery and themes, especially the faces of religious figures, in ordinary phenomena. Many involve images of Jesus, the Virgin Mary, or the word Allah. In 1978, a New Mexican woman found that the burn marks on a tortilla she had made appeared similar to Jesus Christ's face. Thousands of people came to see the framed tortilla.[2] The recent publicity surrounding sightings of religious figures and other surprising images in ordinary objects, combined with the growing popularity of online auctions, has spawned a market for such items on eBay. One famous instance was a grilled-cheese sandwich with the Virgin Mary's face.[3] In September, 2007, the so-called "monkey tree phenomenon" caused a minor social mania in Singapore. A callus on a tree there resembles a monkey, and believers have flocked to the tree to pay homage to the Monkey God.[4] [edit] Rorschach test Main article: Rorschach inkblot test
The Rorschach inkblot test uses pareidolia to attempt to gain insight into a person's mental state.[2][edit] Audio In 1971, Konstantin Raudive wrote Breakthrough, detailing what he believed was the discovery of electronic voice phenomenon (EVP). EVP has been described as auditory pareidolia.[2] The allegations of backmasking in popular music have also been described as pareidolia.[2] edit] Explanations [edit] Carl Sagan Carl Sagan hypothesized that as a survival technique, human beings are "hard-wired" from birth to identify the human face. This allows people to use only minimal details to recognize faces from a distance and in poor visibility, but can also lead them to interpret random images or patterns of light and shade as being faces.[5] [edit] Clarence Irving Lewis In his 1929 book Mind and the World Order, epistemologist and logician Clarence Irving Lewis, a founder of the philosophical school of conceptual pragmatism, used the question of how to determine whether a perception is a mirage as a touchstone for his philosophical approach to knowledge. Lewis argued that one has no way of knowing whether or not perceptions are "true" in any absolute sense; all one can do is determine whether one's purpose is thwarted by regarding it as true and acting on that basis. According to this approach, two people with two different purposes will often have different views on whether or not to regard a perception as true. [6] Gallery (Images omitted)
SUBSTANCES WATCHED IN FINE AMAZE THE ZED ALIZ ZED IN SWIFT REPEAT SCATTER THE SACRED NUMBERS AMONGST THE LETTERS OF THEIR PROGRESS AT THE THOUGHT OF THE NINTH RAM WHEN IN CONJUNCTION SET THE FAR YONDER SCRIBE MADE RECORD OF THE FALL
A HISTORY OF GOD Karen Armstrong 1993 The God of the Mystics Page 277 "The Perfect Man was believed to inspire more ordinary mortals to seek God: Shams ad-Din had unlocked in Rumi the poetry of the 'All I can say, remembering You', the prayer concluded, 'is ayyyy and ahhhhhhhh.' Moses was horrified. Who on earth did the shepherd imagine he was talking to? The Creator of heaven and earth?
YOU = 7 7 = YOU 17777and 188888888
'All I can say, remembering You', the prayer concluded, 'is ayyyy and ahhhhhhhh.' Moses was horrified. Who on earth did the shepherd imagine he was talking to? The Creator of heaven and earth?'
GODS OF THE DAWN THE MESSAGE OF THE PYRAMIDS AND THE TRUE STARGATE MYSTERY Peter Lemesurier 1997 "THE GREAT PYRAMID IS A SYMBOL OF A NOW ALMOST WHOLLY ALIEN MENTALITY" Arthur C. Clarke Profiles of the Future FOREWORD
Page ix STAR WATCH FIVE Page 171 Page 172 In due course, that message would duly get through. The realization would dawn that humanity has a destiny, and one that will long outlive Earth. True, the realization would be mythologized, ritualized and turned into mere religious dogma. When the time came for such dogmas to be dis-missed, consequently, the message would be dismissed with them. And yet the new realism would breed a new attitude. Humanity would look again.
GODS OF THE DAWN THE MESSAGE OF THE PYRAMIDS AND THE TRUE STARGATE MYSTERY Peter Lemesurier 1997 STARWATCH TWO Page 129 "Moses' meeting with the entity allegedly takes place amid horrendous thunderings and lightnings on a smoking mount Sinai whose emanations spell death for anybody else who approaches it. The description is typical of a volcano. Yet Sinai has not been volcanic for thousands of years. Evidently, then, the phenomenon -like the strange columns of smoke themselves - is artificial, and presumably reveals the presence of some kind of advanced technology. Page 227 "Yet as I said earlier, it is precisely the unthinkable that I have dared to think in this book. To that extent it goes beyond all con- ventional belief. In the final upshot, though, something rather sur- prising has happened. The unthinkable has paradoxically turned out to be - if in surprising and disturbing ways - remarkably simi- lar to what has always been thought before. Indeed, it is precisely the extent to which this book's outline of humanity's future des- tiny turns out to mirror the immemorial beliefs of antiquity that is most likely to worry the religious in particular. Page 228 But the real function of the Elohistic initiative, if I have recon-structed it aright, is not to subject us to beliefs that shackle us, but to blast apart our imagined limitations. Its purpose is not to en- chain us, but to set us free - not by telling us, like most religions, what we cannot do, but by hinting, however remotely, at what we can.
GREAT ENCOUNTERS Page 165 "Much, clearly, has to do with expectation. As at least one Star Trek episode did manage to recognize, the best way of avoiding such cosmic xenophobia is carefully to tie in the features of your arrival with existing planetary beliefs regarding the future advent of benevolent beings from the sky. On Earth, certainly, such beliefs are almost universal.
ATOM ATUM ATEN A TEN A ONE
IS GOD IS GOD IS GOD IS ALWAYS ISISIS ALWAYS IS GOD GOD IS THAT IS GOD ALL LIFE IS GOD IS GOD IS ALL LIFE ANIMATE IN ANIMATE IN AMINATE GOD IS EVERYTHING IS EVERYTHING IS GOD GOD IS IS UNIVERSAL MIND THAT MIND UNIVERSAL IS GOD THOU ART AN I ME GOD AN I ME GOD ART THOU I KNOW THAT THAT THAT I KNOW AMEN O NAMES OF GODS NAME GODS OF NAMES O AMEN
AWAKEN O NAMUH SURELY THOU ART A LAZY SURAZAL
THE 99 NAMES OF GOD I ME EGO CONSCIENCE DIVINE LOVE 9 9 LOVE DIVINE ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE NEW VIEW OVER ATLANTIS J Michell 1969 Page 151 "That this small gold pyramidion was an integral part of the Pyramid's design is evident from the figures. Without it the dimensions are not quite complete, for if it were removed, the area of the Pyramid's side would be 99999.99 square cubits only. With the 5 cubic inches of gold pyramidion in place, the figure of 100,000 square cubits represents the total area."
"THAT THIS SMALL GOLD PYRAMIDION WAS AN INTEGRAL PART OF THE PYRAMID'S DESIGN IS EVIDENT FROM THE FIGURES. WITHOUT IT THE DIMENSIONS ARE NOT QUITE COMPLETE, FOR IF IT WERE REMOVED, THE AREA OF THE PYRAMID'S SIDE WOULD BE 99999.99
THE 99 NAMES OF GOD I ME EGO CONSCIENCE Do not stand at my grave and weep, I = 9 9 = I Do not stand at my grave and weep,
9 x 12 = 108 1 + 8 = 9
A HISTORY OF GOD Karen Armstrong 1993 The God of the Mystics Page 175 " There is no deity but al-Lah the Creator of heaven and earth who alone can save man and send him the spiritual and physical sustenance that he needs. Only by acknowledging him as as-Samad, 'the Uncaused Cause of all being' will Muslims address a dimension of reality beyond time and history and which would take them beyond the tribal divisions that were tearing their society apart. Muhammad knew that monotheism was inimical to tribalism: a single deity who was the focus of all worship would integrate society as well as the individual.
A HISTORY OF GOD Karen Armstrong 1993 The God of the Mystics Page 265 "During the twelfth century the Iranian philosopher Yahya Suhrawardi and the Spanish-born Muid ad-Din ibn al-Arabi linked Islamic Falsafah indissolubly with mysticism and made the God experienced by the Sufis normative in many parts of the Islamic empire. Like al-Hallaj, however, Suhrawardi was also put to death by the ulema in Aleppo in 1191, for reasons that remain obscure. He had made it his life's work to link what he called the original 'Oriental' religion with Islam, thus completing the project that Ibn Sina had proposed. He claimed that all the sages of the ancient world had preached a single doctrine. Page 287 As the Sufis had wanted to experience God like Muhammed, Abulafia claimed to have found a way of achieving / Page 288 / He evolved a Jewish form of Yoga, using the usual disciplines of concentration such as breathing, the recitation of a mantra and the adoption of a special posture to achieve an alternative state of consciousness. Abulafia was an unusual Kabbalist. He was a highly erudite man, who had studied Torah, Talmud and Falsafah before being converted to mysticism by an overwhelming religious experience at the age of thirty-one. He seems to have believed that he was the Messiah, not only to Jews but also to Christians. Accordingly, he travelled extensively throughout Spain making disciples and even ventured as far as the Near East. In 1280 he visited the Pope as a Jewish ambassador. Although Abulafia was often very outspoken in his criticism of Christianity, he seems to have appreciated the similarity between the Kabbalistic God and the theology of the Trinity. The three highest sefiroth are reminiscent of the Logos and Spirit, the Intellect and Wisdom of God, which proceed from the Father, the Nothingness lost in inaccessible light. Abulafia himself liked to speak about God in a trinitarian manner.
DIVINESPHERES9999SPHERESDIVINE
JOSEPH AND HIS BROTHERS Thomas Mann 1924 Page 888 " To put it bluntly, somebody had been conspiring against Pharaoh's life - this although the days of the majesty of that elderly god were well known to be numbered anyhow, and it is common knowledge that their inclination to unite again with the sun could not be arrested either by the advice of the magicians and physicians of the book- house or even by the mediation of Ishtar of the Way, which His Majesty's brother and father-in-law of the Euphrates, Tustw-atta, King over Khanigalbat or Mitanniland, had solicitously sent to him. But that the Great House, Si-Re, Son of the Sun and Lord of the Two Crowns, Neb-ma-Re-Amenhotpe, was old and ailing and could scarcely breathe was no reason at all why he should not be conspired against; indeed, if you liked, it was a very good reason why he should, however dreadful, of course, such an enterprise remained.
A HISTORY OF GOD Karen Armstrong 1993 Page 280 "Jews should cultivate an apatheia like God's, remaining impervious to scorn and insults. But God could be addressed as Friend. No Throne Mystic would have dreamt of calling God 'Thou', as Eliezar did. This familiarity crept into the liturgy, depicting a God who was immanent and intimately present at the same time as he was transcendent: Everything is in Thee and Thou art in everything; Thou fillest everything and dost encompass it; when everything was created, "They qualified this immanence by showing that nobody could approach God himself but only God as he manifested himself to mankind in his 'glory' (kavod) or in 'the great radiance called Shekinah', The Pietists were not worried by the apparent incon-sistency, They concentrated on practical matters rather than theo- logical niceties, teaching their fellow-Jews methods of concentration (kawwanah) and gestures that would enhance their sense of God's presence. Silence was essential; a Pietist should close his eyes tightly, cover his head with a prayer shawl to avoid distraction, pull in his stomach and grind his teeth. They devised special ways of'drawing out prayer' which was found to encourage this sense of Presence. Instead of simply repeating the words of the liturgy, the Pietist should count the letters of each word, calculating their numerical value and getting beyond the literal meaning of the language. He must direct his attention upwards, to encourage his sense of a higher reality. Page 281 "Philosophy threatened to turn God into a remote abstraction but the God of the mystics was able to touch those fears and anxieties that lie deeper than the rational. Where the Throne Mystics had been content to gaze upon the glory of God from without, the Kabbalists attempted to penetrate the inner life of God and the human consciousness. Instead of speculating rationally about the nature of God and the metaphysical problems of his relationship with the world, thc Kabbalists turned to the imagination, "The Zohar shows the mysterious emanation of the ten sefiroth as a process whereby the impersonal En Sof becomes a personality. In the three highest sefiroth - Kether, Hokhmah and Binah - when, as it were, En Sof has only just 'decided' to express himself, the divine reality is called 'he'. As 'he' descends through the middle sefiroth - Hesed, Din, Tifereth, Netsah, Hod and Yesod - 'he' becomes 'you'. Finally, when God becomes present in the world in the Shekinah, 'he' calls himself 'I'. It is at this point, where God has, as it were, become an individual and his self-expression is complete, that man can begin his mystical journey. Once the mystic has acquired an understanding of his own deepest self, he becomes aware of the Presence of God within him and can then ascend to the more impersonal higher spheres, transcending the limits of / Page 285 / personality and egotism. It is a return to the unimaginable Source of our being and the hidden world of uncreated reality. In this mystical perspective, our world of sense impression is simply the last and outermost shell of the divine reality."
I = 9 ME = 9 9 = EM 9 = I YOU = 7 7 = UOY
"God is given ninety-nine names" Page 176 "The Names of God"
9 NUMBER 9 THE SEARCH FOR THE SIGMA CODE Cecil Balmond 1998 Page 214 NAMING THE 99 NAMES OF ALLAH
LOVE DIVINE DIVINE LOVE
OF TIME AND STARS Page15 (number omitted)" ' This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a ma-chine. Could you explain just what you intend to do with it?' 'Gladly,' replied the lama, readjusting his silk robes and carefully putting awa the slide rule he had been Using for currency conversions. 'Your Mark V Computer can carry out any routine mathtiilatical operation involving up to ten digits. However, for our work we are interested in letters, not numbers. As we wish you to modify the output circuits, the machine will be printing words, not columns of figures.' 'I don't quite understand. . .' 'This is a project on which we have been working for the last three centuries - since the lamasery was founded, in fact. It is somewhat alien to your way of thought, so I hope you will listen with an open mind while I explain it.' 'Naturally.' 'It is really quite simple. We have been compiling a list which shall contain all the possible names of God.' 'I beg your pardon?' Page 16 The Nine Billion Names of God 'We have reason to believe,.' continued the lama imper-turbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.' 'And you have been doing this for three centuries?' 'Yes: we expected it would take us about fifteen thousand years to complete the task.' 'Oh,' Dr Wagner looked a little dazed. 'Now I see why you wanted to hire one of our machines. But what exactly is the purpose of this project?' The lama hesitated for a fraction of a second, and Wagner wondered if he had offended him. If so, there was no trace of annoyance in the reply. 'Call it ritual, if you like, but it's a fundamental part of our belief. All the many names of the Supreme Being - God, Jehova, Allah, and so on - they are only man-made labels. There is a philosophical problem of some difficulty here, which I do not propose to discuss, but somewhere among all the possible combinations of letters that can occur are what one may call the real names of God. By systematic per-mutation of letters, we have been trying to list them all.' "I see. You've been starting at AAAAAAA . . . and working up to ZZZZZZZZ . . .' 'Exactly - though we use a special alphabet of our own.
A HISTORY OF GOD Karen Armstrong 1993 The God of the Mystics Page 277 "The Perfect Man was believed to inspire more ordinary mortals to seek God: Shams ad-Din had unlocked in Rumi the poetry of the 'All I can say, remembering You', the prayer concluded, 'is ayyyy and ahhhhhhhh.' Moses was horrified. Who on earth did the shepherd imagine he was talking to? The Creator of heaven and earth?
YOU = 7 7 = YOU 17777and 188888888
'All I can say, remembering You', the prayer concluded, 'is ayyyy and ahhhhhhhh.' Moses was horrified. Who on earth did the shepherd imagine he was talking to? The Creator of heaven and earth?'
A HISTORY OF GOD Karen Armstrong 1993 The God of the Mystics Page 278 'All I can say, remembering You', the prayer concluded, 'is ayyyy and ahhhhhhhh.' Moses was horrified. Who on earth did the shepherd imagine he was talking to? The Creator of heaven and earth?
OF TIME AND STARS Page15 "I see. You've been starting at AAAAAAA . . . and working up to ZZZZZZZZ . . .' 'Exactly - though we use a special alphabet of our own.
THE FINGERPRINTS OF THE GODS Graham Hancock 1995 Page 273 "The precessional numbers highlighted by Sellers in the Osiris myth are 360, 72, 30 and 12." "These he joined to the 360 days of which the year then consisted (emphasis added)." "Elsewhere the myth informs us that the 360 - day year consists of "12 months of 30 days each". Note 6 And in general,as Sellers observes , "phrases are used which prompt simple mental calculations and an attention to numbers ". note 7 "Elsewhere the myth informs us that the 360-day year consists of '12 months of 30 days each'. Thus far we have been provided with three of Seller's precessional: 360, 12 and 30. The fourth number,which occurs later in the text, is by far the most important. As we saw in Chapter Nine, the evil deity known as Set led a group of conspirators in a plot to kill Osiris. The number of these conspirators was 72."
THE FINGERPRINTS OF THE GODS Graham Hancock 1995 Page 273 "The precessional numbers highlighted by Sellers in the Osiris myth are 3+6+0 = 9, 7+2=9, 3+0=3 and 1+2=3." "These he joined to the 3+6+0=9 days of which the year then consisted (emphasis added)." "Elsewhere the myth informs us that the 3+6+0=9 - day year consists of "1+2=9 months of 3+0=3 days each". Note 6 And in general,as Sellers observes , "phrases are used which prompt simple mental calculations and an attention to numbers ". note 7 "Elsewhere the myth informs us that the 3+6+0=9-day year consists of '1+2=3 months of 3+0=3 days each'. Thus far we have been provided with three of Seller's precessional: 3+6+0=9, 1+2 and 3+0=9. The fourth number,which occurs later in the text, is by far the most important. As we saw in Chapter Nine, the evil deity known as Set led a group of conspirators in a plot to kill Osiris. The number of these conspirators was 7+2=9."
SEVEN OR NINE
'Mayan numbers - summary nine = magic number of the Maya. All relevant numbers compound to nine.' NINE
9999
NUMBER WAS SEEN AS A FULL COMPLEMENT
Search resultsElectronic Anomie: A Lot of Special Numbers Thursday, November 29, 2007 9999 is a Kaprekar Number (a number that when squared and then the digits in the squared number are added together equal the original number)
9 9 9 9 9 9 9 9 9 THE UPSIDE DOWN OF THE DOWNSIDE UP 6 6 6 6 6 6 6 6 6
ISISIS THAT LIGHT THAT THAT LOVE THAT THAT DIVINE LOVE LIGHT THAT LIGHT LOVE DIVINE MAM = 9 9 = DAD CHILD = 9 9 = CHILD PUREST = 9 9 = PUREST DIVINE = 9 9 = DIVINE LOVE = 9 9 = LOVE REALITY = 9 9 = REALITY THE 99 NAMES OF GOD 99 LOVEEVOLVEEVOLVELOVELOVEEVOLVEEVOLVELOVE BELOVED LOVE EVOLVE EVOLVE LOVE BELOVED LOVE EVOLVE EVOLVE LOVE BELOVED
IN THE BEGINNING GOD CREATED THE HEAVEN AND THE EARTH AND THE EARTH WAS WITHOUT FORM AND VOID AND DARKNESS WAS UPON THE FACE OF THE DEEP AND THE SPIRIT OF GOD MOVED UPON THE FACE OF THE WATERS AND GOD SAID LET THEIR BE LIGHT AND THERE WAS LIGHT I AM ALPHA AND OMEGA WITHOUT BEGINNING WITHOUT END
I AM THAT I THAT AM I THE WEIGHING IN THE BALANCE
setiathome.berkeley.edu Join the Search for Alien Life Message boards: SETI @ home Science: If someone found a signal would the public know ? Message Message 765818 Posted 10 Jun 2008 20:59:38 UTC I am just woundering if there was a signal found. how long wound it take for the public to be informed.
Message 765821 Posted 10 Jun 2008 21:06:26 UTC - in response to Message ID 765818. I am just woundering if there was a signal found. how long wound it take for the public to be informed. I hate to think that this information would be kept to a choosen few. I also think it is possable, that we have already found a signal and the general public will not be told for a very very long time. One more thing, If ET says hello... What are we going to say back? Despite the denials, we\'d not get to know for a few years I\'d guess. There\'s too many vested interests ranging from the church to governments, the military and big business. SETI has the Wow signal and at least one other signal that have ALL the hallmarks of being extra terrestial. But, there\'s always something that stops them saying so ie not confirmed by another source or, there\'s \'nothing in that particular part of the sky\' etc. Yes, Im a cynic now. Just returned to SETI but I know, as I suspect we all do, that we\'ll never get to find \'that\' signal.
Message 765857 Posted 10 Jun 2008 22:14:54 UTC To answer the main question: yes, the public will know once a signal is confirmed, and yes, they will know as soon as possible (days not years).
Message 765952 - Posted 11 Jun 2008 7:12:47 UTC - in response to Message ID 765912 btw - is your response to this based upom what you just (recently) Posted re: sys admin ;)) Actually.. no - though I see where you might have drawn a hopeful conclusion. I just always feel it\'s important to snuff out wrongful conspiracy theories concerning my day job. Things are never are as complicated/secretive/conspiratorial as people think (or hope in some cases) Matt BOINC/SETI@home network/web/science/development person "Any idiot can have a good idea. What is hard is to do it." - Jeanne-Claude
Message 766101 - Posted 11 Jun 2008 7:12:47 UTC - in response to Message ID 765857 To answer the main question: yes, the public will know once a signal is confirmed, and yes, they will know as soon as possible (days not years). Matt How many unconfirmed signals found? Other than the WOW! one
Message 766204 - Posted 11 Jun 2008 15:07:35 UTC A couple of days ago I watched as the graphics catched or stumbled upon a big gaussian (not the same one as mentioned some place else). It did not come up in the numbers thereafter and I did unfortunately not take the number of the WU, sorry to say. Possibly (but very uncertainly) it may have been WU 06mr08ah.13828.82132.6.8.73._2_0 . In any case, that WU had a spike of 1.70, a gaussian of -8.01 (which is low and not the opposite as some other like to tell) and a pulse of 100996 (Yes!). No triplet. If it was that one, it could be interesting...ID: 766204
Message 766238 Posted 11 Jun 2008 16:41:52 UTC It would be nice if somewhere in the seti program when it knows positive that it has a signal that is states across the screen... \"CANDIDATE SIGNAL FOUND!\" like it did in the movie Contact. ;)
Message 766299Posted 11 Jun 2008 18:49:23 UTC - in response to Message ID 766238. Last modified: 11 Jun 2008 18:58:49 UTC It would be nice if somewhere in the seti program when it knows positive that it has a signal that is states across the screen... \"CANDIDATE SIGNAL FOUND!\" like it did in the movie Contact. ;) The problem is, it doesn't know. Only humans can make that determination, and only after revisiting what they determine are *possible* candidates and scanning their locations again and again. How many unconfirmed signals found? Other than the WOW! one Zero No signal has ever been found which had the characteristics of the WOW! signal (ie; unconfirmed origin and not a natural source, either a glitch, interference, or the real thing) The closest that the SETI@Home team ever came was this one- http://en.wikipedia.org/wiki/Radio_source_SHGb02%2B14a Unlike WOW!, this is not something that appeared for an instant and could never be found again; this was found again, and presumably can still be detected by any radio telescope with sufficient capability. This is not an "unconfirmed signal" because it was determined not to be a signal at all. I'll admit, I'm not satisfied with the explanations as to why it was eventually determined not to be a candidate signal, and to my knowledge, no thorough public explanation has ever been given. It's not that I personally think it's a signal (I don't), I'd just like to know exactly why scientists are so sure it's not.
Message 767007- Posted 12 Jun 2008 19:44:03 UTC - in response to Message ID 766299. This is not an "unconfirmed signal" because it was determined not to be a signal at all. Thats my point! People argue over the very basic question whether a signal is a candidate. It doesnt fit the bill so lets dismiss it therefore we havent got an 'unconfirmed \ potential signal' to talk about. I'll admit, I'm not satisfied with the explanations as to why it was eventually determined not to be a candidate signal, and to my knowledge, no thorough public explanation has ever been given. It's not that I personally think it's a signal (I don't), I'd just like to know exactly why scientists are so sure it's not. Im not satisfied either but I think its highly unlikely you'll get scientists to agree. The signal appears to meet all the criteria for a 'candidate' but is dismissed because 'there's nothing in that part of the sky' and something to do with rotational period or something I mean were either of those two conditions in SETI's original conditions for a candidate? I dont think so.Im not satisfied either but I think its highly unlikely you'll get scientists to agree. The signal appears to meet all the criteria for a 'candidate' but is dismissed because 'there's nothing in that part of the sky' and something to do with rotational period or something. I mean were either of those two conditions in SETI's original conditions for a candidate? I dont think so.
Message 767082- Posted 12 Jun 2008 22:12:21 UTC - in response to Message ID 76007. Last modified: 12 Jun 2008 22:18:08 UTC The signal appears to meet all the criteria for a 'candidate' but is dismissed because 'there's nothing in that part of the sky' and something to do with rotational period or something. The WOW! signal did apparently fit the criteria for artificial origin, but an Earthbound source or glitch in the system couldn't be ruled out since it could never be detected again or independently verified by any other telescope. As for the SETI@Home signal, while I think they know the criteria better than we do, I admit that I don't fully understand the explanation. Just because I don't understand it doesn't mean I don't agree with it. If the signal were as compelling as you seem to think it is, it wouldn't have been dismissed, certainly not by the SETI@Home team which has put years' worth of effort and investment into this project, and certainly not by other SETI teams, like the SETI Institute. I may not be happy that it turned out not be a signal from ET, and I may not be personally satisfied with the explanations, but I have to concede that they know more about the signal than I do and they know more about why it's not a good candidate than I do.
Message 767267- Posted 13 Jun 2008 4:53:21 UTC - in response to Message ID 765952. btw - is your response to this based upom what you just (recently) Posted re: sys admin ;)) Actually.. no - though I see where you might have drawn a hopeful conclusion. I just always feel it\'s important to snuff out wrongful conspiracy theories concerning my day job. Things are never are as complicated/secretive/conspiratorial as people think (or hope in some cases). - Matt Yeah, but everyone likes a god conspiracy theory :)
Message 767919- Posted 14 Jun 2008 9:43:52 UTC - in response to Message ID 767082. The signal appears to meet all the criteria for a 'candidate' but is dismissed because 'there's nothing in that part of the sky' and something to do with rotational period or something. The WOW! signal did apparently fit the criteria for artificial origin, but an Earthbound source or glitch in the system couldn't be ruled out since it could never be detected again or independently verified by any other telescope. As for the SETI@Home signal, while I think they know the criteria better than we do, I admit that I don't fully understand the explanation. Just because I don't understand it doesn't mean I don't agree with it. If the signal were as compelling as you seem to think it is, it wouldn't have been dismissed, certainly not by the SETI@Home team which has put years' worth of effort and investment into this project, and certainly not by other SETI teams, like the SETI Institute. I may not be happy that it turned out not be a signal from ET, and I may not be personally satisfied with the explanations, but I have to concede that they know more about the signal than I do and they know more about why it's not a good candidate than I do. The "fear" is --I think--that the SETI results (all of them) are being stockpiled and may not be looked at until some very long time in the future and can only be verified by a steerable antenna some months or years later where the beamed signal (if there were an actual one) may well be beaming some other part of the universe--fanciful thoughts but probably needs some elucidation.
Message 768345- Posted 14 Jun 2008 23:30:03 UTC The government is flattered by those that think that they can pull off elaborate conspiracy theories, but the fact is that the government can hardly pull off delivering the mail and issuing passports. The only way for a conspiracy to survive is for there to be only two people that know about it -- and one of them is dead. ID: 768345
Message 770925- Posted 20 Jun 2008 20:37:40 UTC can anyone say where the Wow signal came from? IE where in the sky? ID: 770925
Message 772609 - Posted 23 Jun 2008 22:14:32 UTC - in response to Message ID770925. can anyone say where the Wow signal came from? IE where in the sky? http://en.wikipedia.org/wiki/Wow!_signal "Gentlemen, there are only two types of naval vessels..........Submarines, and Targets" -- U.S. Navy Submarine SONAR Instructor.
Message 774487 - Posted 27 Jun 2008 22:56:00 UTC I've read a lot of that material regarding the WOW! signal. As far as I recall, all potential terrestial 'interference' can be discounted. There were no satellites in the way, there were no probes on their way to Mars of any of the other planets crossing the path, there were no planes in the way etc. The reason WOW! is discounted by the scientific community is mainly because it hasnt been detected since. I mean come on! If we can claim we may be the only intelligence in a galaxy of some 400 billion stars, meaning we're the result of a 400 billion to 1 shot, then, I dont see how the probabilty that Big Ear 'just got lucky' and picked up WOW! the one time. WOW! ticks more boxes than it doesnt. The only box it doesnt really tick is repeated attempts to find it again. The fact it was a 'one off' is just the same thing. ID: 774487
Message 774490 - Posted 27 Jun 2008 23:10:46 UTC - in response to Message ID 774487 Last modified: 27 Jun 2008 23:36:48 UTC I dont see how the probabilty that Big Ear 'just got lucky' and picked up WOW! the one time. That's exactly the point. The problem with WOW is that it only ticks one box, it fails every other. If WOW! is a real signal from ET, then it means ET knew the exact moment that beam 1 of the Big Ear would be pointing at that exact spot in the sky and would ONLY be signaling Earth for the exact 72 seconds it took for Beam 1 to account for Earth's rotation and then immediately turn the signal off as soon as Beam 1 stopped listening and switched to Beam 2. You have to realize; WOW wasn't picked up for an arbitrary length of time... It's not like the Big Ear *just so happened* to pick up the tail end of an ET transmission. It was picked up *only* for the exact the amount of time it takes for the first beam to pass through and scan one area of space as the Earth rotates. When the second beam passed through the same area 3 minutes later, it detected nothing. That's not a coincidence. The chances of it being a genuine detection are more than "400 billion to 1" because the first beam could've been scanning any other single location in the sky or the Big Ear's side of the Earth could've been facing the opposite direction. ET must have been clairvoyant and known exactly when the first beam was going to be scanning the patch of sky where their signal was, and turned it on and then shut it off again *just* so the first beam alone could detect it. "Extraordinary claims require extraordinary evidence." - Carl Sagan The first test in science is verifiability; results have to be independently reproduced. You apparently don't put much stock in Occam's Razor... ;) ID: 774490
Message 774499- Posted 27 Jun 2008 23:31:50 UTC - in response to Message ID 774490. [quote]I dont see how the probabilty that Big Ear 'just got lucky' and picked up WOW! the one time. That's exactly the point. The probability that the Big Ear "just got lucky" and just so happened to hear ET for 72 seconds in only one of two synchronous beams and couldn't even detect it 3 minutes later with the second beam, and no other scan has ever picked it up again in 30 years is.....frankly, ridiculous. The problem with WOW is that it only ticks one box, it fails every other. No it ticks more than one box. If you read the reports, Big Ear wasnt pointed in the direction it received WOW! for most of the time before it was received. If WOW! is a real signal from ET, then it means ET knew the exact moment that beam 1 of the Big Ear would be pointing at that exact spot in the sky and would ONLY be signaling Earth for the exact 72 seconds it took for Beam 1 to account for Earth's rotation and then immediately turn the signal off as soon as Beam 1 stopped listening and switched to Beam 2. You state ET just switched the signal off at the right moment. This is a massive asumption. For all we know, they could just have pointed their transmitter in a general direction moved position, transmitted again, moved direction etc. The point overlooked is the transmission was very close to the 1420mhz frequency. All informed scientists tell us this is a great frequency to listen to for the 'marker transmission,' the indication that someone is saying 'hello, we're here!' and not in itself a 'message.'
Message 774504 - Posted 27 Jun 2008 23:44:57 UTC - in response to Message ID 774499. Last modified: 27 Jun 2008 23:47:20 UTC No it ticks more than one box. If you read the reports, Big Ear wasnt pointed in the direction it received WOW! for most of the time before it was received. It only detected WOW when beam 1 scanned the area of the sky it passed through for 72 seconds; the second beam was pointed in the same direction 3 minutes later and detected nothing. You state ET just switched the signal off at the right moment. This is a massive asumption. For all we know, they could just have pointed their transmitter in a general direction moved position, transmitted again, moved direction etc. The point overlooked is the transmission was very close to the 1420mhz frequency. All informed scientists tell us this is a great frequency to listen to for the 'marker transmission,' the indication that someone is saying 'hello, we're here!' and not in itself a 'message.' Hehehe...that's a massive assumption on your part. - I said ET must have switched the signal off after Beam 1 passed through the patch of sky where WOW was detected. - You say ET might have pointed their transmitter in a different direction after Beam 1 passed through. Ummmmm....if WOW is really a signal from ET, then aren't both of those assumptions just as equally likely to be true, and aren't they both equally "massive"? :P
Message 774892 - Posted 28 Jun 2008 20:29:35 UTC - in response to Message ID 774515 i believe that iT was said - a long time ago - that the ANSWER to that particular question is NO - in other words - 'THEY would NOT be told'. Well, whoever said that was WRONG Matt Lebofsky just GAVE THE ANSWER in this thread. There's no reason not to take him or anyone else working on SETI at their word.
Message 776020 - Posted 30 Jun 2008 20:52:30 UTC - in response to Message ID 775008. Last modified: 30 Jun 2008 20:53:48 UTC . . . ever heard of Majestic 12 ? Oh lordy.... Yeah, I heard of Majestic 12....in the video game Deus Ex... LOL http://en.wikipedia.org/wiki/Deus_ex How in the heck would the government even KNOW about it before the entire SETI and astronomy community do ?? Or before the press, for that matter ??? And how could they silence all of these people, threaten with death?? Kidnap them??
Message 776095 - Posted 1 Jul 2008 0:03:10 UTC There is no conspiracy--but them paranoids is after us !! DADDIO ID: 776095
Message 776457 - Posted 1 Jul 2008 14:04:39 UTC - in response to Message 776095. There is no conspiracy--but them paranoids is after us !! DADDIO ID
Message 776627 - Posted 1 Jul 2008 21:44:31 UTC - in response to Message ID 774504. No it ticks more than one box. If you read the reports, Big Ear wasnt pointed in the direction it received WOW! for most of the time before it was received. It only detected WOW when beam 1 scanned the area of the sky it passed through for 72 seconds; the second beam was pointed in the same direction 3 minutes later and detected nothing. You state ET just switched the signal off at the right moment. This is a massive asumption. For all we know, they could just have pointed their transmitter in a general direction moved position, transmitted again, moved direction etc. The point overlooked is the transmission was very close to the 1420mhz frequency. All informed scientists tell us this is a great frequency to listen to for the 'marker transmission,' the indication that someone is saying 'hello, we're here!' and not in itself a 'message.' Hehehe...that's a massive assumption on your part. If WOW is genuine, then one of those possibilities has to be the case, and both of them seem to require a clairvoyant knowledge of how long it would take for the first beam to pass through a patch of sky and account for the Earth's rotation.
Message 777228 - Posted 2 Jul 2008 17:05:34 UTC - in response to Message ID 776627. You originally said, WOW! only ticked one box. Let's review how many boxes WOW! actually does tick Nearly all of the scientific community states that the ideal frequency to look for a signal would be 1420mhz. This is where WOW! was found. First tick in the box. You're right, this *IS* a tick in the box; a parameter invented by the humans who assigned it as a box to tick in the first place (though not without good reason). That in itself doesn't necessarily make it more likely to be an ETI signal than not, however. ...and "nearly all in the scientific community" is an extreme exaggeration. Even among SETI scientists, there is wide disagreement over whether radio is "ideal" to listen to for ETI in the first place. 1420mhz is universally banned for terrestrial transmission ergo, WOW! could not have been terrestial in origin. Second tick in the box. Not unless the "transmission" was in fact a glitch in the Big Ear in the first place; in that case it would have very much been terrestrial in origin. The direction of WOW! was not that of one of the planets in the solar system. Third tick in the box. None of those are really "ticks in the box" if the WOW! Signal since none of those objects were in the direction of the second beam three minutes later either, and a glitch could also be described as an unnatural source for the narrow band detection. WOW! signal intensity and duration matched that expected due to the Earth's rotation. Six ticks in the box. ...but failed the expected confirmation by the second beam, suggesting that there was really nothing extraterrestrial being detected in the first place. I could go on but I think my point is proven. Only to those who persist in the blind faith notion that WOW! was a significant extraterrestrial detection or disavow alternative explanations. It is correct Big Ear only picked up ONE instance of the signal however, its wrong to assume the sender 'switched off' the signal at just the right time. It could be purely co incidental if the signal beam was transmitted for a specific duration then transmitted in a totally different direction. Again, why is it "wrong" to assume that the sender switched off the signal after it was detected by the first beam but right for you to assume that the sender switched the signal's direction after it was detected by the first beam???
The possibility that a genuine ETI signal signal being beamed from light years away would be picked up by the first beam for 72 seconds and not by the second 3 minutes later is so vastly remote, that statistically speaking, Occam's Razor would dictate that the sender knew when the first beam was no longer detecting it. ...then again, Occam's Razor also suggests it wasn't an ETI signal. I cannot seriously take your statement that searching at 1420mhz is a massive assumption on our part.
Message 777474 - Posted 2 Jul 2008 21:30:52 UTC - in response to Message ID 777228. You originally said, WOW! only ticked one box. Let's review how many boxes WOW! actually does tick You're right, this *IS* a tick in the box; a parameter invented by the humans who assigned it as a box to tick in the first place (though not without good reason). That in itself doesn't necessarily make it more likely to be an ETI signal than not, however. ...and "nearly all in the scientific community" is an extreme exaggeration. Even among SETI scientists, there is wide disagreement over whether radio is "ideal" to listen to for ETI in the first place. 1420mhz is universally banned for terrestrial transmission ergo, WOW! could not have been terrestial in origin. Second tick in the box.Not unless the "transmission" was in fact a glitch in the Big Ear in the first place; in that case it would have very much been terrestrial in origin. The direction of WOW! was not that of one of the planets in the solar system. Third tick in the box. None of those are really "ticks in the box" if the WOW! Signal since none of those objects were in the direction of the second beam three minutes later either, and a glitch could also be described as an unnatural source for the narrow band detection. WOW! signal intensity and duration matched that expected due to the Earth's rotation. Six ticks in the box. ...but failed the expected confirmation by the second beam, suggesting that there was really nothing extraterrestrial being detected in the first place. I could go on but I think my point is proven. Only to those who persist in the blind faith notion that WOW! was a significant extraterrestrial detection or disavow alternative explanations. It is correct Big Ear only picked up ONE instance of the signal however, its wrong to assume the sender 'switched off' the signal at just the right time. It could be purely co incidental if the signal beam was transmitted for a specific duration then transmitted in a totally different direction. Again, why is it "wrong" to assume that the sender switched off the signal after it was detected by the first beam but right for you to assume that the sender switched the signal's direction after it was detected by the first beam??? I'm not understanding that. Either Maybe I'm stupid, but if you believe that it was a genuine ETI signal, then aren't both possibilities equally likely and equally as much of a coincidence? The sender doesnt even need to know (or indeed care) about the rotational speed of Earth. The possibility that a genuine ETI signal signal being beamed from light years away would be picked up by the first beam for 72 seconds and not by the second 3 minutes later is so vastly remote, that statistically speaking, Occam's Razor would dictate that the sender knew when the first beam was no longer detecting it. ...then again, Occam's Razor also suggests it wasn't an ETI signal. I cannot seriously take your statement that searching at 1420mhz is a massive assumption on our part. My premise is not that WOW! was indisputably a signal from another civilisation beyond our solar system but, one that a probably signal has been debunked when it satisfies many of the criteria SETI and the scientific community have set out for determining a signal IS from an extra terrestial civilisation. From all the papers I've read, even Erhman now seems to suggest WOW! was not a glitch and ticked more boxes than it didnt. What Im saying is, definitely discounting WOW! is wrong. It should be classed as unproven but potentially a viable signal.
Message 777961 - Posted 3 Jul 2008 14:31:49 UTC - in response Message ID 77474 Last modified: 3 Jul 2008 14:32:31 UTC You quoted Sagan previously regarding extraordinary claims needing extraordinary evidence yet, you mention the spectre of life so alien we possibly could not comprehend it as such. We may as well argue that rock on the beach nearby is life but 'not as we know it.' Not sure I follow you there... What Im saying is, definitely discounting WOW! is wrong. It should be classed as unproven but potentially a viable signal. Here's the thing:
Message 780281- Posted 7 Jul 2008 15:54:28 UTC Hello all This post is a very very good read. I see now how people have different ideas on the known universe. Is the WOW signal truely a WOW or not? We may never know...ID: 780281
Message 780340 - Posted 7 Jul 2008 19:23:37 UTC - in response to Message ID 780281. Last modified: 7 Jul 2008 19:24:34 UTC the earth has been here for millions of years. (this is very short time) The Earth has been here for about ~ 4.6 billion years. When the WOW signal was found, how long was it before the public was informed? I don't think the public was ever officially "informed" since the scientists at the Big Ear felt there was nothing to "inform" them about; there was no confirmation, hence, nothing to announce. So there were never any public press conferences on "WOW!" Next question is that, every signal that comes from earth has some kind of data in it. It is very hard for me to take in that the WOW signal cant be traced back to some kind of transmition. If the signal came from earth, it would be very easy to know what it was and where it came from. Nope. http://www.bigear.org/6equj5.htm The wow signal must have came from deep space. Many SETI scientists disagree with you. Also, "must" is a strong word. Like I said, it's possible. Also there would be some kind of data in the WOW signal. Since Big Ear only recorded the intensity of the radio waves, it did not record any data that might have been encoded on the signal. Of course, *IF* any data was encoded on the signal in the first place; there's no evidence of that. I know there is alot of back ground noise that could make a signal Just to be clear and fair, to my knowledge there is no known natural background noise in interstellar space capable of producing an emission similar to WOW! But most signals that have came from humans has some kind of data. It is safe to say that any ET that can produce a signal that would be dected from earth would be far more advance than us, and would put some kind of data in the signal also. I agree that ET would likely encode data in any emission we detected. Unfortunately, we have no way of knowing if any data was encoded in WOW!
Message 780360- Posted 7 Jul 2008 20:48:46 UTC I disagree with a number of Taurus' points.
Message 780376 - Posted 7 Jul 2008 21:34:25 UTC Last modified: 7 Jul 2008 21:35:33 UTC Centenary writes: "Good against remotes is one thing. Good against the living, that's something else." (Han Solo) ID: 780376
Message 780384 - Posted 7 Jul 2008 21:55:39 UTC Thank you for your views centenary , Taurus. I did not know that there was not a recording of the actual signal. It seems to me that there would be some kind of recording of this signal somewhere. ( i know if i was working there that would be the first thing I would do is record it )
Message 780431 - Posted 7 Jul 2008 23:04:33 UTC - in response to Message ID 780360. I disagree with a number of Taurus' points. The WOW! signal was not immediately 'detected' by the Big Ear team. Such was the state of SETI signal searching at the time, Ehman didnt even get around to reading the data output from Big Ear until sometime afterwards. In fact, he states it was a couple of days later that he found the signal data. First of all, for your information, the Big Ear's detection of the WOW! Signal was discovered by Jerry Ehman the same night it was detected. He circled the detected emission and wrote "WOW!" that very night. The Big Ear's project director saw the detection report the next morning. Second of all, I absolutely never said it was "immediately detected" by the Big Ear team anyway: My posts are above for all to see. ...and I'm VERY well aware of how SETI signal searching currently works. You say "at the time" which implies that it works differently today; it doesn't. Ironically, unlike the radio detection work being done at the Big Ear, whether it's the work of the SETI@Home team or the SETI Institute, any potential signal that is detected won't be "seen" by the team until well after the detection has actually occurred. Even the work units being processed on the distributed computing network here represent "old" data, not detections in real-time. Its true other scientists attempted to re find WOW! but the EXACT position that the signal came from is not certain. Therefore, trying to find the signal again is like searching for the proverbial needle. That's a gross exaggeration and a misunderstanding on your part. Its also interesting to note that WOW! is mainly talked about to debunk it coming from a non terrestial source. If the signal had of been re detected, it would be interesting to know IF as much effort would have been put into letting the public know it WAS a signal rather than it not being. We've already been over this. If you think radio astronomers and SETI scientists would conspire to keep a confirmed signal like WOW! from the public, then you might as well be wearing a tin-foil hat. Next point is Taurus states many SETI scientist disagree WOW! came from deep space. Really! Let's hear their arguments then because I havent seen any. ALL the indications are the signal came from outside our solar system (assuming it wasnt a glitch, of course and if it was a glitch, statistically, that 'glitch should have been repeated but it never did!) You're stating patent falsehoods without even doing some basic online searching yourself. With all due respect, that's lazy and sloppy on your part. "Something suggests it was an Earth-bound signal that simply got reflected off a piece of space debris." - Jerry Ehman, 1994 "I can speculate, too, but there's nothing to back it up," "Yeah, the wow signal. Well, it's pretty wow-y. But it doesn't seem to have been ET. Lots of people have gone back and they even, they immediately had a following beam on the sky that swept through that same patch of the heavens, just shortly after they got that signal, and didn't see it. And people have gone back there looking, you know, with more sensitivity, more frequencies, and nobody's ever found it again. So it's not good enough. It's like seeing a ghost in your basement once. It's not enough to believe in ghosts. If you see them every time you look, now that's okay, you might believe then. So it was undoubtedly some sort of interference." http://www.bigear.org/Wow30th/wow30th.htm#speculations He now personally places low probability in every alternative explanation for WOW! other than ETI. As I said, the reasons for his change of heart are difficult to ascertain. Whilst I conceed there is no definite proof that WOW! was from an ET civilisation, there is sufficient evidence to suggest it possibly was. The problem is, scientific proof doesn't work that way. For example, the SETI Institute's multi-million dollar Allen Telescope Array is the most expensive and powerful devoted SETI tool in the world. SETI astronomers have devised targeted lists of locations which the ATA will scan....
Message 780506 - Posted 8 Jul 2008 1:25:55 UTC Cyrax wrote: "Also, I feel the earth is like a becon. We are sending out lots more data into deep space then there are people looking for ET's signal." Actually, in terms of radio emissions, earth is more like a kerosene lamp in thick fog than a beacon. Many of the radio signals we generate never make it out of our atmosphere. They're reflected back by the ionosphere. Most of those that do are very weak, and fade very quickly into the cosmic noise. Nothing we transmit could probably be detected by anyone, no matter how advanced, at a distance of more than a few lightyears. To make things more difficult, there are at least two other more powerful radio sources here, the sun and Jupiter. If a civilization with radio habits just like ours existed in the Tau Ceti system, 12 light years away, or the Epsilon Erandi system at 10 lightyears, we probably wouldn't ever be able to hear them unless they decided to send a very powerful signal directly at us, and kept sending for a long time. We'd never be able to watch their TV programs or listen to their Top 40 radio. Those signals would simply be lost in the cosmic noise. "Good against remotes is one thing. Good against the living, that's something else." (Han Solo) ID: 780506
Message 780755 - Posted 8 Jul 2008 15:25:29 UTC Hello Sparrow, I agree with everything you stated. The only problem is that, your statment may have been true in the 1950s , 1960s , 1970s. Our level of technology has increased 1000 times sence then. The power of most transmitters are powerful enough to go very very far into space. Even alot of earth's satellites are powerful enough to transmit very very deep into space and they are already beyond our atmosphere. You are very correct that TV and Raido may not go far into space. This is true if the broadcast is from ground level. But we do have other broadcast that are very strong that go into space every day that are not ground base. Also it is true that our brodcast would get weaker the further it went into deep space and the background noise may over come any brodcast we send, but there is data in all our brodcast. If ET is smart, they would be looking for very very weak signals that may have data or structure. And we should be doing the same. thankyou for the wounderful information, I love to here all view points and consider all. ID: 780755
Message781005 - Posted 9 Jul 2008 2:16:55 UTC - in response to Message ID 780755. You are very correct that TV and Raido may not go far into space. This is true if the broadcast is from ground level. But we do have other broadcast that are very strong that go into space every day that are not ground base. The problem with those satellites is that they're not broadcasting into deep space, their signals are aimed directly down below towards Earth; this is different than what the transmitting towers of the 20th century did when they broadcast omnidirectional radio signals around the globe.
Message boards: SETI @ home Science: If someone found a signal would the public know ?
THE DOG THAT WORE ITS NAME BACKWARD SOUNDED A BOW WOW WOW WOW
27 Aug 2007 ... Frank Drake sat down with Astrobiology Magazine’s Leslie Mullen to .... The price of SETI is not a lot, only a few million dollars a year. . 27 Aug 2007 ... at Cornell University and the University of California, Santa Cruz. ... Frank Drake sat down with Astrobiology Magazine’s Leslie Mullen ...
The Man to Contact
"In the field of astrobiology, few people have had a bigger influence than Frank Drake. In 1960, he conducted the first radio Search for Extraterrestrial Intelligence (SETI). He formulated the “Drake Equation,” which set the standard for the search for alien life in our galaxy, providing scientific rigor to a field of inquiry that previously had been derided as pure science fiction.
Drake, along with Carl Sagan, designed plaques that were carried on the Pioneer 10 and Pioneer 11 spacecraft. The Pioneer plaques depicted symbolic messages for any aliens the spacecraft might encounter as they travel outside our solar system. Drake also worked with Sagan on theVoyager Golden Record. Containing sounds and images of life on Earth, the record was sent on both the Voyager 1 and Voyager 2 spacecraft." "AM: Listening at the right time, at the right star that has a planet with life at the same point of evolution as us – the chance of that seems so small. Extracts posted 27/8/08
----- Original Message -----
From: Dave Denison
To: info@seti.org
Sent: Thursday, June 18, 2009 12:31 PM Subject: THE LIGHT IS RISING NOW RISING IS THE LIGHT FRATERNAL GREETINGS CITIZENS OF PLANET EARTH
GOODWILL SALUTATIONS TO ALL SENTIENT BEINGS
THOUGHTS OF PEACE AND LOVE OF LOVE AND LIGHT
MESSAGE EMANATING FROM DAVID DENISON 9 WINDSOR ROAD
IN THE LIGHT OF THE WOW SIGNAL AND SETI - LO AND BEHOLD SUCH A SIGNAL AS THAT
RA-IN-BOW GOOD WISHES DAVID
----- Original Message -----
From: Dave Denison
Sent: Saturday, June 20, 2009 9:33 PM
Subject: THE LIGHT IS RISING NOW RISING IS THE LIGHT
FRATERNAL GREETINGS CITIZENS OF PLANET EARTH
GOODWILL SALUTATIONS TO ALL SENTIENT BEINGS
THOUGHTS OF PEACE AND LOVE OF LOVE AND LIGHT
HEARKEN ECHO OF PREVIOUS MESSAGE EMANATING FROM DAVID DENISON
IN THE LIGHT OF THE WOW SIGNAL AND SETI - LO AND BEHOLD SUCH A SIGNAL AS THAT - WOW O WOW - SUCH A SIGNAL AS THAT RA-IN-BOW GOOD WISHES DAVID
Seti message was received in 2007 in response to sending a link to the site. 7/18/2007 3:15:32 PM (PT) David Denison Thank you, David, your information has been received. If you have technical questions, please submit them to http://customersupport.kintera.org.
---- Original Message -----
From: Dave Denison
Cc: sherpa42
Sent: Tuesday, July 21, 2009 10:36 AM
Subject: THE EAGLE HAS LANDED
Hiya Matthew I thought to mark the moon landing of the 20th of July 1969 with this e-mail. At the time I was painting the Nuclear family in the front room at 75 Kingsway and watched the moon landing on the 21st of July at around 3-20pm GMT.
Both Florence and I thought this an inspired moment.
The material below I sent to the all and sundry of Planet Earth some years ago.
Have a lovely time when you go to Lee-on-the solent, I have invoked the good wishes of the God of the sea Neptune, (Roman name), or (Poseidon) in Greek.
Take care and look forward to seeing you soon.
Love and good wishes to you all, and a big kiss for a big lad wah Frank.
David.
From: sherpa42
To: david@denizen7
Sent: Saturday, July 25, 2009 1:36 PM
Subject: Thank you
Good Afternoon Davide, Hope all is well? Good to see you last night. It was a nice crowd that were out. I drunk a bit too much too quickly and bailed out about 11-00. I had a good birthday though... Thanks for the card and the money. It is much appreciated. They have a tent sale on at Mitchells at the moment and I have an eye on one that will be great for the 3 of us. You probably know but Grandma would have been 99 tomorrow. God bless her... Have a good weekend and speak to you soon.
----- Original Message -----
From: Dave Denison
To: sherpa42
Sent: Saturday, July 25, 2009 7:45 PM
Subject: Ninety nine and all that.
Matthew thank you for the photographs. Also I very much appreciated being reminded about Grandma, that had she lived she would have been 99 tomorrow. So I will visit Norah and Ernests grave Number 99 tomorrow Sunday 26th of July 2009 All good wishes David
----- Original Message -----
From: Dave Denison
To: english bird
Sent: Sunday, July 26, 2009 9:36 PM
Subject: Fw: ninety nine and all that
Hi Nicola I have just sent the e-mail below to wah Matt. I hope you and Rosie had a good day and you got back home safely, and no doubt back to work tomorrow, but hey Nic we have the Emley show next Saturday. Love David
----- Original Message -----
From: Dave Denison
To: sherpa42
Sent: Sunday, July 26, 2009 9:29 PM
Subject: ninety nine and all that
Hi Matthew just to let you know I went to the cemetery this afternoon around 4-opm. I took some wisteria flowers and bought a begonia which I have planted. Two of the previous plants were still showing a red one and a nice yellow. Also the rose bush at the side is coming into flower, The grave could do with weeding and the grass chopping back a little. But I will do that later. I was so grateful that you told me Matthew, it was amazing how did you make that association?. Certainly I would have been upset to have missed that most important recognition, so thank you very much. Take care
What is 09/09/09 means? - HypnoThoughts.com
Why 09/09/09 Is So Special | LiveScience """"" Ooo. Don't forget the religious groups whom believe 666 is suppose to be 999 and that tomorrow is the day of the beast. """""
Answer Phone message from Wendy Hanson 18-36 pm 9-9-09 "I understand that the number 9 in chinese means long lasting the work like our friendship will be long lasting so 999"
SETI (Search for Extraterrestrial Intelligence) and the Consequences:. Futurological Reflections on the Confrontation of Mankind with an. Extraterrestrial ... [This draft of a revised article is made available courtesy of Dr. Michael Schetsche for the
http://www.hauntingechoes.com/viewthread.php?tid=7615&page=2 Subject: Mathemetician Gone Mad? - Eht Namuh Insane4HIM Premium Member posted on 11-4-2007 at 06:14 PM "Wow I've never seen this before.
GODS = 9 9 = GODS
WHEN THE GODS CAME DOWN Alan Alford 2000 THE CITY BEYOND THE RIVER Page 166 "Strangely enough, a text entitled. Kingship in Heaven is one of the most famous legacies from the ancient Hittite culture. The text tells a strange story of gods rising up from the Earth and Challenging the gods in the heavenly 'city' of Kummiya, but it begins with a brief account of a battle in Heaven between two rival god-kings: Let there listen the gods who are in Heaven and those who are in the dark -hued Earth... Once in the olden days Alalus was king in Heaven. While Alalus was seated on the throne, the mighty Anus, frst among Page 166 "Let there listen the gods who are in Heaven and those who are in the dark -hued Earth... Once in the olden days Alalus was king in Heaven. While Alalus was seated on the throne, the mighty Anus, frst among the gods, was standing before him. Nine in number were the periods that Alalus was king in Heaven. In the ninth year Anus gave battle to Alalus and he vanquished him. Alalus fled before him and went down to the dark-hued Earth... Anus was seated upon the throne. .. In the ninth year... Kumarbis, like Alalus, gave battle to Anus...87 in his ninth year, which when added to the nine-year reign of Alalus produces a combined total of eighteen years (or sars). "Now, in ancient times, a sar amounted to 3,600 years," SAR RAS TSARSARAT
DAILY EXPRESS 4th of February 2004 "POLICE TAKE 3 DAYS TO ANSWER 999 CALL"
PEOPLE OF THE WORLD THOU ART ALL ONE ANSWER THEE THAT 999 CALL
WHEN THE GODS CAME DOWN Alan Alford 2000 WHAT'S THE SECRET Page 20 I, Isis, am all that has been, that is, or shall be. No mortal man hath ever unveiled me.75 These words seem intended to be not so much a statement of historical fact, but rather a warning tb the initiated: "Will you dare to unveil my secrets?" A similar theme involving Isis was picked up by a Hermetic text, which was written in Alexandria some two thousand years ago. The text, entitled The Virgin of the World, is a typical example of what we have to deal with - it is .full of metaphors, allegories and code-words. It states, for example, that the highest level of initiation into the Egyptian Mysteries was the 'Black Rite' of Isis, which was connected to a mysterious something called 'Night' - not night as in the mundane sense of the night sky, but rather to Night as a higher power, which moved in Heaven, and 'weaved her web with rapid light' .76 This Night, whatever it was, supposedly honoured Isis and. 'gave her perfection'.77
"And Horus said: "How was it, mother, then, that Earth received God's Efflux?" And Isis said: "I may not tell the story of (this) birth; for it is / Page 21 / not permitted to describe, the origin of thy descent O Horus (son) of mighty power, lest afterwards the way of birth of the immortal gods should be known unto them - except so far that God the Monarch, the universal Orderer and Architect, sent for a little while the-mighty sire Osiris, and the mightiest goddess Isis, that they might help the world, for all things needed them."78"
OSIRIS ISIS ISIS OSIRIS "Who were Osiris and Isis? Why was the world in need of them? What was 'the way of Birth of the immrtal gods'? What was the 'Efflux of God'? Why was a divine child born in the underworld? The questions raised by this enigmatic passage are endless. One thing, however is certain. We-cannot ignore the parallels between the bitth of the Egyptian divine child, Horus, and the birth of the divine child in the Eleusinian.Mysteries - 'the Powerful One' - who would be born in the midst of a brilliant life, to the cry of "Holy Brimo has borne a sacred child".
astrodynamics.net/blog/2012/03/13/the-great-grand-trine/ 13 Mar 2012 – Note to my readers: This post contains a lot of geeky astrological lingo. If you find it overwhelming skip to the bottom where I've translated this ... The Great Grand Trine Posted on March 13, 2012
Secret Symbols of the Rosicrucians - TABULA SMARAGDINA..
www.crcsite.org/Tabula.htm TABULA SMARAGDINA HERMETIS by Jack Courtis. The above diagram is the best explanation of the Emerald Tablet of Hermes because it stimulates right ...
TABULA SMARAGDINA HERMETIS
The above diagram is the best explanation of the Emerald Tablet of Hermes because it stimulates right brain responses. It arouses intuition, imagination and insight. Any verbal explanation is inadequate, but it gives us a starting point. Let us look at the diagram carefully. Around the outside there is a Latin saying. What does it mean? Centuries ago, a student asked his master, Basilius Valentinus, "What is the secret of alchemy?" The master replied, "In VITRIOL is the answer." Observe: Visita Visit What does all that mean? First let us note that there are 7 Latin words in the statement. In alchemy, the Below, there are 7 metals. In astrology, the Above, there are 7 planets. In each of us there are 7 chakras. Taken together, they point to 7 levels of action internalised by us. Secondly, the "stone" is a reference to the Stone of the Philosophers. But beware, this is not the same as the Philosophers' Stone. The rectification is what changes the one into the other. Thirdly, the centre of the earth is a reference to our own being. We must rectify something that is utterly fundamental to our true nature. That should give us a starting point for meditation and visualisation. Next, let us look at the symbols. Overall, there is a circle and it brings to mind unity, wholeness, completeness and perfect Oneness. It is the stone, rectified. Inside the circle at both left and right there is a hand pointing inwards. This indicates polarity and this is the key to the Art. We must unite the duality of our being in the Chymical Marriage. Above the two hands are the 7 planets. The Sun and the Moon are pouring their life substance into a chalice, thus uniting their opposite natures. The chalice is supported by Mercury the hermaphrodite, both male and female. Another union of opposites. We are reminded of the alchemical koan that the Great Work consists of the union of the Sun and the Moon with the aid of Mercury. More material for meditation. To the left are Mars and Saturn and to the right, are Venus and Jupiter. These planets are also arranged in a balanced and polarised fashion. Below them are 3 shields, standing for the 3 alchemical principles of Sulfur (Lion), Salt (7 pointed star) and Mercury (Eagle). Note that alchemical Mercury is related to astrological Mercury, but they are not the same. If we change our point of view, we can take the chalice as the element Water, the lion as Fire, the eagle as Air and the star as Earth. Finally, there are 2 spheres (Heaven and Earth) which emphasise the polarity of the Above and the Below, which must also be united. In the very centre is a ring which symbolises the microcosm inside the macrocosmic circle. A reminder of the Above and the Below. Have you noticed the last symbol? Below the ring and above the shield of the star, is the alchemical symbol of VITRIOL. It is on the opposite side of the ring to Mercury. So what? The hidden stone arises out of the conjunction of these two. It emerges in the centre of the empty ring. That is the focus of our meditation. Truly, in VITRIOL is the answer. The entire diagram must be used for meditation and visualisation. That is its primary function and that is how its true value will be revealed. Let us now look at the text of the Emerald Tablet of Hermes. VERBA SECRETORUM HERMETIS. 1. It is true, certain, and without falsehood, that whatever is below is like that which is above; and that which is above is like that which is below: to accomplish the one wonderful work. 2. As all things are derived from the One Only Thing, by the will and by the word of the One Only One who created it in His Mind, so all things owe their existence to this Unity by the order of Nature, and can be improved by Adaptation to that Mind. 3. Its Father is the Sun; its Mother is the Moon; the Wind carries it in its womb; and its nurse is the Earth. 4. This Thing is the Father of all perfect things in the world. 5. Its power is most perfect when it has again been changed into Earth. 6. Separate the Earth from the Fire, the subtle from the gross, but carefully and with great judgement and skill. 7. It ascends from earth to heaven, and descends again, new born, to the earth, taking unto itself thereby the power of the Above and the Below. 8. Thus the splendor of the whole world will be thine, and all darkness shall flee from thee. 9. This is the strongest of all powers, the Force of all forces, for it overcometh all subtle things and can penetrate all that is solid. 10. For thus was the world created, and rare combinations, and wonders of many kinds are wrought. 11. Hence I am called HERMES TRISMEGISTUS, having mastered the three parts of the wisdom of the whole world. 12. What I have to say about the masterpiece of the alchemical art, the Solar Work, is now ended.
Some general observations There are 12 statements. This immediately alerts us to the connection between astrology (which explains the Above) and alchemy (which explains the Below). But what relates the Above to the Below? The magus, who bears within himself the 12 astrological/alchemical body functions and who performs the 12 Disciplines. This is why Hermes is called Thrice Greatest, he is alchemist, magus and astrologer, all in one. He combines the three functions because he (as the divine spark) directs the three vehicles of consciousness: the physical body (as the alchemist), the soul (as the magus) and the spirit (as the astrologer). Let us see these functions together, relating them to the 12 statements of the Emerald Tablet: Emerald Tablet Alchemist (Body) Magus (Soul) Astrologer (Spirit) The source of the Emerald Tablet is unknown, but the attribution of the astrological/alchemical body functions, is the Sefer Yetzirah. The Disciplines come from Christian tradition and their use is universal. The three paths of alchemist, magus and astrologer, are woven together, because each of us functions in a three-fold manner, through our three vehicles of consciousness. How do we know that we each have as vehicles of consciousness, a body, a soul and a spirit? This is partly explained by the apostle Paul in I Thessalonians 5:23. However if we have vehicles, what is the consciousness? What is the "I"? The Gnostics call it the divine spark. This is our true identity but we do not realise it in full awareness. It is this lack of knowledge of our true nature, which leads us to live as we do, driven by ignorance, fear and desire; the generators of karma. However if we follow a disciplined path of intellectual, emotional, moral and spiritual development, we shall change so profoundly, that we shall be completely transformed. This process of self-transformation is called the Great Work. It has four stages that correlate with the four alchemical elements in their macrocosmic form and the four levels of reality of kabala. Here are the stages of the Great Work. First stage: 12 Disciplines Clearly, the 12 statements of the Emerald Tablet are a partial description of the First stage of the Great Work. There is a great deal more than this in the other stages, but we must begin at the beginning with disciplined action. But what justification do we have for thinking that there is a three-fold function personified as the astrologer (the Above), the alchemist (the Below) and he who reconciles them, the magus? Let us look closely at the text of the Emerald Tablet. There are 3 processes that have a total of 8 steps: First process: from Above to Below - changed into Earth Second process: from Below to Above - ascends from earth to heaven Third process: from Above to Below - descends again to earth Let us see this more clearly; 3 processes by 8 steps: 4 step descent by astrologer > Father/Sun + Mother/Moon + Wind/womb + nurse/Earth Let us take the first process of 4 downward steps. Since they go from the Above to the Below, they are the way of the astrologer. They are the paths from, Chakhmah to Tiferet; Binah to Tiferet; Chesed to Tiferet; Gevurah to Tiferet. These paths are also connected to the function of our vehicle of consciousness, the spirit.
The second process is 3 upward steps, from the Below to the Above. They are the way of the alchemist. These are the paths from, Netzach to Tiferet; Hod to Tiferet; Yesod to Tiferet. They are connected with our vehicle of consciousness, the body. The third process is a re-descent, from the Above to the Below. It is the double path from Keter to Tiferet; the way of the magus. This is a double path because by it, the magus can move in both directions and unite the Above with the Below. It is connected with our vehicle of consciousness, the soul. It is the soul that connects the spirit Above, with the body Below. What does all this mean? First, all 8 paths converge on Tiferet. It is like an electrical powerhouse. The double path from Keter, has the quality of reversing the flow of energy, like an alternating electric current. The other paths are one way flows of energy, like direct electric current, either 'on' or 'off'. Both types of flow are an example of polarity. Secondly, Tiferet is attributed to the Sun and the Emerald Tablet refers to the Solar Work. Thirdly, the 3 processes personified as alchemist, magus and astrologer, are seen in their proper relationship to each other and lead us to understand our 3 vehicles of consciousness. Fourthly, the One Only One, referred to in the text, is a clear reference to the divine spark, that is our true "I". The One is the focus of the 3 processes and the 8 steps of the Emerald Tablet and the 8 paths on the Tree of Life. The Tree is a visual explanation of the Tablet. But what does it all mean? Our general observations are the starting point for the Great Work. We have a lot to do. Let us begin that work with a detailed consideration of the text, noting that this is in itself, a guided visualisation. This is not a left brain exercise in logic and rationalism. The text is a meditative guide to insight. The Emerald Tablet of Hermes It is true, certain, and without falsehood, that whatever is below is like that which is above; and that which is above is like that which is below: to accomplish the one wonderful work. The fundamental point being made is that truth and reality can only be grasped by analogy. The Above is not the Below; it is like the Below. That is, we can only understand by symbols, metaphors, parables, poems, mandalas and koans. We can only approach reality indirectly to accomplish the Great Work. As all things are derived from the One Only Thing, by the will and by the word of the One Only One who created it in His Mind, so all things owe their existence to this Unity by the order of Nature, and can be improved by Adaptation to that Mind. Unity is the only truth. All else is illusion. And yet, the One becomes the Many and the Many must return to the One. But when they do, they are improved. The secret is adaptation to the one mind. What is this adaptation? Precisely what we are doing by contemplating the diagram and using the text as a guided visualisation. The point is that when we realise our true nature as a divine spark, we shall do so in full awareness and in the complete development of our spirituality. Its Father is the Sun; its Mother is the Moon; the Wind carries it in its womb; and its nurse is the Earth. The One becomes the Many and so, it differentiates into 4 separate steps; Above Þ Below, personified as the astrologer. Heaven sets the pattern for earth. On the Tree of Life, Tiferet is the Sun, Chakhmah is the Zodiac, Binah is Saturn, Chesed is Jupiter and Gevurah is Mars. Again, these are guides for visualisation. It is no use talking about it, we must experience it. This Thing is the Father of all perfect things in the world. The one thing is the Prima Materia. It is connected with the Stone of the Philosophers and with the Philosophers' Stone. What are they? It is for the seeker to discover. Meditate! Its power is most perfect when it has again been changed into Earth. It must descend from the Above to the Below; it must be changed into earth. That is, this truth must be realised by us here and now. Separate the Earth from the Fire, the subtle from the gross, but carefully and with great judgement and skill. This is the alchemical koan: solve et coagula. The Prima Materia must be separated into its constituent parts, rectified and reunited. This is the work of the alchemist, Below Þ Above. It is in 3 steps and on the Tree of Life, Netzach is a lower form of Sulfur, Hod is a lower form of Mercury and Yesod is a lower form of Salt. They all go to Tiferet. Of course it takes great judgement and skill. Do we really understand what it means to separate the One Thing, let alone reunite it? Meditate! It ascends from earth to heaven, and descends again, new born, to the earth, taking unto itself thereby the power of the Above and the Below. After the alchemist ascends to heaven, now comes the magus who descends again to earth via the double path on the Tree, from Keter to Tiferet. New born within the magus is the power of the Above and the Below, rectified and reunited. When we achieve this state, we too shall be thrice great. Thus the splendor of the whole world will be thine, and all darkness shall flee from thee. This state of unified consciousness can only be symbolised by the absence of darkness, that is, light. That is why this state is called "enlightenment". This is the strongest of all powers, the Force of all forces, for it overcometh all subtle things and can penetrate all that is solid. Consciousness is the only reality. All else is illusion no matter how solid things may appear. But this is the unified consciousness of the divine spark. It is not the increasingly limited awareness that functions through our vehicles of consciousness from spirit, through the soul and into our body. The whole point of the diagram and the text of the Emerald Tablet, is to give us a guide for the work we must do in order to re-unite our fragmented awareness. This is indeed a Great Work. For thus was the world created, and rare combinations, and wonders of many kinds are wrought. Hermes, the personification of our true "I", by 4 steps of descent, 3 steps of ascent and 1 step of re-descent, performed the Solar Work. By analogy, like this way but not in this way, we must do the same. Are you confused? Good! That is why the concept of analogy is so important. It is a subtle and sophisticated process that can only be grasped by meditation and visualisation. That is the true work. Hence I am called HERMES TRISMEGISTUS, having mastered the three parts of the wisdom of the whole world. Hermes is the divine spark. He is consciousness, fully self aware, unified and complete in its fullness. Hence he can control his vehicles of consciousness: spirit as the astrologer; soul as the magus; body as the alchemist. Of course he is Thrice Great. So shall we be, when we learn what analogy is, what it does and what it means to say that the Above is like the Below. What I have to say about the masterpiece of the alchemical art, the Solar Work, is now ended. Fundamentally, the Solar Work is alchemical because it is about getting us from Malkhut, on the Tree of Life, to Tiferet. Malkhut is the place of the 4 elements in their microcosmic aspect and Tiferet is the place of the Sun. When we get from the Below to the Sun, we then can continue the Great Work by rising to the Above. But that's another story. Solve et Coagula
CHEIRO'S BOOK OF NUMBERS Circa 1926 Page 99 "At the 9th hour the Saviour died on the Cross." The Romans held a feast in memory of their dead every 9th year. In some of the Hebrew writings it is taught that God has 9 times descended to this earth: 1st in the Garden of Eden, 2nd at the confusion of tongues at Babel, 3rd at the destruction of Sodom and Gomorrah, 4th to Moses at Horeb, 5th at Sinai when the Ten Commandments were given, 6th to Balaam, 7th to Elisha, 8th in the Tabernacle, 9th in the Temple at Jerusalem, and it is taught that at the l0th coming this earth will pass away and a new one will be created. Both the First and Second Temples of the Jews were destroyed on the 9th day of the Jewish month called Ab. On the 9th day of Ab all modem Jews who follow their religion cannot wear the Talith and Phylacteries until the Sun has set. There are so many curious things con- nected with the Number 9 that it would / Page 100 / not be possible to deal with one half of them in a book of this description"
CHEIRO'S BOOK OF NUMBERS Circa 1926 Page13 "It is impossible in a book of this size to give in detail all the reasonings and examples that exist for a belief in the occult side of numbers, but it may interest my readers if I give a few illustrations of why the number 7 has for ages been regarded as the number of mystery relating to the spiritual side of things, and why the number 9 has in its turn come to be regarded as the finality or end of the series on which all ou, materialistic calcu-lations are built, but the most casual observer can only admit that beyond the number 9 all ordinary numbers become but a mere repetition of the first 9. A simple illustration of this will readily suffice. The number 10, as the zero is not a number, becomes a repetition of the number I. The number II added together as the ancient occultists laid down in their law of natural addition, namely, adding together from left to right, repeats the number 2, I2 repeats 3, 13 repeats / Page 14 / and so on up to 19, which in its turn becomes 1 and 9 =10, and so again the repetition of 1. 20 represents 2, and so on to infinity. The occult symbolism of what are called compound numbers, that is, those numbers from 10 onwards I will explain later. In this way it will be seen that in all our materialistic systems of numbers, the numbers 1 to 9 are the base on which we are compelled to build, just as in the same way the seven great or primary harmonies in music are the bases of all music, and again as the seven primary colours are the bases of all our combinations of colours. In passing it may be remarked that all through the Bible and other sacred books, the "seven," whenever men-tioned, always stands in relation to the spiritual or mysterious God force, and has curious significance in this sense whenever employed." "In this way it will be seen that in all our materialistic systems of numbers, the numbers 1 to 9 are the base on which we are compelled to build, just as in the same way the seven great or primary harmonies in music are the bases of all music, and again as the seven primary colours are the bases of all our combinations of colours. In passing it may be remarked that all through the Bible and other sacred books, the "seven," whenever men-tioned, always stands in relation to the spiritual or mysterious God force, and has curious significance in this sense whenever employed."
BEYOND THE JUPITER EFFECT John Gribbin and Stephen Plagemann Page 87 "Yet for Numerologists the change from 999 to 1000 is much more impressive than the change from 1999 to 2000.
"YET FOR NUMEROLOGISTS THE CHANGE FROM 999 TO 1000 IS MUCH MORE IMPRESSIVE THAN THE CHANGE FROM 1999 TO 1000"
HARMONIZED J. T. HACKET 1836
THE STUDENT'S ASSISTANT ASTRONOMY AND ASTROLOGY CONTAINING OBSERVATIONSON THE REAL AND APPARENT MOTIONS OF THE SUPERIOR PLANETS.- THE GEOCENTRIC LONGITUDE OF THE SUN AND SUPERIOR PLANETS, CALCULATED FOR 44 YEARS TO COME. Geocentric Longitude of the Planet Herschel for 100 years during the 18th Century. The Moon's Node on the first day of every month, from 1836 to 1880. Heliocentric and Geocentric Longitude of all the PLANETS' ASCENDING AND DESCENDING NODES. .LONGITUDE, LATITUDE, AND MAGNITUDE OF ONE HUNDRED AND FORTY-FOUR FIXED STARS, FOR PAST AND FUTURE YEARS. ECLIPSES OF THE SUN VISIBLE IN ENGLAND ALSO A DISCOURSE ON THE HARMONY OF PHRENOLOGY, ASTROLOGY, AND PHYSIOGNOMY. : BY J.T.HACKET. LONDON: BRAY AND KING, 55, ST. MARTIN'S LANE, ANDE. GRATTAN, 51, PATERNOSTER ROW. ; 1836. Milton Press, J Nichols, 9, Chandos Street, Strand.
UNDERSTANDING THE PRESENT Bryan Appleyard 1992 science and the soul of modern man Page 152 "There was even something symbolically magical about the way Planck arrived at the number. He discovered it simply as a way of solving equations rather than via any route through the intuitively possible or the experimentally observable. This evokes the method of that fictional hero of the age of science, Sherlock Holmes, as he affirms it to the long-suffering Dr Watson in The Sign of Four in 1889. 'How often', he asks impatiently, 'have I said to you that when you have eliminated the impossible, what- ever remains, however improbable, must be the truth.'5 However improbable. . . anybody not shocked by quantum mechanics, Niels Bohr was later to say, has not understood it. Erwin Schrodinger was to describe the truths of the new physics as not quite as meaningless as a triangular circle, but much more so than a winged lion. The underlying message of both remarks was that quantum physics could not be made to accord with common sense or intuition. It was bizarre, absurd. Unfortunately it just had to be true, the numbers said so. Newton and Galileo had prepared us for this by showing that the truth lay in universal laws that lay far beyond the limits of our everyday perception. But their versions of those laws still lay well within the range of the intuitive. What was to emerge from quantum theory was to challenge our ability even to guess at the true nature of the world."
TELEGRAPH WEEKEND CHESS David Norwood Saturday September 27, 2003 "Examines the evidence in the case of the chess playing sleuth" TO QUOTE SHERLOCK "WHEN YOU HAVE ELIMINATED THE IMPOSSIBLE WHAT REMAINS , HOWEVER IMPROBABLE, MUST BE THE TRUTH."
THE NEW VIEW OVER ATLANTIS J Michell Page 151 "That this small gold pyramidion was an integral part of the Pyramid's design is evident from the figures. Without it the dimensions are not quite complete, for if it were removed, the area of the Pyramid's side would be 99999.99 square cubits only. With the 5 cubic inches of gold pyramidion in place, the figure of 100,000 square cubits represents the total area."
99999.99 SQUARE CUBITS ONLY. WITH THE 5 CUBIC INCHES OF GOLD PYRAMIDION IN PLACE, THE FIGURE OF 100,000 SQUARE CUBITS REPRESENTS THE TOTAL AREA."
THE BIBLE CODE Michael Drosnin 1997 CHAPTER FOUR THE SEALED BOOK Page 149 Isaac Newton's search for the Bible code was revealed by the great economist John Maynard Keynes in Essays and Sketches in Biography (Meridian Books, 1956), pp. 280-90, 'Newton, the Man.' Richard S. Westfall, in The Life of Isaac Newton (Cambridge University Press, 1993), p. 125, also quoted Newton's theological note- books, and stated that the physicist 'believed that the essence of the Bible was the prophecy of human history.' See also, Westfall's Never at Rest: A Biography of Isaac Newton (Cambridge University Press, 1980), pp.346ff. I first saw the report of the Rips and Witztum experiment in the original draft they submitted for peer review, and the abstract quoted is from that draft. The paper was ultimately published in an American math journal, Statistical Science, in August 1994 (vol. 9, no. 3), pp. 429-38, 'Equidistant Letter Sequences in the Book of Genesis,' Doron Witztum, Eliyahu Rips, and Yoav Rosenberg. I spoke to the journal editor, Robert Kass, before the article was published. His editorial note is quoted from the pre-print he read to me. It was later published in Statistical Science, p. 306. The full Rips- Witztum paper is reprinted in the Appendix of this book. The results Rips and Witztum reported in Statistical Science were that the names had matched the dates against odds of four in a million, but in a series of later experiments the actual odds were found to be one in ten million. The original results were derived by taking the set of 32 names and 64 dates and jumbling them in a million different combinations, so that only one was a completely correct pairing. Rips and Witztum then did a computer run to see which of the million examples got a better result - where the information came together most clearly in the Bible. 'In four cases the random pairing won,' explained Rips. 'The correct pairing won 999,995 times.' But in a second experiment where all the correct matches of names and dates were eliminated from the jumbled pairings, and the only correct information appeared in the completely accurate list, and 10 million permutations were checked, the results were one in 10 million. 'None of the random pairings came out higher,' said Rips. 'The results were 0 vs. 9,999,999, or one in 10 million.'
CHEIRO'S BOOK OF NUMBERS Circa 1926 Page106 "Shakespeare, that Prince of Philosophers, whose thoughts will adorn English litera- ture for all time, laid down the well-known axiom: There is a tide in the affairs of men which if taken at the flood, leads on to fortune." The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
My answer to this question is that the Great Architect of the Universe in His Infinite Wisdom so created all things in such harmony of design that He endowed the human mind with some part of that omnipotent knowledge which is the attribute of the Divine Mind as the Creator of all. " The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?"
"IS THERE SOME MEANS OF KNOWING WHEN THE MOMENT HAS COME TO TAKE THE TIDE AT THE FLOOD"
THE PROPHET Kahil Gibran Page 83/84/85/86 The veil that clouds your eyes shall be lifted by the hands that wove it, And the clay that fills your ears shall be pierced by those fingers that kneaded it. And you shall see And you shall hear. Yet you shall not deplore having known blindness, nor regret having been deaf For in that day you shall know the hidden purposes in all things, And you shall bless darkness as you would bless light. After saying these things he looked about him, and he saw the pilot of his ship standing by the helm and gazing now at the full sails and now at the distance. And he said: Patient, over patient, is the captain of my ship. The wind blows, and restless are the sails; Even the rudder begs direction; Yet quietly my captain awaits my silence. And these my mariners, who have heard the choir of the greater sea,they too have heard me patiently. Now they shall wait no longer. I am ready The stream has reached the sea, and once more THE GREAT MOTHER holds her son against her breast. Fare you well, people of Orphalese. This day has ended. It is closing upon us even as the water-lily upon its own tomorrow. What was given us here we shall keep, And if it suffices not, then again must we come to-gether and together stretch our hands unto the giver. Forget not that I shall come back to you. . A little while, and my longing shall gather dust and foam for another body. A little while, a moment of rest upon the wind, and another woman shall bear me. Farewell to you and the youth I have spent with you. It was but yesterday we met in a dream. You have sung to me in my aloneness, and I of your longings have built a tower in the sky. But now our sleep has fled and our dream is over, and it is no longer dawn. The noontide is upon us and our half waking has turned to fuller day, and we must part. If in the twilight of memory we should meet once more, we shall speak again together and you shall sing to me a deeper song. and if our hands should meet in another dream we shall build another tower in the sky. So saying he made a signal to the seamen, and straightaway they weighed anchor and cast the ship loose from its moorings, and they moved eastward. And a cry came from the people as from a single heart, and it rose into the dusk and was carried out over the sea like a great trumpeting. Only Almitra was silent, gazing after the ship until it had vanished into the mist. And when all the people were dispersed she still stood alone upon the sea-wall, remembering in her heart his saying: A little while, a moment of rest upon the wind, and another woman shall bear me.'
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
KATYA CATCH THAT CAT
JUST CATS Fernand Mery 1957 Page 24 999, in the tenth day of the fifth Moon, at the Imperial Palace of Kyoto, a cat gave birth for the first time recorded here, and to five little kittens."
THE EXPANDING UNIVERSE Arthur Eddington 1940 THE UNIVERSE AND THE ATOM Page 99 "To the pure geometer the radius of curvature is an incidental characteristic-like the grin of the Cheshire cat. To the physicist it is an indispensable 'charac- teristic. It would be going too far to say that to the physicist the cat is merely incidental to the grin. Physics is concerned with interrelatedness such as the interrelatedness of cats and grins. In this case the ., cat without a grin" and the "grin without a cat" are equally set aside as purely mathematical phantasies."
THE COSMIC CODE Heinz Pagels 1982 The Road to Quantum Reality Page165 We feel excited by his remarks, though the old uneasi- ness has not left us. Yet listening to him is certainly better than that marketplace. After a long silence our old friend gives us his final words. "What quantum reality is, is the reality marketplace. The house of a God that plays dice has many rooms. We can live in only one room at a time, but it is the whole house that is reality."He gets up and leaves us. Only the smoke from his pipe remains, and then, like the smile of the Cheshire cat, that too disappears."
ALICE'S ADVENTURES IN WONDERLAND Lewis Carroll Page 61 "and was just saying to herself, 'if one only knew the right way to change them-' when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off.
The Cat only grinned when it saw Alice. It looked good- natured, she thought: still it had very long claws and a great many teeth, so she felt that it ought to be treated with respect. 'Cheshire Puss,' she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. 'Come, it's pleased so far,' thought Alice, and she went on. 'Would you tell me, please, which way I ought to go from here?' 'That depends a good deal on where you want to get to,' said the Cat. 'I don't much care where--' said Alice. 'Then it doesn't matter which way you go,' said the Cat. '-so long as I get somewhere,' Alice added as an explanation. 'Oh, you're sure to do that,' said the Cat, 'if you only walk long enough.' "
CAT AMONGST THE CATACOMBS
THE DEATH OF FOREVER Darryl Reaney 1991 Page 27 "The box is set up in such a way that any such disintegration will break open the poison capsule, releasing enough poison to kill the cat; in the time interval allowed for this 'thought experiment' there is an exactly 50:50 chance that the atom will or will not decay.
This is the basis of Schroedinger's paradox. The observer outside the box cannot know whether an atom inside the box has decayed (opening the capsule and killing the cat) unless he looks. The condition of the cat (alive or dead) is therefore a litmus test of reality itself. According to the strict interpretation of the quantum wave, in the absence of observation, the cat in the box is neither alive nor dead but in some indeterminate, wave-like, in-between state. It is only when the consciousness of an observer enters the picture that the complex ripple of possibility that is the indeterminate 'alive and dead at the same time' quantum cat crystallises into one of the two possible real outcomes: either the cat is alive (no atom has decayed) or the cat is dead (an atom has decayed). In short, it is the observer's decision (his choice) to open the box that summons forth a real cat, dead or alive, from its ghostly quantum state of non-being."
SING A SONG OF SOLOMON
WHY SMASH ATOMS A,K.Solomon 1940
"ONCE THE FAIRY TALE HERO HAS PENETRATED THE RING OF FIRE ROUND THE MAGIC MOUNTAIN HE IS FREE TO WOO THE HEROINE IN HER CASTLE ON THE MOUNTAIN TOP"
THE TRUE AND INVISIBLE ROSICRUCIAN ORDER Paul Foster Case 1981 Page 108 "...the underlying purpose of the Fama, when it says the object of the manifesto is to reveal man's nobleness and worth and why he is called Microcosmus. For Microcosmus (or Microcosmos) is simply the Paracelsian adaptation of the Qabalistic Microprosopus, or Lesser Countenance. The Zohar says that all is contained in the mystery of Vav, and thereby all is revealed. The same Qabalistic authority connects Vav with the Son of David, and this was interpreted by erudite Europe in the seventeenth century, as a reference to the Christos. Attached to the nail was a stone. This is the same stone we have , mentioned before. It is the Stone rejected by the builders. It is the Stone of the Philosophers. It is ABN, Ehben, signifying the union of the Son with the Father. We have already said that Henry Khunrath published in 1609 a book called Amphitheatrum Chemicum, in which appears an illustration showing the word ABN, Ehben, enclosed in a triangle. This radiant triangle, with the letters ABN at its corners, is borne by a dragon, and the dragon is on top of a mountain. The mountain is in the middle or center of an enclosure, surrounded by a wall having seven sides, whose corners bear the words, reading from left to right or clockwise around the wall: Dissolution, Purification, Azoth Pondus, Solution, Multiplication, Fermentation, Projec-tion. Thus, the inner wall summarizes the alchemical operations. Its gate has the motto Non omnibus, meaning "Not for all," as if to intimate that entrance into the central mystery is not for everyone. . Surrounding this inner wall is another in the form of a seven- pointed star, composed of fourteen equal lines. The gate to this outer wall is flanked by two triangular pyramids, or obelisks. Over one is the sun, and this obelisk is named Faith. Over the other is the moon, and this pillar is named Taciturnity, or Silence. Between the pillars, in the gate, is a figure bearing the caduceus of Hermes or Mercury, standing behind a table on which is written "Good Works." Below is the motto: "The ignorant deride what the wise extol and admire." Thus, in Khunrath's diagram we have the same association be- tween a seven-sided figure and a stone that occurs in the Fama. The mystic mountain, with the dragon at its summit, is also a Rosicrucian symbol, as one may see in Thomas Vaughan's Lumen de Lumine, where Section 2 is entitled "A Letter from the Brothers of R.C., Concerning the Invisible, Magical Mountain and the Treasure therein Contained." Incidentally, the title of this section is a clear enough intimation that Thomas Vaughan was in communication with the Invisible Order, although he says in one of his books that he has "no acquaintance with this Fraternity as to their persons." Vaughan further says, concerning the Rosicrucians: Every sophister condemns them, because they appear not to the world, and concludes there is no such society, because he is not a member of it. There is scarce a reader so just as to consider upon what grounds they conceal
Paul Foster Case 1981 Page 108 "Concerning the Invisible, Magical Mountain and the Treasure therein Contained"
THE MAGIC MOUNTAIN Thomas Mann 1875 - 1955 FOREWORD "THE STORY of Hans Castorp, which we would here set forth, not on his own account, for in him the reader will make acquaintance with a simple-minded though pleasing young man, but for the sake of the story itself, which seems to us highly worth telling - though it must needs be borne in mind, in Hans Castorp's behalf, that it is his story, and not every story happens to everybody- this story, we say, belongs to the long ago; is already, so to speak, covered with historic mould, and unquestionably to be presented in the tense best suited to a narrative out of the depth of the past That should be no drawback to a story, but rather the reverse. Since histories must be in the past, then the more past the better, it would seem, for them in their character as histories, and for him, the teller of them, rounding wizard of times gone by. With this story, moreover, it stands as it does to-day with human beings, not least among them writers of tales: 'it is far older than its years; its age may not be measured by.length of days, nor the weight of time on its head reckoned by the rising or setting of suns. In a word, the degree of its antiquity has noways to do with the pas- sage of time - in which statement the author intentionally touches upon the strange and questionable double nature of that riddling element. But we would not wilfully obscure a plain matter. The exag-gerated pastness of our narrative is due to its taking place before the epoch when a certain crisis shattered its way through life and consciousness and left a deep chasm behind. It takes place - or, rather, deliberately to avoid the present tense, it took place, and had taken place - in the long ago, in the old days, the days of the world before the Great War, in the beginning of which so much began that has scarcely yet left off beginning. Yes, it took place before that; yet not so long before. Is not the pastness of the past the profounder, the completer, the more legendary, the more im- mediately before the present it falls? More than that, our story has, of its own nature, something of the legend about it now and again. Page xii We shall tell it at length, thoroughly, in detail- for when did a narrative seem too long or too short by reason of the actual time or space it took up? We do not fear being called meticulous, in-clining as we do to the view that only the exhaustive can be truly -interesting. Not all in a minute, then, will the narrator be finished with the story of our Hans. The seven days of a week will not suffice, no, nor seven months either. Best not too soon make too plain how much mortal time must pass over his head while he sits spun round in his spell. Heaven forbid it should be seven years!"
And now we begin."
IN SEARCH OF EXTRA TERRESTRIALS Alan Landsburg 1977 Page 79 The words of J. B. S. Haldane came back to haunt me. He once wrote, "Now, my suspicion is that the universe is not only queerer than we suppose, but queerer than we can suppose. I suspect that there are more things in heaven and earth than are dreamed of in any philosophy. That is the reason why I have no philosophy myself, and must be my excuse for dreaming." The past fifteen years have reversed the thinking of the scientific community regarding extraterrestrial life, known as ETI. And while speculation about ETI has always been a heated one, today large segments of the scientific establishment are examining the hard proba- bilities that the universe is populated and that our galaxy is teeming with life. The problem-should say challenge - is more "how" than "if." "
SCIENCE AND EVERYDAY LIFE J.B.S Haldane 1939 "The truth about human races, when we know it, will no doubt be complicated. But one simple theory which is certainly nearer the truth than Hitler's was stated by old Andrew Marvell 270 years ago: " The world in all doth but two nations bear, The good, the bad, and these mixed everywhere."
MIN DOTH DREAM WHAT DOTH MIN MEAN
I ISISIS THAT NINE THAT LIVINGLIGHTLIVING EVILLIVEEVILLIVEEVILLIVE DEVILLIVEDLIVEDDEVILLIVEDDEVIL LOVEEVOLVELOVEEVOLVELOVEEVOLVE EARTH HEART THERA THERA HEART EARTH
MIN DOTH DREAM WHAT DOTH MIN MEAN
FIRST CONTACT THE SEARCH FOR EXTRA TERRESTRIAL INTELLIGENCE Edited By Beb Bova and Byron Preiss 1990 A MARTIAN ODYSSEY Stanley G Weinbaum "Anyway, the creatures went sailing past us; everyone greeting us with the same statement. It got to be funny; I never thought to find so many friends on this God- forsaken ball! Finally I made a puzzled gesture to Tweel; I guess he understood, for he said, "One-one-two- yes! -two-two-four - no!" Get it?' 'Sure,' said Harrison. 'It's a Martian nursery rhyme.' 'Yeah! Well, I was getting used to Tweel's symbolism, and I figured it out this way. "One-one-two - yes!" The creatures were intelligent. "Two-two-four - no!" Their intelligence was not of our order, but something different and beyond the logic of two and two is four. Maybe I missed his meaning. Perhaps he meant that their minds were of low degree, able to figure out the simple things - "One-one-two - yes!" - but not more difficult things - "Two-two-four - no!" But I think from what we saw later that he meant the other. 'After a few moments, the creatures came rushing back - first one, then another. Their pushcarts were full of stones, sand, chunks of rubbery plants, and such rubbish as that. They droned out their friendly greeting, which didn't really sound so friendly, and dashed on. The third one I assumed to be my first acquaintance and I decided to have another chat with him. I stepped into his path again and waited. 'Up he came, booming out his "We are v-r-r-riends" and stopped. I looked at him; four or five of his eyes looked at me. He tried his password again and gave a shove on his cart, but I stood firm. And then the - the dashed creature reached out one of his arms, and two finger-like nippers tweaked my nose!'..."
THE SEARCH FOR EXTRA TERRESTRIAL INTELLIGENCE Edited By Beb Bova and Byron Preiss 1990 SETI ON CAMPUS Robert Dixon Page 252 Have we already detected extraterrestrial intelligence?" A UNIQUE MOMENT IN HUMAN HISTORY FIRST CONTACT SEIZING THE MOMENT Michael Michaud Page 314 Philip Morrison has suggested that aliens might send us a volume of information greater than that transmitted to medieval Europe from the ancient Greeks, stimulating a new and even greater Renaissance. By entering a communications net, we might receive maps of the Galaxy, and elaborate descriptions of the physical Universe and how it works. We might learn the histories of civilizations stretching far back into the galactic past, and become aware of alternative cultures, arts, social and economic systems, and forms of political organization. Deliberately or by implication, the aliens might tell us how they had survived. It is intriguing to consider how much we could contribute to the other side of the dialogue. Alien knowledge, integrated with our own, could generate a dramatic forward leap in our sciences and our other academic disciplines. For the first time, we could compare our information and our perceptions with those of other minds in different environments, illuminating voids in our own knowledge and suggesting new generalizations. This almost certainly would lead to new syntheses, a boom in interdisciplinary studies as we perceived new linkages, and new branches of science. Dealing with this influx of new knowledge could force us into mind-stretching responses. Our curiosity would be stimulated by finding out how much we had not known. Contact also could reveal areas of shared knowledge, supporting our own conclusions; this might include religious concepts such as creation or a Supreme Being. But we should beware of excessive optimism about this exchange of information; communication with an alien civilization may not be easy. No matter what we / Page 315 / wish to believe, aliens, by definition, will be very different. While they may share some of our perceptions of physical reality and some of our evolutionary experiences, their evolutions would differ from ours in many ways, and we might share little in philosophy and culture. There could be serious problems of mutual unintelligibility, or misunderstandings caused by different ways of perceiving reality and by different cultural frames of reference. We might find that our own concepts of language, including mathematics, are narrow and idiosyncratic. We also should not assume that the aliens will want to tell us everything. Transmitting the species data bank might not be the aliens' first priority. They might want to know first our capabilities and our intentions to assure themselves that their security would not be threatened. There might be things they would not want to tell us, such as how to achieve interstellar flight or how to create more powerful weapons. Receiving knowledge much more advanced than our own, and the solutions to problems we have struggled with for years, could break the intellectual morale of some scientists and other scholars, and undermine support for some forms of research. Instead, we might simply wait for alien answers, and translate them into our terms. Humans concerned about their personal and institutional interests might resist the dissemination of some alien information, or seek to brand it as dangerous, immoral, or subversive. Receiving, interpreting, and disseminating information from extraterrestrials could be a major enterprise for humanity, almost certainly requiring new institutions. Since control over this information could bring great power and status, there would be a strong / Page 316 / temptation to monopolize the channel and to limit access by others. Individual nations or groups might attempt to conduct separate dialogues with the aliens to exploit contact for their own purposes. Political and governmental leaders would be concerned about the impact that contact could have on their populations, and might try to let through only those ideas they considered safe. National security policy-makers might argue for classification of the contact and the information received. Some scholars, particularly those personally involved in the first contact, might be equally possessive about the information and the channel, especially if they distrusted governments and held a low opinion of the general population. Entrepreneurs might compete to get first access to alien ideas and to monopolize or patent those with commercial value."
SEE ISH ISH SEE FISH SEE SEE FISH FISH SEA SEA FISH SEA AND SAND SAND AND SEA FISH SEA SEA FISH FISH SEE SEE FISH SEE ISH ISH SEE
CHEIRO'S BOOK OF NUMBERS Circa 1926 Page106 "Shakespeare, that Prince of Philosophers, whose thoughts will adorn English litera- ture for all time, laid down the well-known axiom: There is a tide in the affairs of men which if taken at the flood, leads on to fortune. " The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood? My answer to this question is that the Great Architect of the Universe in His Infinite Wisdom so created all things in such harmony of design that He endowed the human mind with some part of that omnipotent knowledge which is the attribute of the Divine Mind as the Creator of all."
153 fishes x 12 Disciples
ISISIS 1836 EIGHTEEN THIRTY SIX 1836 DIVIDED 34 = 54 PLAY GAMES GODS GAMES PLAY PLATO666666999999999666666OTALP ANUBIS ANUBIS A NUMBER IS
THE ROOTS OF COINCIDENCE Arthur Koestler 1972 Page 88 "Euclidian geometries, invented by earlier mathematicians more or less as a game, provided the basis for his relativistic cosmology Another great physicist whose thoughts moved in a similar direction was Wolfgang Pauli. At the end of the 1932 conference on nuclear physics in Copenhagen the participants, as was their custom on these occasions, performed a skit full of that quantum humour of which we have already had a few samples. In that particular year they produced a parody of Goethe's Faust, in which Wolfgang Pauli was cast in the role of Mephistopheles; his Gretchen was the neutrino, whose existence Pauli had predicted, but which had not yet been discovered. MEPHISTOPHELES (to Faust): Beware, beware, of Reason and of Science Man's highest powers, unholy in alliance. You'll let yourself, through dazzling witchcraft yield To weird temptations of the quantum field. Enter Gretchen; she sings to Faust. Melody: "Gretchen at the Spinning Wheel" by Schubert. GRETCHEN:
My rest-mass is zero My charge is the same You are my hero Neutrino's my name."
OSIRIS ISISIS 89
ARTHUR KOESTLER EXHIBITION LONDON Organised by the Home Office October 1977 Yorkshire Post Review of the work of David Denison Prison Officer. Richard Seddon "...Given his technical skill, the images pack a disturbing punch that reveal the inner world of the Freudian unconscious..."
SUNDAY TIMES LIFESPAN ARTS IMAGE OF THE WEEK SURREALIST Image omitted Review by Lawrence Gowing 24th July 1977 Pages 16 and 17 "Where are the good painters of the 1970s In quite surprising places, very likely. One of them is in a West Yorkshire school for prison officers (of whom he is one) giving classes in first-aid. David Denison, who has a current exhibition at Ilkley Manor House, Yorkshire, is almost entirely self-taught. As a result he has learned an astonishing skill of a highly personal kind. He is a natural surrealist - a breed that is commoner In England than in more rational countries, but is very rare even here. . . "
Science Fiction: an inter-galactic trip among the paper backs Review Alan Brien "...It turns out to be a donkey, a fearsome sight to a visitor from a planet without animals. Perhaps ESP has been at work, for almost the same incident occurs in Arthur Clarke's Imperial Earth (Pan 75p) where Duncan, another moon- man, this time from Saturn's satellite Titan, visits the home- land of Terra, from which his ancestors had emigrated to con- quer new frontiers. He too has never seen an animal before, here a giant Percheron cart-horse. A mild, gentle eye, which from this distance seemed about as large as a fist, looked straight at Duncan, who started to laugh a little hysterically as the ap-parition withdrew. . . .. Look at it from my point of view. I've just met my first Monster from Outer Space. Thank God, it was friendly." The usual SF situations s continue to be reversed with neat, mild wit as when Duncan cowers inwardly.at the thought that he might even be obliged to eat meat and is kept awake by the un- Titanly noises and, worse, smells of this weird place, at once primeval and decadent. Clarke is by no means a political innocent. As ever, he logically thinks out all the implications of his speculative fictions but his ' attitude remains Olympian. Rather frustratingly, he avoids showing us most of them i in action. And it is only too typical of him that he deprives us of the vicarious excitement. of Free Fall Sex - the orgiastic' highpoint of every Saturn-Earth cruise - by making his priggish hero choose that moment to sneak off and investigate the asymptotic space-ship drive...."
"Sir Arthur Clarke "Leslie's House, 25 Barnes Place, Colombo 7. Sri Lanka. 27-11-2001 Sir, you may find the attached of interest With every good wish Dave Denison"
"Dear Mr Denison, Thanks! Ive written an article 'SEPT 112 but it hasn't been placed yet All good wishes Arthur Clarke 3 Dec 2001"
Reverse of Letter "THE FOUNTAINS OF PARADISE"
ARTHUR C. CLARKE The Fountains of Paradise 1979 to the still unfading memory of LESLIE EKANAYAKE (13 July 1947 - 4 July 1977) only perfect friend of a lifetime, in whom were uniquely combined Loyalty, Intelligence and Compassion. When your radiant and loving spirit vanished from this world, the light went out of many lives. NIRVANA PRAPTO BHUYAT
OF TIME AND STARS Arthur C. Clarke 1972 Page 68 Into the Comet "Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to 999,999,999,999 - or could be divided into separate sections where several independent calculations could be carried out simultaneously."
REACH FOR TOMORROW Arthur C. Clarke 1956 Introduction to 1989 Edition
"However I have made some interesting discoveries; for instance, on the very first page of the first story, I see the number 9000. Ive no idea why I selected it again for HALs serial number 20 years later. . . " I "see the number 9 000 Ive no idea why I selected it again for HALs serial number 20 years later. . . "
I ISISIS THE NINTH LETTER IN THE ENGLISH ALPHABET I AM 9 9 AM I
John Michell 1983 Page 144 "The problem is to establish the ideas and intentions of the builders. Stecchini has suggested that the apex was designed to be slightly off-centre with each base side of slightly different length, and with different angles of slope, thus providing four base-height relationships, each exhibiting a particular mathematical formula. By this means the functions of both..." Pi and the ratio of the 'golden section' "...could be demonstrated together in the one structure. In addition, there was another device by which the Egyptians were able to incorporate different mathematical expressions within a unified nework. That device was the pyramidion, a miniature form of the Pyramid itself, which provided its apex. Other pyramids and obelisks Egypt are known to have been topped by a pyramidion, made of gold or some other metal, which glowed in the sun. Tompkins and Stechini quote a reference by a second-century BC Greek writer, Agatharchides of Cnidus, to a pyramidion at the apex of the Great Pyramid, which could be included in calculations or omitted, thus providing a variety of mathematical demonstrations." Page 149 "...If, as its legend states, the Pyramid was designed to tionumentalize the entire code of ancient scientific knowledge, its nakers would have needed to grade the pyramidion by scoring it with lorizontal lines to represent different versions of the height or even by separating it into detachable sections. The image here is of an inscribed marble capstone, its tip formed of another, miniature pyramid, perhap made of some other material. This, and perhaps other sections of the upper part of the pyramidion, could be removed or put in place as required. But why should such a thing ever in practice be required, and why should such trouble be taken over capstone, pyramidions and minute rariations of length? These are questions which need to be discussed in relation to the Pyramid's practical function. The Golden Tip As the literature of the Pyramid measurers shows, many large volumes can be filled with estimates of the Pyramid's external and internal iimensions and speculations about their geodetic, astronomical and prophetic symbolism. The study is so obsessively fascinating that researchers are inclined to lose sight of the most important question of why the whole vast edifice was built. There is no doubt that within the Pyramid's fabric are encoded many scientific laws and formulas, but the preservation of such knowledge can scarcely have been the only motive of its builders. Its numerical properties must surely have had some practical purpose in relation to the form of science which the Pyramid was designed to serve. There has been much talk in recent years of 'pyramid power' and the possible function of the Great Pyramid as an accumulator and trans-former of cosmic energies. The idea certainly accords with the :raditional use of the Pyramid in connection with initiation, magic and nysticism, and it is supported by the occurrence of symbolic or 'magical' number series in its dimensions. The use of symbolic numbers in ancient temples was to procure the invocation of the god or aspect of cosmic energy which those numbers symbolized. Pyramid investigators ire confronted with an instrument designed for a type of science which today is no longer recognized. It is not, however, beyond recovery, for its records are preserved in the language of number, built into the Pyramid's dimensions, and these provide certain clues to the nature of the Pyramid's original function. All Pyramid measurers, and all who study its dimensions, purpose or any of its other aspects, find themselves inexorably drawn to the matter of its apex. Many of the clues within the Pyramid's geometry / Page 150 / and numbets point towards it, and several investigators have expressed the feeling that these clues were deliberately contrived, as if the builders were concerned to leave a record of their scientific code in monumental form, to be interpreted and put to use again by some future generation. Peter Lemesurier, the latest and most convincing of the interpreters of Pyramid chronologies and. prophecy, gives detailed reasons in his Great Pyramid Decoded for claiming that the historical outline of the six thousand years following its building in 2623 BC is recorded in the dimensions of the Pyramid's interior spaces. They are said to foretell the collapse of the present civilization in about the year AD 2004, followed some thirty years later by the Messianic return and the birth of a new order. That, according to other readers of Pyramid prophecy, is the time when the 'stone that the builders rejected', the missing capstone on the Pyramid, will be restored to the apex, reactivating the entire structure in accordance with its original purpose..." 2 x 6 x 2 x 3 = 72 Page 150 "Were it not for the common but inappropriate use of metric units in publishing details of antique weights, that feature would be more generally recognized."
"A series of clues to the composition of the final pyramidion at the very apex of the Pyramid begins with an observation in A.E. Berriman's Historical Metrology on the antiquity of the British or Imperial inch. There are a number of old Egyptian weights in the British Museum, and others from Greece and Babylon, whose standard of reference has proved to be the cubic inch of gold. Were it not for the common but inappropriate use of metric units in publishing details of antique weights, that feature would be more generally recognized. Five is the number chiefly associated with the pyramid form; which has five faces and five corners, and if 5 cubic inches of solid gold are modelled into the shape of a miniature Great Pyramid, the height of that model proves to be the very interesting measure of 0.152064 ft., which is a tenth part of the Greek cubit (1.52064 ft.), the unit in terms of which / . 152 ft A cubic inch of gold, actual size, in pyramid form. Height = one tenthof a Greek cubit. Page 151 / the area of the Pyramid's side measures 100,000 square cubits. That this small gold pyramidion was an integral part of the Pyramid's design is evident from the figures. Without it the dimensions are not quite complete, for if it were removed, the area of the Pyramid's side would be 99999.99 square cubits only. With the 5 cubic inches of gold pyramidion in place, the figure of 100,000 square cubits represents the total area..."
Without it the dimensions are not quite complete, for if it were removed, the area of the Pyramid's side would be 99999.99 square cubits only." "Without it the dimensions are not quite complete, for if it were removed, the area of the Pyramid's side would be 99999.99 square cubits only." "for if it were removed, the area of the Pyramid's side would be 99999.99 square cubits only." "the Pyramid's side would be 99999.99" 9999999
FINGERPRINTS OF THE GODS Graham Hancock 1995 Page 411(number omitted) "According to Heliopolitan theology, the nine original gods who appeared in Egypt in the First Time were Ra, Shu, Tefnut, Geb, Nut, Osiris, Isis, Nepthys and Set. The offspring of these deities included well-known figures such as Horus and Anubis. In addition, other companies of gods were recognized, notably at Memphis and Hermopolis, where there were important and very ancient cults dedicated to Ptah and to Thoth.1 These First Time deities were all in one sense or another gods of creation who had given shape to chaos through their divine will. Out of that chaos they formed and populated the sacred land of Egypt,2 wherein, for many thousands of years, they ruled among men as divine pharaohs.3
KEEPER OF GENESIS A QUEST FOR THE HIDDEN LEGACY OF MANKIND Robert Bauval Graham Hancock 1996 Return to the Beginning Page 283 'I stand before the masters who witnessed the genesis, who were the authors of their own forms, who walked the dark, circuitous passages of their own becoming. . .
I stand before the masters who witnessed the transformation of the body of a man into the body in spirit, who were witnesses to resurrection when the corpse of Osiris entered the mountain and the soul of Osiris walked out shining. . . when he came forth from death, a shining thing, his face white with heat. . . I stand before the masters who know the histories of the dead, who decide which tales to hear again, who judge the books of lives as either fun or empty, who are themselves authors of truth. And they are Isis and Osiris, the divine intelligences. And when the story is written and the end is good and the soul of a man is perfected, with a shout they lift him into heaven. . .' Ancient Egyptian Book of the Dead (Norrnandi Ellis translation)
CHRISTOS SO CHRIST SO CHRISTOS CHRISTOS SO C HRIS T SO CHRISTOS SO SEE CHRIST SEE SO SO SEE C 8991 T SEE SO SO SEE C 27 T SEE SO SO SEE C 9 T SEE SO SO SEE CHRIST SEE SO CHRISTOS SO C HRIS T CHRISTOS SO CHRISTOS SO CHRIST CHRISTOS SO CHRISTOS CHRISTOS CHRISTOS C HRIS T OS C HRIS T OS C HRIS T OS SOTHISRC SOTHISRC SOTHISRC SO THIS R C SO THIS R C SO THIS R C SO THIS R SEE SO THIS R SEE SO THIS R SEE SOTHIS SIRIUS OSIRIS ISISISIS OSIRIS SIRIUS SOTHIS ISIS OSIRIS SO IRIS O IRIS SO OSIRIS ISIS
PLUTARCH Plutarch; "On Isis and Osiris (De Iside et Osiride)" transl. by Frank Cole Babbitt, in Plutarch's Moralia, Vol. V, Loeb Classical Library, Harvard University Plutarch; "On Isis and Osiris (De Iside et Osiride)
ISIS HORUS OSIRIS THE CHRISTOS OF SPIRIT THE SPIRIT OF CHRISTOS
1 Wormwood in the Bible; 2 Interpretations of Revelation 8:11 ... A number of Bible scholars consider the term Wormwood to be a purely symbolic ... en.wikipedia.org/wiki/Wormwood_(star)
Wormwood (star) From Wikipedia, the free encyclopedia Jump to: navigation, search Wormwood, αψινθιον (apsinthion) in Greek, is a star, or angel,[1] that appears in the Biblical New Testament Book of Revelation.
[edit] Wormwood in the Bible although the word Wormwood appears several times in the Old Testament, translated from the Hebrew term לענה (la'anah), e.g., Deuteronomy 29:18 and Jeremiah 9:15, its only clear reference as a named entity occurs in the New Testament book of Revelation: "And the third angel sounded, and there fell a great star from heaven, burning as it were a lamp, and it fell upon the third part of the rivers, and upon the fountains of waters; And the name of the star is called Wormwood: and the third part of the waters became wormwood; and many men died of the waters, because they were made bitter." (Revelation 8:10, 11 - KJB). Certain commentators have held that this "great star" represents one of several important figures in political or ecclesiastical history,[2] while other Bible dictionaries and commentaries view the term as a reference to a celestial being. A Dictionary of The Holy Bible states, "the star called Wormwood seems to denote a mighty prince, or power of the air, the instrument, in its fall, of sore judgments on large numbers of the wicked."[3] Scofield Reference Notes draws a link between the term in Revelation and Isaiah 14:12,[4] which reads, "How you have fallen from heaven,O Lucifer , son of the morning! You have been cast down to the earth, you who once laid low the nations!" (King James Bible) KJB
HOW YOU HAVE FALLEN FROM EVEN O LUCIFER BRIGHT SON OF THE MORNING
THE DIVINE COMEDY OF DANTE ALIGHIERI (1265-1321) THE FLORENTINE CANTICA I HELL (L'INFERNO) INTRODUCTION Page 9 "Midway this way of life we're bound upon I woke to find myself in a dark wood, Where the right road was wholly lost and gone."
THE DIVINE COMEDY OF DANTE ALIGHIERI (1265-1321) THE FLORENTINE CANTICA I HELL (L'INFERNO) INTRODUCTION Page 9 "Power failed high fantasy here; yet, swift to move Even as a wheel moves equal, free from jars, Already my heart and will were wheeled by love, The Love that moves the sun and other stars."
MORE THAN A CARPENTER Josh Mc Dowell Page 58 (number omitted) Chapter 9 "Will the Real Messiah Please Stand up"
THE HOURS OF HORUS
THE OUTSIDER Colin Wilson 1956 Page 58 A refreshing laughter rose in me. . . . It soared aloft like a soap bubble . . . and then softly burst. . . . The golden trail was blazed and I was reminded of the eternal, and of Mozart, and the stars. For an hour I could breathe once more. . . .9" 9 Chapter 3 Hesse Hermann Steppenwolf pp / 55 57
THE BOOK OF FATE Formerly in the possession of NAPOLEON, LATE EMPEROR OF FRANCE And now first rendered into English from a German Translation of an ANCIENT EGYPTIAN MANUSCRIPT FOUND IN THE YEAR 1801, BY M SONNINI IN ONE OF THE ROYAL TOMBS, NEAR MOUNT LIBYCUS, IN UPPER EGYPT. BY H. KIRCHENHOFFER, Printed 1828 THE WRITING OF BALASPIS, BY COMMAND OF HERMES TRISMEGISTUS, UNTO THE PRIESTS OF THE GREAT TEMPLE. Page number (omitted)
PRIESTS OF THEBAIS! "Servants in the great temple of HECATOMPYLOS! Ye who in the sacred city DIOSPOLIS have dedicated your lives to the service of the King of the Gods and of men' HERMES * the interpreter of the will of OSIRIS greets you'It is the will of the Gods, in grand assembly convened, that ye pre-serve your lives free from stain and pollution. It is their will that ye continue to instruct the nations, as far as they may be permitted to know. It is the pleasure of OSIRIS sitting on his throne of clouds, and sur-rounded by the inferior deities, that ye make known to his subjects, his children upon earth, whatever may concern their DESTINY and what matters ye shall find written in the book of books :-THE WRITTEN ROLL OF MAN'S FATE, now committed to your / Page xxx / safe keeping :-that ye do this strictly and truly, withollt fear of danger, or hope of reward, according to all questions that may be asked, by individual persons, by tribes, by rulers of states, and by conquerors of nations. OSIRIS commandeth the servants in his favoured sanctuary to shew favour unto none, in the answers which it will be their duty to give from this book. Let sacrificices and gifts and invocations be made; let the question be asked in all humility and strong faith, and when the DIVINER hath consulted the windings and intricacies of the problem, according to the instt\i{:tions hereunto appended, let the result be written and handed to the chief PROPHET OR PROPHETESS, (seated on a stool having three legs;) who shall read and interpret the writing of HERMES unto the enquirer, in the face of all the assembled people. And the PROPHET OR PROPHETESS shall read no writing but what hath been truly given to her by the priest who doth officiate in the sacrifice; and the priest shall not add to, nor diminish from, what he findeth to the true answer to the question asked, as in this ROLL OF MAN'S FATE contained: neither shall he substitute one answer for another, but in all things he shall do according to the instructions herein given. 'The highest among the Gods, in like way, ordaineth, that no bribe, nor private gift, shall be offered or taken, either by the individual who enquireth, or by the priest who maketh answer to the consulta-tion: let the gift, which is to he offered, be of free will, and let it be put upon the altar after the sacrifice hath been consumed, In the face of all the people. If herein the priests offend, they shall, on the instant, bestrllck down and pinioned to the earth by the piercing and fiery arrows which the great OSIRIS in his anger, speaking from the clouds, hurleth at offending mortals. - Look to it; that, in this, ye offend not. It is further enjoined that ye take strict charge of this book; that no one but the priests do touch it with their hands, and that it be pre-served in a chest of alabaster, to be placed under the-altar in the midst of the temple. It is in like way commanded that copies of the book be written as occasion requireth, and that they be transmitted unto. the priests of the other temples throughout ,the earth: also that they be deposited in the tombs of the KINGS AND OF THE HIGH PRIESTS. as followeth: - When the body hath been embalmed and sufficiently swathed in fine cloth, let the roll of writing be placed under the left Breast, and / Page xxxi / let the vestment be bound over it; so that it shall be covered close and hid from view. The body shall then be attended by the princes and priests and people to the place of sepulture, where it is to be interred with honour ;- a strong and durable building being raised on the top thereof.
HOW THE ENQUIRER SHALL OBTAIN A TRUE ANSWER TO THE QUESTION WHICH HE PUTTETH TO THE ORACLE
*To HERMES TRISMEGISTUS , a sage as highly revered among them, as ZOROASTER was among the Persians, the Egyptians ascribed the inventions of chief use to human life; and like every people who are unable to settle the antiquity of their origin, they represented his works to have outstood the shock even of the universal deluge. They otherwise called him THOTH; and their priests constantly maintained that from the hieroglyphical characters upon the pillars he erected, and the sacred books, all the philosophy and learning of the world has been derived, and all the oracular intelligence has been drawn."
THE BOOK OF FATE Formerly in the possession of NAPOLEON, LATE EMPEROR OF FRANCE And now first rendered into English from a German Translation of an ANCIENT EGYPTIAN MANUSCRIPT FOUND IN THE YEAR 1801, BY M SONNINI IN ONE OF THE ROYAL TOMBS, NEAR MOUNT LIBYCUS, IN UPPER EGYPT. BY H. KIRCHENHOFFER, Printed 1828 THE SIBYLLINE BOOKS Page xxvii NINE books, copies of the following work, which she said were the ORACLES OF THE SIBYLS and proffered to sell them. But the king making some scruple about the price, she went away and burnt three of them; and returning with the six, asked the same sum as be- fore. Tarquin only laughed at the humour; upon which the old wo-man left him once more; and after she had burnt three others, came again with those that were left, hut still kept to her old terms. The king began now to wonder at her obstinacy, and thinking there might be something more than ordinary in the business, sent for the Augurs to consult what was to be done. They, when their divinations were performed, soon acquainted him what a piece of impiety he had been guilty of, by refusing a treasure sent to him from heaven, and com-manded him to give whatever she demanded for the books that re- mained. The woman received her money, and delivered the writings, and only charging them by all means to keep them sacred, immediately vanished."
WATER WATER EVERY WHERE AND NOT A DROP TO THINK LOVEEVOLVEEVOLVELOVE
URI Andrija Puharich Copyright 1974 By Lab Nine Ltd Page 251 (number omitted) ONE "THE NINE"
Page 251 This is a continuation of the philosophy of the Nine, introduced on page 15. CH is a principle which is the revealing principle of knowledge and law. CH is the principle of timeless knowledge as revealed through the time process. R is the principle of art and rhythm. M is the principle of the human and intimate. The language, the method, and the logic-that belongs to this body or brain [Vinod] that we use. CH presses the buttons and releases the forces. We strive to bring about the required correlation, which is to say, it is in explicit fulfillment of our purpose that we are meeting here tonight. This is a planned performance. Planned to the minutest moment. If the velocity of light is approached to ninety-nine per cent, the increase in the mass is in the range of seven. This is one of the physical proofs of why we want sevens. Perhaps you have not noticed this before." AP: "No, I haven't." That is partly an inference from Einsteinian analysis light velocity. Even there this seven range-it is not exactly seven. but it is the range of seven; it does not go beyond eight. It doesn't go beyond six, but it hits around seven and such microscopic aspects of velocity. If seven can be so perfectly deter- / Page 252 / mined, you will notice why the seven has been detected even in the physical as well as psychospiritual dimensions. The acceptance of the Law of Seven. Now, that's a clue which will keep you absolutely convinced and you will not ask me again what is the rationale of seven. If we tell you that it is the occult number and the seven chords of being as known in ancient occult literature, you will continue to have a veil of suspicion. But now that the increment in the mass is exactly to the range of seven by an approximation of ninety-nine per cent to the velocity of light, that is a kind of indicator how mass is related to high velocity. Related in this way, that it achieves an increment of seven-achieves an increment to seven, not of seven. Beyond ninety-nine per cent we cannot go because it becomes infinitization, as you know. AP: "Yes, that's what I was going to ask you, whether the change in increment beyond ninety-nine per cent becomes enormous rather rapidly?" Yes. AP: "It approaches infinity between ninety-nine and one hundred per cent?" Yes. Now these are only theoretical indications. We cannot really go on with experimentation in this direction, but if we get seven times the electrical equivalent of the human body-if we get it seven times-do you know what would result? It would result in sevenon of the mass of electricity. That's a very strange term, but it's true. If it gains sevenfold, corresponding approximation to light velocity will be ninety-nine per cent. That is the point where human personality has to be stretched in order to achieve infinitization. This is one of the most secret insights. Our problem now boils down to this, how to get the human body seven times what it is in electrical terms. One more tremendous secret. Copper is a phenomenon which succeeds in giving half of seven resultant to human body particular. That is why your copper cage succeeds. Tremendous secret. That is why the idea of a copper cage is so revolutionary, so enormous in its possible effects on parapsychological effort."
LOOKING FOR THE ALIENS A PSYCHOLOGICAL, SCIENTIFIC AND IMAGINATIVE INVESTIGATION Peter Hough & Jenny Randles 1991 12 Page 98 Somewhere over the Interstellar Rainbow "In 1985, Glasgow University astronomer Professor Archie Roy was in buoyant mood. He told a journalist from the London Observer that, with new efforts to search the universe for intelligent signals, 'we can expect to make contact very quickly, probably within a decade.' He added that he thought civilizations were 'ten a penny' in the cosmos. A year later, in an interview with Paul Whitehead in Flying Saucer Reuiew (volume 31, number 3,1986) Professor Roy confirmed this view by saying, 'if we are the product of natural evolution, it is highly improbable that we are alone in the universe.' Presumably this leaves the door open just in case we are not solely the product of natura1 processes (as scientists understandably assume), but are also the creation of a mystic force, otherwise known as God. Roy actively pursues his broad1y based interest in this search. He subsequently became associated with Flying Saucer Review, and he has also become an active researcher and spokesperson in the heated debate over the potential 'alien' messages said by some to lie behind those crop circles recently found dotting the rural landscapes of our world. For instance, in 1981 Michael Papagiannis, of the astronomy department at Boston University, said that: The euphoric optimism of the 'sixties and early 'seventies that communication with extraterrestrial civilizations seemed quite possible is being slowly replaced in the last couple of years by a pessimistic acceptance that we might be the only technological civilization in the entire galaxy. One can hardly find more polarized opinions than these, and they represent a crucial debate that increasingly dominates the field. While there seems to be a gut reaction based on deductive logic shared by most scientists, implying that life should be 'out there' in great abundance, there is mounting concern at our continued failure to find it. Long before we understood the universe in any detail, we dreamt about this quest for alien life, and, as we have seen, still speculate on /Page 99 / what forms such beings might take. When science fiction became popular during the last century, we even began to wonder how we might establish contact. Early ideas were ingenious, but impractical: such as building a giant mirror and using sunlight to send Morse-code signals to the (then still plausible) inhabitants of the moon or Mars. Of course, the limitations of physics meant that this could never work, even if there were Martians to see the signals. Only the brightest light that we can produce (a nuclear explosion) is potentially visible from another world and this lasts such a brief time that it is hardly likely to produce incontrovertible proof of life on earth. Alien scientists would dismiss any sightings just as freely as ours now reject claims about UFO appearances. Another problem concerned the code to be used. How could the Martians have recognized the message, even if they had been able to see it? To thcm it would have been a meaningless series of flashes. How would they have unravelled any meaning bchind it? This problem exists even if it is assumed (as it nearly always was back then) that Martians, although probably looking like bug-eyed monsters, would still think like human beings. The truth is surely that aliens would be alien in every way and their thought processes would not work in the same manner as ours. That said, the chances of any message from us to them being remotely comprehensible appear to be feeble. In science-fiction stories and films, such a problem is largely ignored, but that is merely an expediency to help the plot along. We suspend scientific logic to accommodate the story line. However, in any real search for life in the universe, we cannot afford to ignore such scientific reasoning. This complicates matters so much that one or two researchers even think it is a forlorn task. We will never communicate with an alien intelligence, even if we do come across one by chance. The result will be like a farmer staring at a cow and attempting to convey, by spoken language or gesture, why it has to go peacefully to the slaughterhouse. Page 99 "The result will be like a farmer staring at a cow and attempting to convey, by spoken language or gesture, why it has to go peacefully to the slaughterhouse".
MAN AND THE STARS CONTACT AND COMMUNICATION WITH OTHER INTELLIGENCE Duncan Lunan 1974 a liberating adventure for mankind or a disaster Page 219 Planetary contact 3(c) - intelligence unrecognizable by physical form. "There is a fantasy story about a university professor mysteriously translated into the body of a bull. After great efforts to communicate he finally gets the opportunity to write a message in the bloody sand of the slaughterhouse.. Unforunately, the man with the gun is illiterate - "another of those steers that do a crazy kind of dance." To get at case 3(c), we have to magnify that problem into an alien mind in a non-human body; could there be intelligences like Arthur C. Clarke's Atheleni,12 unable to develop technology until they meet a race gifted with hands?
FROM ATLANTIS TO THE SPHINX RECOVERING THE LOST WISDOM OF THE ANCIENT WORLD Colin Wilson 1996 Page 294 Bauval and Hancock suggest, very reasonably, that Snofru built them in that place for a purpose - to signal the beginning of the great design. And where is Osiris (Orion) at this time? He has also arrived virtually in 'Sokar'. The vernal point and the con stellation of Orion - and the star Sirius (Isis) - are now in the same area of the sky. It was not so in 10,500 BC. As you faced due east towards Leo - which is where the vernal point was situated - you had to turn through a full 90 degrees to look at Orion. Now, eight thousand years later, they have come together. This, say Bauval and Hancock, is why the Great Pyramid was built eight thousand years after the Sphinx. The 'heavens' were finally ready for it. And their logic seems virtually irrefutable. Provided you agree that the ancient Egyptians knew all about precession - and no one now seriously doubts this - and that Orion was their most important constellation, then it is impossible to disagree that the moment when the vernal point moved into the same area as Orion was perhaps the most important moment in Egyptian history. What followed was the building of the pyramids at Rostau, with their arrangement pointing back clearly to the 'first time' in 10,500 BC. Then came the ceremony that the pharaoh now under took to send Osiris back to his proper home, which would also gain immortality for himself and for his people. This ceremony took place at the time of the dawn-rising of Sirius. But it began ten weeks earlier. Sirius was absent for seventy days below the horizon (due, of course, to the fact that the earth is tilted on its axis). So, of course, was its near neighbour Orion - Osiris. It seems highly probable that a ceremony to 'rescue' Osiris took place every year. But the ceremony that took place at the time of the summer solstice - the event that announced the flooding of the Nile - in the year after Page 295 the completion of the Great Pyramid, would have been climactic. The Horus-pharaoh - presumably Cheops - had to undertake, a journey to bring his father Osiris back to life, In his form as the sun, he had to cross the great river -e the Milky Way - in his solar boat, and journey to the eastern horizon, where Osiris was held captive. In his form as the king, he had to cross the Nile in a boat; then journey to Giza, to stand before the breast of the Sphinx. Bauval and Hancock write: As the 'son of Osiris' he emerged from' the womb of Isis, i.e. the star Sirius, at dawn on the summer solstice ... It was then - and there - both at the sky horizon and the earth 'horizon' that the Horus-King was meant to find himself in front of the Gateway to Rostau. Guarding that Gateway on the earth-horizon he would encounter the giant figure of a lion -the, Great Sphinx. And guarding that Gateway in the sky- - horizon his celestial counterpart would find - what? The answer, of course, is the constellation of Leo. The Pyramid texts explain that the, beginning of the journey of Horus into -the Underworld occurred 70 days before the great ceremony. Twenty-five days later, the sun has crossed, the 'river' - the Milky Way - and is now moving east towards the constellation of Leo. And 45 days later - the, end of the 70 days - the sun is between the . paws of Leo. On the ground, the pharaoh stands on the east bank of the Nile, crosses it in the solar boat - perhaps the boat found.buried.near the Pyramid in 1954 - then makes his way; via' the two pyramids at Dahshur, to the breast of the Sphinx. ' , At rhispoint, according to the texts, he has to .face a, ' ritual ordeal, rather like those of the Freemasons described in Mozart's Magic Flute. He is given a choice of two ways, / Page 296 /either by land or by water, by which he can journey to the Underworld to rescue his father. The land route, the authors believe, was an immense causeway (of which there are still remains) linking the Valley Temple with the Great Pyramid. It was once roofed with limestone slabs and had stars painted on its ceiling. The 'water route' is still undiscovered - but the authors believe that it was an underground corridor that was kept half filled (or perhaps more than half) with water drawn by capillary action from the Nile. (They cite a French engineer, Dr Jean Kerisel, who suggests that the Sphinx -- may stand over a 700"metre-long tunnel leading to the Great Pyramid.) What happened next is pure conjecture - except that it - must have ended with the reappearance of Orion and Sirius over the- eastern horizon. Bauval and Hancock believe that this ceremony was the symbolic uniting of Upper and Lower Egypt - that is, of heaven and earth. Clearly, the priests who planned it saw it as the central event of Egyp tian history after 'the first time'. And who were these priests? Bauval and Hancock write: We shall argue that 'serious and intelligent men' - and women too - were indeed at work behind the stage of prehistory in Egypt, and propose that one of the many names by which they were known was the 'Fol -lowers of Horus'. We propose, too, that their purpose, to which their generations adhered for thousands of years with the rigour of a messianic cult,may have been to bring to fruition a great cosmic blueprint. They go on to speak of the Temple of Edfu, parts of which date back to the Pyramid Age, although its present form was built from 237 BC to 57 BC. Its 'Building Texts' speak of earlier ages going back to the 'First Time', when the words of the Sages were copied by the god Thoth into a book with the oddly modern title Specifications of the / Page 297 / Mounds of the' Early Primeval Age, including the Great Primeval Mound itself, where the world was created. This mound is believed by Professor Iodden Edwards to be the huge rock on which the Great Pyramid was erected. According to the Building Texts, the various temples and mounds were designed by Seven Sages, including the 'mansion of the god' (presumably the Great Pyramid) - which would seem to support Bauval's belief that the pyra mids were planned (and perhaps partly constructed) at the same time as the Sphinx. The Seven Sages were. survivors of a. catastrophic flood, and came from an island. These Seven Sages seem to be identieal with 'Builder gods', 'Senior ones' and 'Followers of Horus' (Shemsu Hor) referred to in other writings such as the Pyramid Texts. The Followers of Horus were not gods, but humans who rebuilt the world after the great catastrophe - which was predated by the Age of the Gods. .. This, then, is the basic thesis of Keeper of Genesis: that a group of priests, survivors of some catastrophe, virtually created ancient Egypt as we know it. It could be regarded as a sequel to Hamlet's Mill, and Jane B. Sellers' Death of the Gods in Ancient Egypt, which also argues powerfully that the ancient Egyptians knew all about precession. But, - it goes further than these books in its mathematical. and astronomical arguments (of which I have only had space to present a crude outline). Its arguments about the astro nomical alignments of the Sphinx and the pyramids are a tour de force. Jane Sellers had already discussed a 'precessional code' of numbers, and Graham Hancock summarises her results in Fingerprints of the Gods. But Bauval's use of computer simulations raises all this to a new level of precision, with the result that evefl those who feel dubious about the idea of a priestly succession lasting forthousands of years will have to admit that the math ematics seems uncontradictable. i l'heauthors reach one more i'nteresting. conclusion, where precisely; they asked the computer, was the vernal / Page 298 / point situated in 10,500 BC? The-answer was 'that it lay exactly 111.111 degrees east of the station that it had ; occupied at 2500 BC. Then it had been at the head of the Hyades- Taurus, close to the right hank of the Milky Way; 8000 years earlier it lay directly under the rear paws of the constellation of Leo.' And-if this point has an 'earthly. double', then it would seem to hint at some undiscovered "secret below the -rear paws of the Sphinx. The Coffin Texts speak about 'a sealed thing, which is in darkness, with fire about it, which con tains the efflux of Osiris, and is put in Rostau'. Could- it be that 'something hidden' - in a chamber under the rear paws of the Sphinx - is a 'treasure' that will transform our knowledge of ancient Egypt? Edgar _ Caycepredicted the discovery of a 'Hallof Records' beneath the Sphinx towards the end of the twentieth century, and Hancock and Bauval speculate whether this is not even now being investigated by the team of 'official Egyptologists' who are the only ones permitted near the Sphinx. So Keeper of Genesis -'" as is perhaps inevitable -eends " on a question mark. For the real question that lies behind this search into the remote past is: what does it all mean? We have to recognise that even the most precise knowledge of " the Egyptianprecessional code and their religion of resurrection still brings us no closer to answering some _ of the most obvious questions about their achievement ...., " even one as straightforward as how they raised 200-ton blocks ... 10 The Third Force IN CHAPTER 1, we saw that both.Schwaller and Gurdjieff believed that the men of today have degenerated " from their former level. Schwaller, obviously, was talk- . ing about ancient Egypt, and the earlier civilisation from which it derived its knowledge. But whatwas it that - according to Schwaller - made these men of former.times 'giants'? What emerges clearly from his books is the idea that modern man has forgotten something of central importance. . Some notion of what he had in mind can be derived from the researches of American anthropologist Edward t. Hall, who spent" much of his life working with or studying Native American Indians - Hopi, .Navajo,' Puebloand Quiche (the descendants of the Maya). His bookThe Dance of Life (1983) -isabout time, and about the fact that the time System of the Indians is so totally.different from that of American-Europeans (which he shortens to AE) that it is virtually a differehtkind of time. He notes that the Hopi do not even have a word for time, and that Hopi verbs have no tenses. They live in an 'eternal present', indifferent to western science, technology and philosophy. Hall coins the term 'polychronic time' to distinguish this Native American 'eternal present' from the 'monochronic' time of western-civilisation, with its ever-ticking dock.
The Third Force Page 303 "Egypt was, as Schwaller is never tired of pointing out, a sacred society.
Page 303 Each day, Hall explains, has special characteristics - just as, in ancient Egypt (according to Schwaller) each hour has its special neters - and /Page 304 / it takes a special shaman-diviner to provide a proper interpretation of the day. This is particularly important when critical decisions are contemplated. Not only does each of the twenty days have a proper name and character that is divine, but also a number. The 'nature' of the days 'change depending on the numerical accompaniment, as well as the actions or moves contemplated during that particular day. A 'good' day in one context may- be bad in another. There are favourable and unfavourable combinations, and it is the combination that determines how the day should be interpreted. Again, it is important to realise that all this is quite distinct from a 'belief'. The 'right-brain' state of mind permits deeper perception.
DAILY MAIL Thursday, January 24 WATCH THIS SPACE Michael Hanlon Science Editor THE proper word for it is pareidolia: the phenomenon where people tend to see human faces and other familiar forms in otherwise unfamiliar objects. We have all seen faces and creatures in the sky. When Hamlet saw a strange cloud, he explained to Polonius, 'Methinks it is like a weasel' (Polonius, for his part thought it more like a camel). People are forever seeing Jesus or the Virgin Mary in tortillas, buns, the swirls in their coffee and reflections in windows. But, for some reason, one of the most popular places to see these unlikely visions is in space. This week, the Mail showed an extraordinary photograph taken by the Nasa Mars Rover, Spirit, which has been trundling across the surface of the Red Planet for four years. In the picture, which I have no reason to suspect was doctored or altered, there appears to be a greenish-brown human figure, a woman perhaps, perched on a rock, staring rather wistfully at the crater floor below her. The longer you stare at this picture, the more convincing the 'human becomes. But it is an illusion; there is no woman, green or otherwise, on the surface of Mars. If there were, she would suffocate and freeze in short order. This is simply a trick of the light, shadow and perspective, the brain seeing something familiar in an alien jumble of volcanic rocks under a strange orange-pink sky. Yet this will not be the first or the last - time we have seen strange apparitions on Mars, on Earth and on other planets. The first and best - known example of pareidolia in space was of course the Man in the Moon. I have never found its surface to look particularly human, but many people insist the pattern of dark lava plains and brighter highland areas look for all the world like a human nose, mouth and two eyes. If I squint, I suppose I can just about see it. Mars, for some unknown reason, is home to many strange apparitions. People have been 'seeing' things on the Red Planet that aren't there for more than a century.
Daily Mail Thursday, February 26,2009 Page 37 The eye of God! IT STARES down at us from the depths of space, watching our tiny world from 700 light years away. Scientists have nicknamed the image - captured by a giant telescope on the Chilean mountains - the eye of God.
Daily Mail Tuesday, April 14, 2009 Page 11 Hand of God Eye in the sky: The Helix nebula By Dan Newlin; (Image omitted) WE'VE already seen pictures of his eye ... now we have the first image of the hand of God.
Devnagri Script - Sanskrit - Prakrit - Hindi - Brahmi - Haryana ... Cached - Similar pagesDevanagari script block
www.unesco.org/most/lnindia.htm - 14k - Cached - Similar pagesNational Language Of India, Official Language Of India, Regional ...
Devanagari - Wikipedia, the free encyclopedia Devanagari Rigveda manuscript in Devanāgarī (early 19th century) Devanāgarī (देवनागरी, pronounced /ˌdeɪvəˈnɑːɡəriː/ in English[1]), or Nāgarī, is an abugida alphabet of India and Nepal. It is written from left to right, lacks distinct letter cases, and is recognizable by a distinctive horizontal line running along the tops of the letters that links them together. Devanāgarī is the main script used to write Hindi, Marathi, and Nepali. Since the 19th century, it has been the most commonly used script for Sanskrit. Devanāgarī is also employed for Gujari, Bhili, Bhojpuri, Konkani, Magahi, Maithili, Marwari, Newari, Pahari (Garhwali and Kumaoni), Santhali, Tharu, and sometimes Sindhi, Panjabi, and Kashmiri. It was formerly used to write Gujarati.
Daily Mail Monday, May 18, 2009 LETTERS We are ALL to blame for this lack of morals Page 53 IT'S amusing how some politicians are now so desperate to win back the confidence of the public. No.10: Follow The Money (The Proclaimers). No 9: Money's Too Tight To Mention (Simply Red). No.8: Money Honey (Elvis Presley). No.7: Money Makes The World Go Round (from the film Cabaret). No.6: Money (Flying Lizards). No.5: We're In The Money (the goldiggers' song) No.4: Money (Pink Floyd). No.3: Easy Money (King Crimson). No.2: Money, Money, Money (Abba) No.1: Money For Nothing (Dire Straits) Maybe all these artists (except Elvis, of course) could get together for a one-off benefit performance to raise some money for our MPs on holiday? MARTIN LAWRENCE, South Croydon,
Daily Mail Tuesday, May 19, 2009 Page 8 THE CROMWELL WAY "HISTORY provides a lesson in how to deal with a Parliament seen as corrupt and finished. In 1653, Oliver Cromwell lost patience with the House after learning that it was attempting to stay in session despite an agreement to dissolve. His speech will still resonate today with disgusted voters. This is what he said: "It is High time for me to put an end to your sitting in this place, which you have dishonoured by your contempt of all virtue, and defiled by your practice of every vice; ye are a factious crew, and enemies to all good government; ye are a pack of mercenary wretches, and would like Esau sell your country for a mess of pottage, and like Judas betray your God for a few pieces of money. Is there a single virtue now remaining amongst you? Is there one vice you do not possess? Ye have no more religion than my horse; gold is your God; which of you have not barter'd your conscience for bribes? is there a man amongst you that has the least care for the good of the Commonwealth? Ye sordid prostitutes have you not defil'd this sacred place, and turn'd the Lord's temple into a den of thieves, by your immoral principles and wicked practices? Ye are grown intolerably odious to the whole nation; you were deputed here by the people to get grievances redress'd, are yourselves become the greatest grievance. Your country therefore calls upon me to cleanse this Augean stable, by putting a final period to your iniquitous proceedings in this House; and which by God's help and the strength he has given me, I am now come to do; I command ye therefore, upon the peril of your lives, to depart immediately out of this place; go, get you out! Make haste! Ye venal slaves be gone! So! Take away that shining bauble there, and lock up the doors. In the name of God, go!'" OLIVER CROMWELL
THE HOLY BIBLE Scofield References DEUTERONOMY Page 227 Chapter 9 Verses 1 Hear, O Israel: Thou art to pass over Jordan this day, to go in to possess nations greater and mightier than thyself, cities great and fenced up to heaven, 2 A people great and tall, the children of the Anakims, whom thou knowest, and of whom thou hast heard say, Who can stand before the children of Anak! 3 Understand therefore this day, that the LORD thy God is he which goeth over before thee; as a consuming fire he shall destroy them, and he shall bring them down before thy face: so shalt thou drive them out, and destroy them quickly, as the LORD hath said unto thee. 4 Speak not thou in thine heart, after that the LORD thy God hath cast them out from before thee, saying, For my righteousness the LORD hath brought me in to possess this land: but for the wickedness of these nations the LORD doth drive them out from before thee. 5 Not for thy righteousness, or for the uprightness of thine heart, dost thou go to possess their land: but for the wickedness of these nations the LORD thy God doth drive them out from before thee, and that he may perform the word which the LORD sware unto thy fathers, Abraham, Isaac, and Jacob. 6 Understand therefore, that the LORD thy God giveth thee not this good land to possess it for thy righteousness; for thou art a stiffnecked people. 7 Remember, and forget not, how thou provokedst the LORD thy God to wrath in the wilderness: from the day that thou didst depart out of the land of Egypt, until ye came unto this place, ye have been rebellious against the LORD 8 Also in Horeb ye provoked the LORD to wrath, so that the LORD was angry with you to have destroyed you.
9 When I was gone up into the mount to receive the tables of stone, even the tables of the covenant which the LORD made with you then I abode in the mount forty days and forty nights, I neither did eat bread nor drink water: 10 And the LORD delivered unto me two tables of stone written with the finger of God; and on them was written according to all the words, which the LORD spake with you in the mount out of the midst of the fire in the day of the assembly. 11 And it came to pass at the end of forty days and forty nights, that the LORD gave me the two tables of stone, even the tables of the covenant. 12 And the LORD said unto me, Arise, get thee down quickly from hence; for thy people which thou hast brought forth out of Egypt have corrupted themselves; they are quickly turned aside out of the way which I commanded them; they have made them a molten image. 13 Furthermore the LORD spake unto me, saying, I have seen this people, and, behold, it is a stiffnecked people: 14 Let me alone, that I may destroy them, and blot out their name from under heaven: and I will make of thee a nation mightier and greater than they. 15 So I turned and came down from the mount, and the mount burned with fire: and the two tables of the covenant were in my two hands. 16 And I looked, and, behold, ye had sinned against the LORD your God, and had made you a molten calf: ye had turned aside quickly out of the way which the LORD had commanded you. 17 And I took the two tables, and cast them out of my two hands, and brake them before your eyes. 18 And I fell down before the LORD, as at the first, forty days and forty nights: I did neither eat bread, nor drink water, because of all your sins which ye sinned, in doing wickedly in the sight of the LORD, to provoke him to anger. 19 For I was afraid of the anger and hot displeasure, wherewith the LORD was wroth against you to destroy you. But the LORD hearkened unto me at that time also. 20 And the LORD was very angry with Aaron to have destroyed him: and I prayed for Aaron also the same time. 21 And I took your sin, the calf which ye had made, and burnt it with fire, and stamped it, and ground it very small, even until it was as small as dust: and I cast the dust thereof into the brook that descended out of the mount. 22 And at Taberah, and at Massah, and at Kibrothhattaavah, ye provoked the LORD to wrath. 23 Likewise when the LORD sent you from Kadeshbarnea, saying, Go up and possess the land which I have given you; then ye rebelled against the commandment of the LORD your God, and ye believed him not, nor hearkened to his voice. 24 Ye have been rebellious against the LORD from the day that I knew you. 25 Thus I fell down before the LORD forty days and forty nights, as I fell down at the first; because the LORD had said he would destroy you. 26 I prayed therefore unto the LORD, and said, O Lord GOD, destroy not thy people and thine inheritance, which thou hast redeemed through thy greatness, which thou hast brought forth out of Egypt with a mighty hand. 27 Remember thy servants, Abraham, Isaac, and Jacob; look not unto the stubbornness of this people, nor to their wickedness, nor to their sin: 28 Lest the land whence thou broughtest us out say, Because the LORD was not able to bring them into the land which he promised them, and because he hated them, he hath brought them out to slay them in the wilderness. 29 Yet they are thy people and thine inheritance, which thou broughtest out by thy mighty power and by thy stretched out arm.
I SHALL SOUND THE QUESTION THE QUESTION SOUND I WHITHER GOEST THOU AND THOU GOEST WHITHER GODS GODDESSES ALWAYS LOVE BALANCING LOVE ALWAYS GODDESSES GODS
Daily Mail Tuesday, April 14, 2009 Page 11 Eye in the sky: The Helix nebula By Dan Newlin; (Image omitted) WE'VE already seen pictures of his eye ... now we have the first image of the hand of God.
GODS AND SPACEMEN IN THE ANCIENT EAST W. Raymond Drake 1968 New evidence on the unexplained mysteries of civilization in the ancient East Page 124 "it is said that in the ancient Egyptian language OS-IRIDE meant 'mouth of the iris'168 or 'the voice of the light..."
OS-RIDE SO R I DE SO 9 9 9
OSIRIS SO IRIS ISIS IS ISIS IRIS SO OSIRIS
YEA THOUGH I WALK THROUGH THE VALLEY OF THE SHADOW OF DEATH I WILL FEAR NO EVIL FOR THOU ART WITH ME
THE EASTER FESTIVAL GOOD FRIDAY 10TH OF THE 4TH 2009 SATURDAY 11TH OF THE 4TH 2008 SUNDAY 12TH OF THE 4TH 2009 MONDAY 13TH OF THE 4TH 2009 HALLELUJAH
JUST SIX NUMBERS Martin Rees 1 OUR COSMIC HABITAT PLANETS STARS AND LIFE Page 24 A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence'
THE HOURS OF HORUS IS ARRIVED HURRAH FOR RAH FOR RAH HURRAH AMEN THAT NAME GODS NAME AMEN RA IN BOW LIGHT GODS LIGHT RA IN BOW THE LIGHT IS RISEN NOW RISEN IS THE LIGHT
AWAKENING INNER AWARENESS
The Abbe Sieyes author of the pamphlet What is the third estate? intrigued with Napoleon Bonaparte and became a Consul of the French Republic.
Qu'est-ce que le tiers état? ( What is the third estate? ). The Abbé Sieyès "... it was in Paris that he spent his last days in 1836."
Pan (mythology) - Wikipedia, the free encyclopedia
The Death of Pan Robert Graves (The Greek Myths) suggested that the Egyptian Thamus apparently misheard Thamus Pan-megas Tethnece 'the all-great Tammuz is dead' for 'Thamus, Great Pan is dead!' Certainly, when Pausanias toured Greece about a century after Plutarch, he found Pan's shrines, sacred caves and sacred mountains still very much frequented.
GREAT PAN IS NOT DEAD
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http://www.youtube.com/watch?v=w9aYrHzEW-w
HOLY BIBLE Scofield References Page114/5/6 John Chapter 1 1 In the beginning was the Word, and the Word was with God, and the Word was God. 2 The same was in the beginning with God. 3 All things were made by him; and without him was not any thing made that was made. 4 In him was life; and the life was the light of men. 5 And the light shineth in darkness; and the darkness comprehended it not. 6 There was a man sent from God, whose name was John. 7 The same came for a witness, to bear witness of the Light, that all men through him might believe. 8 He was not that Light, but was sent to bear witness of that Light. 9 That was the true Light, which lighteth every man that cometh into the world. 10 He was in the world, and the world was made by him, and the world knew him not. 11 He came unto his own, and his own received him not. 12 But as many as received him, to them gave he power to become the sons of God, even to them that believe on his name: 13 Which were born, not of blood, nor of the will of the flesh, nor of the will of man, but of God. 14 And the Word was made flesh, and dwelt among us, (and we beheld his glory, the glory as of the only begotten of the Father,) full of grace and truth. 15 John bare witness of him, and cried, saying, This was he of whom I spake, He that cometh after me is preferred before me: for he was before me. 16 And of his fulness have all we received, and grace for grace. 17 For the law was given by Moses, but grace and truth came by Jesus Christ. 18 No man hath seen God at any time, the only begotten Son, which is in the bosom of the Father, he hath declared him. 19 And this is the record of John, when the Jews sent priests and Levites from Jerusalem to ask him, Who art thou? 20 And he confessed, and denied not; but confessed, I am not the Christ. 21 And they asked him, What then? Art thou Elias? And he saith, I am not. Art thou that prophet? And he answered, No. 22 Then said they unto him, Who art thou? that we may give an answer to them that sent us. What sayest thou of thyself? 23 He said, I am the voice of one crying in the wilderness, Make straight the way of the Lord, as said the prophet Esaias. 24 And they which were sent were of the Pharisees. 25 And they asked him, and said unto him, Why baptizest thou then, if thou be not that Christ, nor Elias, neither that prophet? 26 John answered them, saying, I baptize with water: but there standeth one among you, whom ye know not; 27 He it is, who coming after me is preferred before me, whose shoe's latchet I am not worthy to unloose. 28 These things were done in Bethabara beyond Jordan, where John was baptizing. 29 The next day John seeth Jesus coming unto him, and saith, Behold the Lamb of God, which taketh away the sin of the world. 30 This is he of whom I said, After me cometh a man which is preferred before me: for he was before me. 31 And I knew him not: but that he should be made manifest to Israel, therefore am I come baptizing with water. 32 And John bare record, saying, I saw the Spirit descending from heaven like a dove, and it abode upon him. 33 And I knew him not: but he that sent me to baptize with water, the same said unto me, Upon whom thou shalt see the Spirit descending, and remaining on him, the same is he which baptizeth with the Holy Ghost. 34 And I saw, and bare record that this is the Son of God. 35 Again the next day after John stood, and two of his disciples; 36 And looking upon Jesus as he walked, he saith, Behold the Lamb of God! 37 And the two disciples heard him speak, and they followed Jesus. 38 Then Jesus turned, and saw them following, and saith unto them, What seek ye? They said unto him, Rabbi, (which is to say, being interpreted, Master,) where dwellest thou? 39 He saith unto them, Come and see. They came and saw where he dwelt, and abode with him that day: for it was about the tenth hour. 40 One of the two which heard John speak, and followed him, was Andrew, Simon Peter's brother. 41 He first findeth his own brother Simon, and saith unto him, We have found the Messias, which is, being interpreted, the Christ. 42 And he brought him to Jesus. And when Jesus beheld him, he said, Thou art Simon the son of Jona: thou shalt be called Cephas, which is by interpretation, A stone. 43 The day following Jesus would go forth into Galilee, and findeth Philip, and saith unto him, Follow me. 44 Now Philip was of Bethsaida, the city of Andrew and Peter. 45 Philip findeth Nathanael, and saith unto him, We have found him, of whom Moses in the law, and the prophets, did write, Jesus of Nazareth, the son of Joseph. 46 And Nathanael said unto him, Can there any good thing come out of Nazareth? Philip saith unto him, Come and see. 47 Jesus saw Nathanael coming to him, and saith of him, Behold an Israelite indeed, in whom is no guile! 48 Nathanael saith unto him, Whence knowest thou me? Jesus answered and said unto him, Before that Philip called thee, when thou wast under the fig tree, I saw thee. 49 Nathanael answered and saith unto him, Rabbi, thou art the Son of God; thou art the King of Israel. 50 Jesus answered and said unto him, Because I said unto thee, I saw thee under the fig tree, believest thou? thou shalt see greater things than these. 51 And he saith unto him, Verily, verily, I say unto you, Hereafter ye shall see heaven open, and the angels of God ascending and descending upon the Son of man.
HOLY BIBLE Scofield References Page1117 John Chapter 1 1 There was a man of the Pharisees, named Nicodemus, a ruler of the Jews: 2 The same came to Jesus by night, and said unto him, Rabbi, we know that thou art a teacher come from God: for no man can do these miracles that thou doest, except God be with him. 3 Jesus answered and said unto him, Verily, verily, I say unto thee, Except a man be born again, he cannot see the kingdom of God. 4 Nicodemus saith unto him, How can a man be born when he is old? can he enter the second time into his mother's womb, and be born? 5 Jesus answered, Verily, verily, I say unto thee, Except a man be born of water and of the Spirit, he cannot enter into the kingdom of God. 6 That which is born of the flesh is flesh; and that which is born of the Spirit is spirit. 7 Marvel not that I said unto thee, Ye must be born again. 8 The wind bloweth where it listeth, and thou hearest the sound thereof, but canst not tell whence it cometh, and whither it goeth: so is every one that is born of the Spirit. 9 Nicodemus answered and said unto him, How can these things be? 10 Jesus answered and said unto him, Art thou a master of Israel, and knowest not these things? 11 Verily, verily, I say unto thee, We speak that we do know, and testify that we have seen; and ye receive not our witness. 12 If I have told you earthly things, and ye believe not, how shall ye believe, if I tell you of heavenly things? 13 And no man hath ascended up to heaven, but he that came down from heaven, even the Son of man which is in heaven. 14 And as Moses lifted up the serpent in the wilderness, even so must the Son of man be lifted up: 15 That whosoever believeth in him should not perish, but have eternal life. 16 For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life. 17 For God sent not his Son into the world to condemn the world; but that the world through him might be saved. 18 He that believeth on him is not condemned: but he that believeth not is condemned already, because he hath not believed in the name of the only begotten Son of God. 19 And this is the condemnation, that light is come into the world, and men loved darkness rather than light, because their deeds were evil. 20 For every one that doeth evil hateth the light, neither cometh to the light, lest his deeds should be reproved. 21 But he that doeth truth cometh to the light, that his deeds may be made manifest, that they are wrought in God. 22 After these things came Jesus and his disciples into the land of Judaea; and there he tarried with them, and baptized. 23 And John also was baptizing in Aenon near to Salim, because there was much water there: and they came, and were baptized. 24 For John was not yet cast into prison. 25 Then there arose a question between some of John's disciples and the Jews about purifying. 26 And they came unto John, and said unto him, Rabbi, he that was with thee beyond Jordan, to whom thou barest witness, behold, the same baptizeth, and all men come to him. 27 John answered and said, A man can receive nothing, except it be given him from heaven. 28 Ye yourselves bear me witness, that I said, I am not the Christ, but that I am sent before him. 29 He that hath the bride is the bridegroom: but the friend of the bridegroom, which standeth and heareth him, rejoiceth greatly because of the bridegroom's voice: this my joy therefore is fulfilled. 30 He must increase, but I must decrease. 31 He that cometh from above is above all: he that is of the earth is earthly, and speaketh of the earth: he that cometh from heaven is above all. 32 And what he hath seen and heard, that he testifieth; and no man receiveth his testimony. 33 He that hath received his testimony hath set to his seal that God is true. 34 For he whom God hath sent speaketh the words of God: for God giveth not the Spirit by measure unto him. 35 The Father loveth the Son, and hath given all things into his hand. 36 He that believeth on the Son hath everlasting life: and he that believeth not the Son shall not see life; but the wrath of God abideth on him.
MNEMONICS 455465931 MNEMONICS
MNEMONICS 9 6 9 MNEMONICS
ESOTERIC 51625993 ESOTERIC O SECRET I 6 SECRET 9 O SECRET I ESOTERIC 51625993 ESOTERIC
MNEMONICS 9 6 9 MNEMONICS
3THREES3 IS 3 IS 3THREES3
THE ART OF MEMORY FRANCIS A. YATES 1979 THE OCCULT PHILOSOPHY IN THE ELIZABETHAN AGE Page 13 MEDIEVAL CHRISTIAN CABALA: THE ART OF RAMON LULL The religious principle upon which Lull based his Art which was held by all three religious traditions, was the importance which Christian, Moslem, and Jew attached to the Divine Names or: Attributes. The Attributes, or, as Lull prefers to call them, the Dignities of God on which the Art is based are Bonitos (Goodness), Magnitudo (Greatness), Etenitas (Eternity), Potestas (Power), Sapienta (Wisdom), Voluntas (Will), Virtus (Virtue or Strength), Veritas (Truth), Gloria (Glory). Religious Moslems, Jews, Christians, would all agree that God is good, great, eternal, powerful, wise, and so on. These Divine Dignities or Names, combined with elemental theory, gave Lull what he believed to be a universal religious and scientific basis for an Art so infallible that it could work on all levels of creation. And further - and this was its chief importance in Lull's eyes - it was an Art which could prove the truth of the Christian Trinity to Moslems and Jews.
RE GODS NAME GODS RE AS IN THREE IS IS THREE AS IN RE
THE ART OF MEMORY FRANCIS A. YATES 1979 THE OCCULT PHILOSOPHY IN THE ELIZABETHAN AGE Page 11 MEDIEVAL CHRISTIAN CABALA: THE ART OF RAMON LULL In the illustration shown in Plate 1,1(image omitted ) four men are seen sitting under a neat row of trees, neatly labelled. In the background is a rich countryside: in the foreground a refreshing stream flows from a fountain. The illustration is taken from an engraving in the eighteenth-century edition of the works of Ramon Lull, which is based on medieval tradition of Lull illustration. The lady whose horse wades in the stream is Intelligence; severe intellectual work is going on. The men so calmly seated in these pleasant surroundings are doing the Lullian Art. hi. the lifetime of the Catalan philosopher and mystic, Ramon Lull (1232-c. 1316), the Iberian peninsula was the home of three great religious and philosophical traditions. Dominant was Christianity and the Catholic Church, but a large part of the country was still under the rule of the Moslem Arabs; and it was in Spain that the Jews of the Middle Ages had their strongest centre. In the world of Ramon Lull, the brilliant civilisation of the Spanish Moslems, with its mysticism, philosophy, art, and / Page 12 / science, was close at hand; the Spanish Jews had intensively devoloped their philosophy, their science and medicine, and mysticism, or Cabala. To Lull, the Catholic Christian, occurred the generous idea that an Art, based on principles which all three religious traditions held in common, would serve to bind all three together on a common philosophical, scientific, and mystical basis. The men under the trees in the picture represent a Gentile or pagan; a Jew; a Saracen or Moslem; and a Christian. The representatives of the three religions have been found by the Gentile doing the Lullian Art together, and striving their unity in the fountain of life or mystical truth. the scientific principle held in common by Christians, Moslem and Jews, and on which Lull based his Art, was the theory of the elements.2 It is unnecessary to enter here into the historical origins of the elemental theory which was held by scientific men in Lull's period as a universally valid assumption about nature. The theory assumed that everything in the natural world composed of four elements - earth, water, air, fire. To these corresponded the elemental qualities - cold, moist, dry,hot. These formed different compounds, or different concords and contrasts, which could be exactly classified or graded. The elemental theory had its prolongation into the world of the stars, for the seven planets and the twelve signs of the zodiac were held to have either predominantly cold, moist, dry, or hot influences. Though these elemental characteristics of the stars, and their connection with terrestrial elements, were derived from the cbings of astrology, the elemental theory was not in itself astrological, but might more properly be called an astral science. the use of the, Lullian Art as astral science can be studied in Its Tractatus de astronomia (1297) in which he works out a theory practice of astral medicine through calculating, by the Art, grading of elemental qualities. This treatise is preceded by a diatribe 'against astrology', from which Lull scholars of the past used to deduce (without reading the treatise) that Lull had / Page 13 / discarded the astrological world view. Careful reading of the treatise reveals that it describes an astral medicine, based on belief in elemental qualities in the seven planets and the twelve .signs, and their connection with terrestrial elements. This is a scientific use of a universally held theory of astral correspondences. It is not astrology in the sense of horoscope-making with lis assumption of astrological determinism which Lull is 'against'. In fact it is a kind of scientific escape from such determinism. In almost exactly the same way, two hundred years later, Pico della Mirandola was to pronounce himself 'against astrology',3 meaning that he was against astrological determinism whilst accepting those astral correspondences which underlie 'Renaissance Neoplatonism' as he and Ficino understood it. The religious principle upon which Lull based his Art which was held by all three religious traditions, was the importance which Christian, Moslem, and Jew attached to the Divine Names or: Attributes. The Attributes, or, as Lull prefers to call them, the Dignities of God on which the Art is based are Bonitos (Goodness), Magnitudo (Greatness), Etenitas (Eternity), Potestas (Power), Sapienta (Wisdom), Voluntas (Will), Virtus (Virtue or Strength), Veritas (Truth), Gloria (Glory). Religious Moslems, Jews, Christians, would all agree that God is good, great, eternal, powerful, wise, and so on. These Divine Dignities or Names, combined with elemental theory, gave Lull what he believed to be a universal religious and scientific basis for an Art so infallible that it could work on all levels of creation. And further - and this was its chief importance in Lull's eyes - it was an Art which could prove the truth of the Christian Trinity to Moslems and Jews. An extraordinary feature of Lullism is that it assigns a letter notation to notions so exalted and abstract as the names, attributes, or dignities of God. The series of nine dignities, Bonitas,Magnitudo, and so on, listed above, become in the Art the nine letterss BCDEFGHIK; the unmentioned A is the ineffable absolute. These letters Lull places on revolving concentric wheels, thus / Page 14 / obtaining all possible combinations of them. And since the Goodness, Greatness, and so on of God are manifest on all levels of creation, he can ascend and descend with the figures of the Art throughout the universe, finding B to K and their relationships on every level. He finds them in the supercelestial sphere, on the level of the angels; in the celestial sphere, on the level of the stars; in man, on the human level; and below man, in animals, plants, and all the material creation. On these levels, the elemental theory comes into play; ABCD as the four elements works in conjunction with BCDEFGHIK. This relationship continues right up the ladder of creation to the stars, since there are forms of the elements in the stars. Above the stars, in the angelic sphere, the system is purified of all materiality; there are no contrasts and contraries as in the lower spheres; at this height all the contraries coincide, and the whole Art is seen to converge in proof that the highest divine essence is a Three. This bald outline, though it may give some idea of the Art, is highly misleading in its simplicity. For the Art in its workings is immensely complex. It may have forms based on more than nine dignities. Its combinations of letter-notations almost suggest a kind of algebra. There is a kind of geometry involved, for the Art uses three figures, the triangle, the circle, and the square. The artist in moving up and down the levels of creation applies these figures on each level. The geometry is symbolical; the triangle symbolises the divine; the circle stands for the heavens (by which Lull always means the seven planets and the twelve signs of the zodiac); the square symbolises the four elements. The Aristotelian categories play a part in the Art which is said to work by a 'natural' logic, but the dominant philosophy is a kind of Platonism. Lull belongs into the tradition of medieval Christian Platonism, based primarily on Augustine; the Lullian dignities' can nearly all be found listed as divine attributes in Augustine's works. Like all medieval Platonists, Lull is also strongly influenced by the work on the celestial hierarchies of / Page 15 / angels by Pseudo-Dionysius. The nearest parallel to his association of dignities or attributes with the elements is to be found in the De divisione naturae of the early Christian Platonist, John Scotus Erigena.4 Lull's dignities have the creative capacity of Scotus's primordial causes. Moslem forms of Platonic, or Neo-platonic, mysticism had also reached him. Yet perhaps the strongest influence on the formation of the Art was that of the Jewish Cabala. It was in medieval Spain that Cabala reached a high point of development,5 and that climax coincides with the appearance of Lullism. The Zohar was written in Spain in about 1275. It was in 1274 that Lull had the vision on Mount Randa in which the two primary figures of the Art were revealed to him. There are mmy points of contact or resemblance between Cabalism and Lullism. Spanish Cabala has as its bases the doctrine of the ten Sephiroth and the doctrine of the twenty-two letters of the Hebrew alphabet. The Sephiroth, as defined by G. Scholem, are 'the ten names most common to God and in their entirety they form his one great Name'.6 The Sephiroth derive from the nameless "en-soph'; their names are Gloria, Sapientia, Veritas, Bonitas, Potestas, Virtus, Eternitus, Splendor, Fundamentum. The parallel with the nine Lullian Dignitates Dei derived from a nameless A is striking. The twenty-two letters of the Hebrew alphabet also contain, for the Cabalist, the Name or Names, of God. They are the creative language of God and in contemplating them the Cabalist is contemplating both God himself and his creation. The thirteenth-century Spanish Jew, Abraham Abulafia.7 developed a complex technique of meditation through combining Hebrew letters in endless series of permutations and combinations. Thus the two salient characteristics of the Lullian Art, its basis in the Names or Dignities, and its techniques of letter combinations, are both, also characteristics of Cabala. Yet there are profound differences, above all the basic fact that the Names in / Page 16 / Cabala are in Hebrew, the letters which it combines are Hebrew letters; in the Lullian Art the Names are in Latin and the letters it combines are the ordinary letters of the Latin alphabet. Lullism may be said to be a Cabalist type of method but used without Hebrew. It is thus debarred from those insights into the linguistic mysteries which the Cabalist believed to be hidden in the Hebrew Scriptures. Nevertheless, if it is possible to speak of a Christian Cabalist method used without Hebrew, then it may be claimed that Lullism is the medieval form of Christian Cabala.8 Certainly it is like later Christian Cabala in its missionary aim, its aim of proving the Trinity to Moslems and Jews and thereby converting them to Christianity. The rigorous method of the Lullian Art is deployed against a background suffused in poetic and romantic charm, the world of medieval Spain. The Lullian hermit wanders through allegorical forests,9 the trees of which symbolise all the subjects of the Art, neatly categorised and arranged for the Lullist to use in his operations. These operations have not only scientific but also moral value through the use of analogy and allegory which permeates the Art. Thus the concords and contrasts of the elements are allegorised on the 'moral' trees of the Art as concords and contrasts between virtues and vices. The Lullian artist as Lull saw him had not only mastered a universal science; he had learned an ethical and contemplative method through which he might mount on the ladder of creation to the highest heights. Not only that, he was also a poet singing mystical love songs with all the charm of a troubadour; and a knight instructed in astral science and ethics in relation to the code of chivalry.10 As the inventor of a method which was to have an immense influence throughout Europe for centuries, Lull is an extremely important figure. Lullism is a precursor of scientific method. Lullian astral medicine developed into Pseudo-Lullian alchemy. Page 17 The great figures of Renaissance Neoplatonism include Lullism in their interests, and naturally so since Lullism was the precursor of their ways of thinking. And from the point of view of history of religion and of religous toleration, surely we admire Lull's vision in taking advtage of the unique concentration of Christian, Moslem, Jewish traditions in his world for putting forward a common ground between them in an Art, which, though it envisaged conversion rather than toleration, was certainly, in its at understanding, vastly superior to the methods to be used later in Spain for the establishment of religious unity. The glorious reign of Ferdinand and Isabella (1474-1504) saw the union of the kingdoms of Aragon and Castile through their marriage, and the rapid advance in power of the unified kingdom through their energetic government. Determined on establishing total religious unity within the Iberian peninsula, the two Catholic sovereigns initiated the war against the Moors which ended triumphantly with the conquest of Granada in 1492. In the same year, 1492, the Jews were expelled from Spain; in 1505 the conquered Moors were also expelled. Thus two whole populations, embodying two great civilisations, were adrift from their homeland to wander as exiles. Through the tightening up of the Inquisition in Spain, particularly severe againstt Jews and Moors, return to what had been their native for so many centuries was impossible. Spain, like France the Revocation of the Edict of Nantes, became and remained 'toute Catholique'. Thus, as so often, Europe took a wrong turning and wasted the spiritual resources which might have been used constructiveIy. For of all the countries of Europe, Spain was the best placed for making a liberal approach to the three great closely related religions. Ramon Lull had realised this in his peculiar way .men he strove to construct a method based on Divine Names and elemental theory. Though, for him, the Art was not a / Page 18 / construction but a revelation from on high shown to him in the vision on Mount Randa. The old view of the origins of the so-called Renaissance held that the the fall of Constantinople to the Turks in 1453 was a startingpoint. Recent generations of scholars have weakened that view, through exploration of many other influences and particularly through demonstrating the importance of surviving medieval traditions in the so-called Renaissance. Yet there remains a good deal to be said for the old view, for, after all, it was the Greek refugees from Byzantium who spread the knowledge of Greek in Europe; and it was from Byzantium that the Greek manuscripts of works of Plato and the Neoplatonists, and of 'Hermes 'Iris megistus' and other prisci theologi, reached Florence to form that rich and confused strain of 'Renaissance Neoplatonism' with its Hermetic core which we associate with Marsilio Ficino. Another date which has not been so much stressed but which is equally, perhaps more, important, is 1492, the date of the expulsion of the Jews from Spain. Many of them went to Italy and spread there a new interest in the Hebrew language and an enthusiasm for the Jewish mystical tradition, or Cabala. This came to the mystically-minded as a new insight into the meaning of Christianity. Christian Cabala was founded by Ficino's friend and associate Pico della Mirandola. It was in 1486 that Pico went to Rome with his nine hundred theses, prominent among which were the Cabalist theses. The Cabalist theses were fundamental for Pico' s great aim of the concordance of all religious philosophies. Pico' s advocacy of Christian Cabala marked a turning-point in the history of the Judaeo-Christian tradition in its modern form. It came at the same time as one of its darkest tragedies. It was in the years immediately before the Expulsion, when the persecutions of the Jews in Spain were mounting in intensity, that Pico della Mirandola adopted Christian Cabala into the Italian Renaissance.
TRIANGLE 5 TRIANGLE CIRCLE 5 CIRCLE SQUARE 9 SQUARE
THE ART OF MEMORY FRANCIS A. YATES 1979 THE OCCULT PHILOSOPHY IN THE ELIZABETHAN AGE Page 11 MEDIEVAL CHRISTIAN CABALA: THE ART OF RAMON LULL Page 13 An extraordinary feature of Lullism is that it assigns a letter notation to notions so exalted and abstract as the names, attributes, or dignities of God. The series of nine dignities, Bonitas,Magnitudo, and so on, listed above, become in the Art the nine letterss BCDEFGHIK; the unmentioned A is the ineffable absolute. These letters Lull places on revolving concentric wheels, thus / Page 74 / obtaining all possible combinations of them. And since the Goodness, Greatness, and so on of God are manifest on all levels of creation, he can ascend and descend with the figures of the Art throughout the universe, finding B to K and their relationships on every level. He finds them in the supercelestial sphere, on the level of the angels; in the celestial sphere, on the level of the stars; in man, on the human level; and below man, in animals, plants, and all the material creation. On these levels, the elemental theory comes into play; ABCD as the four elements works in conjunction with BCDEFGHIK. This relationship continues right up the ladder of creation to the stars, since there are forms of the elements in the stars. Above the stars, in the angelic sphere, the system is purified of all materiality; there are no contrasts and contraries as in the lower spheres; at this height all the contraries coincide, and the whole Art is seen to converge in proof that the highest divine essence is a Three.
Page 13 On these levels, the elemental theory comes into play; ABCD as the four elements works in conjunction with BCDEFGHIK. This relationship continues right up the ladder of creation to the stars, since there are forms of the elements in the stars. Above the stars, in the angelic sphere, the system is purified of all materiality; there are no contrasts and contraries as in the lower spheres; at this height all the contraries coincide, and the whole Art is seen to converge in proof that the highest divine essence is a Three.
Page 13 On these levels, the elemental theory comes into play; 1234 as the four elements works in conjunction with 234567892. This relationship continues right up the ladder of creation to the stars, since there are forms of the elements in the stars. Above the stars, in the angelic sphere, the system is purified of all materiality; there are no contrasts and contraries as in the lower spheres; at this height all the contraries coincide, and the whole Art is seen to converge in proof that the highest divine essence is a Three.
ABCD 1234 ABCD BCDEFGHIK 234567892 BCDEFGHIK
THREES 3 THREES
LULL 3333 LULL
THE ART OF MEMORY FRANCIS A. YATES 1979 THE OCCULT PHILOSOPHY IN THE ELIZABETHAN AGE Page 135 (number omitted) "No study of Shakespeare can begin without some reference to Marlowe, the predecessor, and his mighty line." "Marlowe's famous play, Docter Faustus is closely based on the English translation of the German Faust-Buch (1587)" "Page 139 He turns to ask / Page 140 / Mephistopheles about divine astrology, about the elements, and the spheres of the planets. He still has scholarly instincts, and can hear echoes of the universal harmony, although damned. Awaiting damnation he calls on Christ, and there comes the famous line " See see where Christs bloud streames in the firmament.11"
SEE SEE WHERE CHRISTS BLOUD STREAMES IN THE FIRMAMENT 155 155 58595 3899121 23634 12951451 95 285 699414552 IS 9 IS 9 IS 9 IS 155 155 58595 3899121 23634 12951451 95 285 699414552 SEE SEE WHERE CHRISTS BLOUD STREAMES IN THE FIRMAMENT
http://www.youtube.com/watch?v=7_IKcMl_a9A
ZOHAR 5 ZOHAR 5 ZOHAR 5 ZOHAR
SEPHIROTH 1 SEPHIROTH PHI'S OTHER NAME OTHER PHI'S SEPHIROTH 1 SEPHIROTH
SEPHIROTH 1 SEPHIROTH PHI'S OTHER CIRCLE OTHER PHI'S SEPHIROTH 1 SEPHIROTH
IS NAUTILUS NEMO OMEN NEMO NAUTILUS IS
MOON SOL SOLOMON IS IS SOLOMON SOL MOON SOLOMON SOL MOON IS IS MOON SOL SOLOMON MOON SOL SOLOMON IS IS SOLOMON SOL MOON
HEART EARTH TERAH THERA THE RA IS IS RA THE THERA TERAH EARTH HEART EARTH THE R THE EARTH HEART THE R THE HEART TERAH THE R THE TERAH THERA THE R THE THERA THE RA IS IS RA THE HEART EARTH TERAH THERA
ISRAEL IS RA EL EL IS RA ISRAEL RA EL IS IS EL RA IS REAL REAL IS RA EL IS IS EL RA ISRAEL IS RA EL EL IS RA ISRAEL
IS RA REAL IS IS REAL RA IS
WISE W IS E WISE W IS E WISE W IS E WISE
WISE W IS E WISE 5 IS 5 WISE W IS E WISE
LUCIFER L U C FIRE IS IS FIRE LUC LUCIFER LUCFIRE IS IS LUCFIRE GODS NAME RE IS IS RE NAME GODS GODS NAME EL IS IS EL NAME GODS SEE L FIRE IS IS FIRE EL SEE U C L FIRE LUCIFER IS IS LUCIFER FIRE UCL GODS NAME RE IS IS RE NAME GODS GODS NAME 95 IS IS 95 NAME GODS GODS NAME RE IS IS RE NAME GODS GOD GAVE NOAH THE RAINBOW SIGN NO MORE WATER FIRE NEXT TIME
1234 5 6789 ONE TWO THREE FOUR 5FIVE5 SIX SEVEN EIGHT NINE 1234 5 6789
THAT THAT THAT IS THAT SEE SAW SEE IS 5 IS SEE SAW SEE
ALL QUIET ON THE WESTERN FRONT IS IT FOR YOU FOR YOU IS IT ?
THE E AZIN OUGHT OF THE OUGHT AZIN THOUGHT THROUGHOUT THAT THAT THAT ISISIS UNIVERSAL MINDS I MINDS UNIVERSAL
I THAT AM THAT TIME EMIT
THE MAHABHARATA
MAHABHARATA ABRAHAM MAHABHARATA
C HERE IS THE CHRISTOS HERE IS THE CHRISTOS C SO C RISH 999 RISH C SO C HERE IS THE CHRISTOS HERE IS THE CHRISTOS C
CREATION C RE ACTION RE C CREATION REACTORS CREATORS REACTORS
ATUM 1234 ATUM GOD IS GREAT IS GREAT IS GOD
Allahu Akbar (disambiguation) - Wikipedia, the free encyclopedia en.wikipedia.org/wiki/Allahu_Akbar_(disambiguation) Allahu Akbar (Arabic: الله أكبر) is a phrase, called Takbir in Arabic, meaning "God is greater" or "God is [the] greatest". Allahu Akbar or Allahu Ekber and similar ...
ALLAHU AKBAR 133183 ALLAHU AKBAR TAKBIR 212200 TAKBIR GOD IS GREATER IS GOD GOD IS GREATEST IS GOD ALLAHU EKBER 133183
I THAT AM CRUCIFIED A CROSS A CROSS
Macbeth 1 [iii] Shakespeare, "Thrice to thine and thrice to mine, and thrice again to make up nine" Number 9 The Search for the Sigma code Cecil Balmond Page 45 "Three times three, the trinity of trinities, gains select status then as the doubling and resourcing of special power. From ancient times number nine was seen as a full complement; it was the cup of special promise that brimmed over. "
3 x 3 = 9 = 3 x 3
Daily Mail, Thursday, December 15, 2011 Page 57 At a formal dinner celebrating the opening of the Watford St Albans branch railway line in 1958 several toasts were drunk 'with three times three'. What does this mean? THE Watford to St Albans branch line, known locally as the Abbey Flyer, opened on May 5, 1858, so the dinner must have been part of the centenary celebrations. The 'three times three' is the traditional three cheers ('Hip, Hip, Hooray!' shouted three times). The origin of the cheer is obscure but it's recorded in 1816 when John Quincy Adams, an envoy to the English court, wrote in his diary that he had attended a dinner given by the Lord Mayor in the Mansion House and that 'every toast was drunk standing with what they call three time three hip! hip! hip! and nine huzzahs'. It is more usual now to proclaim only two hips and 'huzzah' has become 'hooray'. In the 17th and 18th centuries, three huzzahs - two short ones followed by a long sustained one - were given by the British infantry before a charge. It has been suggested 'hurrah' or 'hooray' comes from old Turkic and that the Turks used to shout 'Ur, ah!' meaning 'Come on, hit!". A less likely explanation is that 'hip' dates from the crusades and is an acronym of Hierosolyma est perdita -'Jerusalem is lost'. Equally unlikely is the idea that 'hurrah' is a corruption of the Slavonic hu-raj - paradise. In this scheme, 'Hip Hip Hooray!' would mean 'Jerusalem is lost; paradise here we come!' Barry Saunders, Watford.
THE ART OF MEMORY FRANCIS A. YATES 1966 THREE LATIN SOURCES FOR THE CLASSICAL ART OF MEMORY Page 21 "The Ad Herennium was a well known and much used text in the Middle Ages when it had an immense prestige because it was thought to be by Cicero. It was therefore believed that the precepts for the artificial memory which it expounded had been drawn up by Tullius himself" Page 32
RE GODS NAME GODS RE RE AS IN THREE IS IS THREE AS IN RE GODS NAMES MEANS E MEANS NAMES GODS
THE ART OF MEMORY FRANCIS A. YATES 1966 THREE LATIN SOURCES FOR THE CLASSICAL ART OF MEMORY Page 175 CHAPTER 8 LULLISM AS AN ART OF MEMORY THOUGH we have now reached the Renaissance, with Camillo, we have to retrace our steps to the Middle Ages during this chapter. For there was another kind of art of memory which began in the Middle Ages, which continued into the Renaissance and beyond, and which it was the aim of many in the Renaissance to combine with the classical art in some new synthesis whereby memory should reach still further heights of insight and of power. This other art of memory was the Art of Ramon Lull. Lullism and its history is a most difficult subject and one for the exploration of which the full materials have not yet been assembled; The enormous number of Lull's own writings, some of them still unpublished, the vast Lullist literature written by his followers, the extreme complexity of Lullism, make it impossible as yet to reach very definite conclusions about what is, undoubtedly.ra strand of major importance in the European tradition. And what I have to do now is to write one not very long chapter giving some idea of what the Art of Ramon Lull was like, of why it was an art of memory, of how it differs from the classical art of memory, and of how Lullism became absorbed at the Renaissance into Renaissance forms of the classical art. Obviously- I am attempting the impossible, yet the impossible must be attempted because it is essential for the later part of this book that there should be some sketch at this stage of Lullism itself. The chapter is based on my own two articles on the art of Ramon Lull:' it is orientated towards a comparison of Lullism as an art of memory with. the classical art; and it is not concerned solely with 'genuine' Lullism but also with the Renaissance interpretation of Lullism, for it is this. which is important for the next stages of our history.
Page 282 "By THE LADDER OF MINERVA we rise from the first to the last..."
ART AT R AT ART
THE ART OF MEMORY FRANCIS A. YATES 1966 THREE LATIN SOURCES FOR THE CLASSICAL ART OF MEMORY Page 111 MEDIEVAL MEMORY AND THE FORMATION OF IMAGES "Petrarch makes his allusions to the art by introducing examples of men of antiquity famed for good memories and associating these with the classical art. His paragraph on the memories of Lucullus and Hortensius begins thus: - 'Memory is of two kinds, one for things, one for words.' 57 LUCULLUS 33333331 LUCULLUS
Daily Mail, Thursday, November 17, 2011 Page 70 QUESTION The W. B Yeats poem Mad As The Mists and snow name checks Homer, Horace, Cicero and and Tully ('and here is Tully's open page') Who was Tully?
Male Roman citizens typically had three names, their praenomen (given name), their nomen (clan name) and their' cognomen (nickname or family name), but in English classical Latin authors are generally known by a single name, often Anglicised. These sometimes derive from the nomen (for example, Horace's full name was Quintus Horatius Flaccus) and sometimes from the cognomen (as with Gaius Julius Caesar). In Cicero's case, he's today known by his cognomen, but has sometimes in the past been called Tully from his nomen. Despite coming from humble stock, Cicero's skill as an orator saw him rise to the supreme position of state in the Republic, the consulship, in 63BC and he played a key role in the defeat of the Catiline conspiracy. As a result of the rise to power of Julius Caesar, he took a lesser role in his later years, devoting himself to literature Instead. After Caesar's assassination in 44BC, Cicero returned to politics and took a key role in the senatorial opposition to Mark Antony. He was murdered on Antony's orders when he took power. Cicero's surviving letters form a key source for the history of the fall of the Roman Republic and its replacement by the rule of the emperors. David Bradbury, London.
THE ART OF MEMORY FRANCIS A. YATES 1966 THREE LATIN SOURCES FOR THE CLASSICAL ART OF MEMORY Page 21 "The Ad Herennium was a well known and much used text in the Middle Ages when it had an immense prestige because it was thought to be by Cicero. It was therefore believed that the precepts for the artificial memory which it expounded had been drawn up by Tullius himself" Page 32 Page 282 "By the THE LADDER OF MINERVA we rise from the first to the last..."
THE ART OF MEMORY FRANCIS A. YATES 1966 THREE LATIN SOURCES FOR THE CLASSICAL ART OF MEMORY Page 175 CHAPTER 8 LULLISM AS AN ART OF MEMORY THOUGH we have now reached the Renaissance, with Camillo, we have to retrace our steps to the Middle Ages during this chapter. For there was another kind of art of memory which began in the Middle Ages, which continued into the Renaissance and beyond, and which it was the aim of many in the Renaissance to combine with the classical art in some new synthesis whereby memory should reach still further heights of insight and of power. This other art of memory was the Art of Ramon Lull. Lullism and its history is a most difficult subject and one for the exploration of which the full materials have not yet been assembled; The enormous number of Lull's own writings, some of them still unpublished, the vast Lullist literature written by his followers, the extreme complexity of Lullism, make it impossible as yet to reach very definite conclusions about what is, undoubtedly.ra strand of major importance in the European tradition. And what I have to do now is to write one not very long chapter giving some idea of what the Art of Ramon Lullwas like, of why it was an art of memory, of how it differs from the classical art of memory, and of how Lullism became absorbed at the Renaissance into Renaissance forms of the classical art. Obviously- I am attempting the impossible, yet the impossible must be attempted because it is essential for the later part of this book that there should be some sketch at this stage of Lullism itself. The chapter is based on my own two articles on the art of Ramon Lull:' it is orientated towards a comparison of Lullism as an art of memory with. the classical art; and it is not concerned solely with 'genuine' Lullism but also with the Renaissance interpretation of Lullism, for it is this. which is important for the next stages of our history.
ART AT R AT ART
ISLAM EID ISLAM
EID I DIE
www.answers.com/topic/king-of-kings The 99 Attributes of Allah I found many different versions of the 99 names. The above 99 are on a poster I have. Another list includes Al-Mu'tiy - The Bestower, The Giver and does not have Al- Ahad - The One. Another list did not have Al- Ahad -The Sustainer, The Provider but did have Al - Razzaaq The Noble, The One who is Majid. Allah (subhanahu wa ta' ala)s' There are a couple of evidences, one is the du`aa where one calls upon Allah by the names He (subhanahu wa ta`ala) has kept to Himself (obviously not taking these names since Allah has not revealed them to us); another is the fact that in the narrations of the famous ninety nine names hadith that do contain 99 names, the names are not consistent between narrations (for example, imam al-bayhaqi reports two versions of this hadith, with different 99 names in each). It is suggested by one commentator that the names were not explicitly stated by the rasul (sallallahu `alayhi wa sallam).
THE HEART OF ISLAM Enduring Values for Humanity Seyyed Hossein Nasr 2002 ONE GOD, MANY PROPHETS The Unity of Truth and the Multiplicity of Revelations Say: He, God, is One, God the Self-Sufficient Besought of all. He begetteth not, nor is begotten, and none is like Him. Quran 112: v.1-41 Page 3/4 "To testify to this oneness lies at the heart of the credo of Islam, and the formula that expresses the truth of this oneness, La ilaha illa 'Llah, "There is no god but God," is the first of two testifications (shahadahs) by which a person bears witness to being a Muslim; the second is Muammadun rasal Allah, "Muhammad is the messenger of God." The oneness of God is for Muslims not only the heart of their religion, but that of every authentic religion. It is a reassertion of the revelation of God to the Hebrew prophets and to Christ, whom Muslims also consider to be their prophets, the revelation of the truth that "The Lord is one," the reconfirmation of that timeless truth that is also stated in the Catholic creed, Credo in unum Deum, "I believe in one God"."
LA ILAHA ILLA LLAH
LA ILAHA ILLA LLAH
ISLAM EID ISLAM
EID I DIE
THE HEART OF ISLAM Enduring Values for Humanity Seyyed Hossein Nasr 2002 ONE GOD, MANY PROPHETS The Unity of Truth and the Multiplicity of Revelations Say: He, God, is One, God the Self-Sufficient Besought of all. He begetteth not, nor is begotten, and none is like Him. Quran 112: v.1-41 Page 3/4 "To testify to this oneness lies at the heart of the credo of Islam, and the formula that expresses the truth of this oneness, La ilaha illa 'Llah, "There is no god but God," is the first of two testifications (shahadahs) by which a person bears witness to being a Muslim; the second is Muammadun rasal Allah, "Muhammad is the messenger of God." The oneness of God is for Muslims not only the heart of their religion, but that of every authentic religion. It is a reassertion of the revelation of God to the Hebrew prophets and to Christ, whom Muslims also consider to be their prophets, the revelation of the truth that "The Lord is one," the reconfirmation of that timeless truth that is also stated in the Catholic creed, Credo in unum Deum, "I believe in one God"."
www.answers.com/topic/king-of-kings The 99 Attributes of Allah I found many different versions of the 99 names. The above 99 are on a poster I have. Another list includes Al-Mu'tiy - The Bestower, The Giver and does not have Al- Ahad - The One. Another list did not have Al- Ahad -The Sustainer, The Provider but did have Al - Razzaaq The Noble, The One who is Majid. Allah (subhanahu wa ta' ala)s' There are a couple of evidences, one is the du`aa where one calls upon Allah by the names He (subhanahu wa ta`ala) has kept to Himself (obviously not taking these names since Allah has not revealed them to us); another is the fact that in the narrations of the famous ninety nine names hadith that do contain 99 names, the names are not consistent between narrations (for example, imam al-bayhaqi reports two versions of this hadith, with different 99 names in each). It is suggested by one commentator that the names were not explicitly stated by the rasul (sallallahu `alayhi wa sallam).
"Credo in unum Deum, "I believe in one God".
C RE ATUM ATUM RE C SEE ATUM RE ATUM RE SEE C RE ATUM ATUM RE C CREATION SEE REACTION CREATORS SEE CREATORS CREATIVE SEE REACTIVE SEE CREATIVE CREATUM 3951234 CREATUM CREATUM 3951234 CREATUM
OSIRIS ISISIS OSIRIS ISISIS OSIRIS ISISISISISIS SOIRIS IRIS OSIRIS ISIS SO IRIS ISIS SO OSIRIS ISISIS SO IR IS OSIRIS ISISIS SO IR IS 99 IS IR SO ?
From album "Strip" (2000) I Must have died a thousand times Time is on my side she said I Must have cried a thousand times How time flies Oh no no no no, oh no no no no
JUST SIX NUMBERS Martin Rees 1 OUR COSMIC HABITAT PLANETS STARS AND LIFE Page 24 A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence'
EVOLVE LOVE LOVE EVOLVE
REVOLVER EVOLVER LOVER
REVOLVER EVOLVER LOVER
THAT THAT THAT ISISISISIS THAT THAT THAT
ISTHAT THAT THAT IS OSIRIS SO IRIS IRIS SO OSIRIS OSIRIS SO 9991 IS 9991 IS SO OSIRIS OSIRIS SO IRIS IRIS SO OSIRIS IS THAT THAT THAT IS
THAT THAT THAT OSIRIS SO IR IS IR IS SO OSIRIS OSIRIS SO 99 IS IS 99 SO OSIRIS THAT THAT THAT
THE LIGHT IS NOW STRUCK NOW STRUCK IS THE LIGHT
HORUS OF HOURS NOWIS ARRIVED NOWIS HOURS OF HORUS AMEN GODS NAME I MEAN I MEAN I NAME GODS AMEN HURRAH FOR RAH FOR RAH HURRAH
I C 3 C I MAGI THE MAGIC C MAGIC THE MAGI IS MAGIC 41793 MAGIC IS MAGIC 393 MAGIC IS MAGIC 41793 MAGIC IS MAGI THE MAGIC C MAGIC THE MAGI
I C 5 C I IS REAL 9 LEAR IS N 5 N LEAR N 5 REAL 5 N LEARN
words and music by eden ahbez Nature Boy Nat King Cole There was a boy And then one day "the greatest thing you’ll ever learn
LOVE EVOLVE LOVE LOVE EVOLVE LO VE EV OL VE LO VE LO VE EV OL VE 36 45 54 63 45 36 45 36 45 54 63 45 LO VE EV OL VE LO VE LO VE EV OL VE LOVE EVOLVE LOVE LOVE EVOLVE
LOVE EVOLVE LOVE LOVE EVOLVE LO VE EV OL VE LO VE LO VE EV OL VE 9 9 9 9 9 9 9 9 9 9 9 9 LO VE EV OL VE LO VE LO VE EV OL VE LOVE EVOLVE LOVE LOVE EVOLVE
I SAY YOU CAN UNDERSTAND IT THAT IT UNDERSTAND CAN YOU UNDERSTAND IT UNDERSTAND WHAT ? GODS DIVINE EVERLASTINGNESSGODSEVERLASTINGNESS DIVINE GODS
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